#Exhibit of the Month

The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet."
Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.

The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."

The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.

This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.

Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.

The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.

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Publications

Journal „Tyragetia"

vol. X [XXV], nr. 1

ISSN 1857-0240
E-ISSN 2537-6330

Михаил Видейко

Investigations of Trypillia site

Tyragetia, serie nouă, vol. X [XXV], nr. 1, Arheologie. Istorie Antică

Keywords: Trypillia site, V. Khvoika, excavations, stage Trypillia BI-II, large settlements

Abstract: This article is dedicated to investigations of the site, which gave its name to the Trypillian Culture. For the first time it was excavated by V. Khvoika in autumn 1897, at the same time when he explored few sites around the village of Trypillia in 40 km south of Kiev. Despite the fact that since the excavation more than a hundred years has passed, the results have not been published, except a description in two pages that appeared in 1901. Later the place of excavations was forgotten, and only after 100 years it was discovered for a second time and identified using archival materials. A brief history of this "rediscovery" is presented in this article. We also propose the description of explored objects based on a modern view on the Trypillian Culture objects and interpretation of other finds from this site in the system of contemporary dating and periodization. This article mainly based on data from the Scientific Archive of the Institute of Archaeology of the National Academy of Sciences of Ukraine and some materials from the National Museum of History of Ukraine. Trypillia now is the largest (possibly up to 100 hectares) site of this culture in the Middle Dnieper region and at the same time the earliest one of these sites, dated by BI-II stage (around 4400-4200 BC).

List of illustrations:
Fig. 1. Fragment of the Open Letter of 1909 to the excavations in the Kiev region, including Trypillia. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 2. Page from the field dairy by V. Khvoika (1897) with a view of the place of excavations near Trypillia. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 3. Excavations near Trypillia, drawing from a table made by V. Khvoika. Drawing is based on the sketch from the field dairy, 1897. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kyiv.
Fig. 4. Photo from a table made using field drawings. Inscription on the top: "Excavations near Trypillia, Kiev district". Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 5. Maps with the place of excavations: 1 - scheme published by V. Khvoika in 1904; 2 - fragment of a map, possibly used for the scheme; 3 - fragment of a scheme. Place of excavations is marked by an arrow.
Fig. 6. Excavations near Trypillia, panorama by V. Khvoika (a) vs satellite image (b): 1 - place, from which V. Khvoika observed explored area near Trypillia; 2 - hill at the central part of Trypillia with church; 3 - windmills to the right; 4 - windmills on Divich Gora (to the left). Place of excavations marked by circle.
Fig. 7. Place of excavations near Trypillia in 2003: а - view to Trypillia, by number 4 Divich-Gora marked (on drawings to the left); b - plateau with site, view from Krasnaya river; с - view from Trypillia, 1 - place, from which V. Khvoika observed explored area near Trypillia; place of 2003 г. Excavations marked by arrow.
Fig. 8. Trypillia, 2003: 1 - test-pit, general view; 2 - cultural layer with remains of burnt house; 3 - fragment of pear- like vessel; 4 - fragments of painted pottery.
Fig. 9. Trypillia, excavations in 1897, drawings by V. Khvoika. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 10. Trypillia, excavations in 1897, drawings by V. Khvoika. Croup of vessels and human bones. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 11. Trypillia, excavations in 1897, drawings by V. Khvoika. Page from dairy, dated 3.10.1897. Group of vessels in test-pit. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 12. Trypillia, excavations in 1897, drawings by V. Khvoika, later used for preparations of the large illustration.
Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 13. Finds from excavations near Trypillia: 1 - stone tools; 2 - copper axe. Drawings by V. Khvoika (1) and photo
(2) published in 1901.
Fig.14. Trypillia, helmet-like cap: 1 - old label with inscription, in which Trypillia mentioned as the place of finding; 2-4 - helmet-like cap, general views. National Museum of History of Ukraine, Kiev.
Fig. 15. Fragments of painted pottery, probably from Trypillia. Drawings from the large table prepared by V. Khvoika for publication. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 16. View on excavations near the Krasna River by Trypillia at the beginning of the 20th century: 1 - inscription from the top of passé-partout; 2 - photo of trench, places with vessels are marked; 3-4 - finds enlarged. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.