#Exhibit of the Month

Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable.
With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects.
The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home.
In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present.
These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.

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Publications

Journal „Tyragetia"

vol. X [XXV], nr. 1

ISSN 1857-0240
E-ISSN 2537-6330

Михаил Видейко

Investigations of Trypillia site

Tyragetia, serie nouă, vol. X [XXV], nr. 1, Arheologie. Istorie Antică

Keywords: Trypillia site, V. Khvoika, excavations, stage Trypillia BI-II, large settlements

Abstract: This article is dedicated to investigations of the site, which gave its name to the Trypillian Culture. For the first time it was excavated by V. Khvoika in autumn 1897, at the same time when he explored few sites around the village of Trypillia in 40 km south of Kiev. Despite the fact that since the excavation more than a hundred years has passed, the results have not been published, except a description in two pages that appeared in 1901. Later the place of excavations was forgotten, and only after 100 years it was discovered for a second time and identified using archival materials. A brief history of this "rediscovery" is presented in this article. We also propose the description of explored objects based on a modern view on the Trypillian Culture objects and interpretation of other finds from this site in the system of contemporary dating and periodization. This article mainly based on data from the Scientific Archive of the Institute of Archaeology of the National Academy of Sciences of Ukraine and some materials from the National Museum of History of Ukraine. Trypillia now is the largest (possibly up to 100 hectares) site of this culture in the Middle Dnieper region and at the same time the earliest one of these sites, dated by BI-II stage (around 4400-4200 BC).

List of illustrations:
Fig. 1. Fragment of the Open Letter of 1909 to the excavations in the Kiev region, including Trypillia. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 2. Page from the field dairy by V. Khvoika (1897) with a view of the place of excavations near Trypillia. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 3. Excavations near Trypillia, drawing from a table made by V. Khvoika. Drawing is based on the sketch from the field dairy, 1897. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kyiv.
Fig. 4. Photo from a table made using field drawings. Inscription on the top: "Excavations near Trypillia, Kiev district". Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 5. Maps with the place of excavations: 1 - scheme published by V. Khvoika in 1904; 2 - fragment of a map, possibly used for the scheme; 3 - fragment of a scheme. Place of excavations is marked by an arrow.
Fig. 6. Excavations near Trypillia, panorama by V. Khvoika (a) vs satellite image (b): 1 - place, from which V. Khvoika observed explored area near Trypillia; 2 - hill at the central part of Trypillia with church; 3 - windmills to the right; 4 - windmills on Divich Gora (to the left). Place of excavations marked by circle.
Fig. 7. Place of excavations near Trypillia in 2003: а - view to Trypillia, by number 4 Divich-Gora marked (on drawings to the left); b - plateau with site, view from Krasnaya river; с - view from Trypillia, 1 - place, from which V. Khvoika observed explored area near Trypillia; place of 2003 г. Excavations marked by arrow.
Fig. 8. Trypillia, 2003: 1 - test-pit, general view; 2 - cultural layer with remains of burnt house; 3 - fragment of pear- like vessel; 4 - fragments of painted pottery.
Fig. 9. Trypillia, excavations in 1897, drawings by V. Khvoika. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 10. Trypillia, excavations in 1897, drawings by V. Khvoika. Croup of vessels and human bones. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 11. Trypillia, excavations in 1897, drawings by V. Khvoika. Page from dairy, dated 3.10.1897. Group of vessels in test-pit. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 12. Trypillia, excavations in 1897, drawings by V. Khvoika, later used for preparations of the large illustration.
Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 13. Finds from excavations near Trypillia: 1 - stone tools; 2 - copper axe. Drawings by V. Khvoika (1) and photo
(2) published in 1901.
Fig.14. Trypillia, helmet-like cap: 1 - old label with inscription, in which Trypillia mentioned as the place of finding; 2-4 - helmet-like cap, general views. National Museum of History of Ukraine, Kiev.
Fig. 15. Fragments of painted pottery, probably from Trypillia. Drawings from the large table prepared by V. Khvoika for publication. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 16. View on excavations near the Krasna River by Trypillia at the beginning of the 20th century: 1 - inscription from the top of passé-partout; 2 - photo of trench, places with vessels are marked; 3-4 - finds enlarged. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.