#Exhibit of the Month

The exhibit represents a fragment from a unique amphora discovered in 1988 in a ceramic kiln from the Chirileni III settlement (Sîngerei district), attributed to the Cucuteni-Tripolie archaeological culture stage CII (5th-4th millennia BC).

The ceramic fragment with painted human and geometric representations constitutes about 50% of the upper part of an amphora, made of clay paste without impurities. It is burned in an oxidizing environment, with a reddish color in the section. The inner surface of the vessel is covered with a pink-whitish color layer, and the smoothed and polished exterior is covered with a yellowish-gray engobe start. The body of the amphora is spheroidal with four pyramidal cakes on the shoulder, and the neck is high frustoconical with a short outwardly turned lip. The dimensions of the bowl: lip diameter - 18 cm; maximum body diameter - 43-45 cm; neck height - 13 cm; height of exposed fragment - 43 cm; the estimated total height of the vessel is 55-60 cm. Thickness at the lip - 6-7 mm, at the neck - 9-11 mm, and at the body - 10-13 mm.

The outer surface of the amphora in a proportion of about 4/5, except for the lower part, is bicolorly decorated with black and brown paint, the brush being used as a tool, which can be felt from the specific application of the lines. Two brushes were most likely used. The ornament is divided into three horizontal registers that surround the vessel dividing the interior into metopes. The decoration is composed of lines arranged vertically, horizontally or obliquely forming geometric compositions of the net type.

The special significance of the amphora resides in the representation in the middle register of the painting of the stylized scene of a female ritual dance. The scene painted on the body of the amphora represents the image of a group made up of 9 female characters assisted by two dogs and 3 snakes. The female images are represented schematically, with the emphasis on long legs, mini-trapezoidal skirts, short stretched bodies, folded dancing hands and pointed heads.

Vessels with painted anthropomorphic representations are very rare, being around 140 images of this kind known so far in the entire area of spread of the Cucuteni-Tripoli culture.

Based on the analysis of the shape of the vessel, the specific decoration and the context of the discovery, it can be admitted that the amphora from Chirileni belongs to the cult of the Mother Woman, the Great Goddess worshiped by the Eneolithic populations.

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Publications

Journal „Tyragetia"

vol. X [XXV], nr. 1

ISSN 1857-0240
E-ISSN 2537-6330

Михаил Видейко

Investigations of Trypillia site

Tyragetia, serie nouă, vol. X [XXV], nr. 1, Arheologie. Istorie Antică

Keywords: Trypillia site, V. Khvoika, excavations, stage Trypillia BI-II, large settlements

Abstract: This article is dedicated to investigations of the site, which gave its name to the Trypillian Culture. For the first time it was excavated by V. Khvoika in autumn 1897, at the same time when he explored few sites around the village of Trypillia in 40 km south of Kiev. Despite the fact that since the excavation more than a hundred years has passed, the results have not been published, except a description in two pages that appeared in 1901. Later the place of excavations was forgotten, and only after 100 years it was discovered for a second time and identified using archival materials. A brief history of this "rediscovery" is presented in this article. We also propose the description of explored objects based on a modern view on the Trypillian Culture objects and interpretation of other finds from this site in the system of contemporary dating and periodization. This article mainly based on data from the Scientific Archive of the Institute of Archaeology of the National Academy of Sciences of Ukraine and some materials from the National Museum of History of Ukraine. Trypillia now is the largest (possibly up to 100 hectares) site of this culture in the Middle Dnieper region and at the same time the earliest one of these sites, dated by BI-II stage (around 4400-4200 BC).

List of illustrations:
Fig. 1. Fragment of the Open Letter of 1909 to the excavations in the Kiev region, including Trypillia. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 2. Page from the field dairy by V. Khvoika (1897) with a view of the place of excavations near Trypillia. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 3. Excavations near Trypillia, drawing from a table made by V. Khvoika. Drawing is based on the sketch from the field dairy, 1897. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kyiv.
Fig. 4. Photo from a table made using field drawings. Inscription on the top: "Excavations near Trypillia, Kiev district". Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 5. Maps with the place of excavations: 1 - scheme published by V. Khvoika in 1904; 2 - fragment of a map, possibly used for the scheme; 3 - fragment of a scheme. Place of excavations is marked by an arrow.
Fig. 6. Excavations near Trypillia, panorama by V. Khvoika (a) vs satellite image (b): 1 - place, from which V. Khvoika observed explored area near Trypillia; 2 - hill at the central part of Trypillia with church; 3 - windmills to the right; 4 - windmills on Divich Gora (to the left). Place of excavations marked by circle.
Fig. 7. Place of excavations near Trypillia in 2003: а - view to Trypillia, by number 4 Divich-Gora marked (on drawings to the left); b - plateau with site, view from Krasnaya river; с - view from Trypillia, 1 - place, from which V. Khvoika observed explored area near Trypillia; place of 2003 г. Excavations marked by arrow.
Fig. 8. Trypillia, 2003: 1 - test-pit, general view; 2 - cultural layer with remains of burnt house; 3 - fragment of pear- like vessel; 4 - fragments of painted pottery.
Fig. 9. Trypillia, excavations in 1897, drawings by V. Khvoika. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 10. Trypillia, excavations in 1897, drawings by V. Khvoika. Croup of vessels and human bones. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 11. Trypillia, excavations in 1897, drawings by V. Khvoika. Page from dairy, dated 3.10.1897. Group of vessels in test-pit. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 12. Trypillia, excavations in 1897, drawings by V. Khvoika, later used for preparations of the large illustration.
Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 13. Finds from excavations near Trypillia: 1 - stone tools; 2 - copper axe. Drawings by V. Khvoika (1) and photo
(2) published in 1901.
Fig.14. Trypillia, helmet-like cap: 1 - old label with inscription, in which Trypillia mentioned as the place of finding; 2-4 - helmet-like cap, general views. National Museum of History of Ukraine, Kiev.
Fig. 15. Fragments of painted pottery, probably from Trypillia. Drawings from the large table prepared by V. Khvoika for publication. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.
Fig. 16. View on excavations near the Krasna River by Trypillia at the beginning of the 20th century: 1 - inscription from the top of passé-partout; 2 - photo of trench, places with vessels are marked; 3-4 - finds enlarged. Scientific Archive, Institute of Archaeology, National Academy of Sciences of Ukraine, Kiev.