Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century. The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques. The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.
Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.
On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.
The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.
Finds of coins in the late medieval cemetery of the Măzărache Church in Chișinău (excavations of 2010)
Tyragetia, serie nouă, vol. V [XX], nr. 1, Arheologie. Istorie Antică
In summer 2010 there were carried out the first archaeological saving excavations in the old, historical part of Chișinău. Oral tradition and written sources indicate that the historical heart of Chișinău was located in the lower part of the modern city, by the river of Bâc. Apparently, the locality emerged by a spring had already existed in the second half of the 14th century, before the ousting of the Golden Horde from the south-eastern part of the Carpathian-Dniester area in 1370s - 1380s. On the opposite, left bank of the river a Tartar settlement was located.
On the right bank of the Bâc River, on the top of a hill with a spring at the foot, there is the Intercession of the Virgin (“Măzărache”) Church that was built, by different opinions, in 1739-1740 (Eșanu 1998, 56), 1742 (Ciocanu 2002, 39-43), or, according to other information, in 1752 (Chișinău 1984, 324). It was erected on the site of another, more ancient wooden church that had been burnt by the Turkish army in 1739 during the Russian-Turkish war of 1735-1739 (Eșanu 2001, 147).
In the course of the archaeological excavations there have been revealed some ceramic materials of the Late Bronze and the Early Iron Ages as well as numerous evidences of the medieval time. A ditch dated, apparently, from the 16th-17th centuries that closed the access to the promontory and remnants of a ground dwelling with a stone basement of the 17th-18th centuries are of the greatest interest. Here we found well preserved remains of a monumental architectural structure of red brick defined as an aqueduct constructed by A. Bernardazzi in the end of the 19th century (Bubis 1997, 59-62).
The excavations were conducted in the south-western periphery of the cemetery and directly at the northern apse of the church. In the area of about 100 m2 there were investigated 52 burials. The vast majority of them were of the Christian rite. Inventory of the burials is rather poor. In different burials there were found from one to five coins; bone, bronze or silver buttons; earrings; pottery fragments; rings; etc. During the investigation of the cemetery of the Măzărache Church in the historical part of Chisinau there were found 29 coins. 13 ones belong to the Hungarian issues of the 16th - early 17th centuries, one silver coin is a “poltorak” of the Polish-Lithuanian Commonwealth of the early 17th century and the other is Swedish shilling of the second half of the same century. The third undefined poorly-preserved European coin presumably belongs to these issues. Turkish coins (13 pieces) are in the majority of the 18th -nearly 19th century. Only three of them belong to the 16th-17th centuries.
As a result of the investigations in the cemetery it also can be stated that already in the second half of the 16th century the space of the promontory around the supposed wooden church was entirely occupied by burials of the local Christian community. The last burials were carried out in the first two decades of the 19th century, when a stone fence was built around the church.
List of figures: Fig. 1. Coins found during the investigations of the Măzărache Church cemetery in Chișinău.
Ion Tentiuc
About horse rider pendants from the early Medieval period in the Prut-Dniester area
Tyragetia, serie nouă, vol. IV [XIX], nr. 1, Arheologie. Istorie Antică
Ion Tentiuc
Les carreaux des poêles avec l’images heraldiques de Căușeni
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
Ion Tentiuc, Valeriu Bubulici
An incineration burial in metal urn (2nd-3rd c. AD) discovered at Iagorlîc, Dubăsari
Tyragetia, serie nouă, vol. XII [XXVII], nr. 1, Arheologie. Istorie Antică
Ion Tentiuc, Valeriu Bubulici, Angela Simalcsik
A cremation burial of a horseman near the village of Mana (the Orhei district)
Tyragetia, serie nouă, vol. IX [XXIV], nr. 1, Arheologie. Istorie Antică Chișinău, 2015
Aurel Zanoci, Octavian Munteanu, Ion Tentiuc, Valeriu Bubulici
New archaeological discoveries of the Iron Age sites near the village of Mana, Orhei District
Tyragetia, serie nouă, vol. IX [XXIV], nr. 1, Arheologie. Istorie Antică Chișinău, 2015
Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century....
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.