Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century. The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques. The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.
Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.
On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.
The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
The idea to involve Jews in Russia in agricultural work appeared for the first time at the late 18th - early 19th centuries, having been originated from both Russian statesmen and representatives of the Jewish intellectual elite. Among the first ones we can mention Chatsky with his project of 1788, Frizel and especially Derzhavin, among the latter – Nota Notkin (1798) and I.B. Levinson (the late 1820s). The government was also interested in this idea, intending to make the Jews “useful citizens for the benefit of the State” and use them, along with the Germans and Bulgarians, for the colonization of the territories of Novorossiya.
The final status of the Jewish farmers was confirmed by a special statute from December 26, 1844, under which they had been provided with a number of privileges: exemption for 10 years from payment of all taxes and financial charges (except personal ones) with respect to the land in use, from payment of all arrears on a previous state, from recruitment for a period of 25 years, etc. Each family received 30 dessiatinas of land.
According to the tax census of 1851, in Bessarabia there were registered 1966 Jewish farmers. By 1857 in Bessarabia there were already 13 Jewish colonies: in the counties of Hotin (1), Soroca (6) Iasi (2), Orhei (2), Chisinau (1), and Bender (1).
Later the number of Jewish colonies has declined. In 1874 they had only 8 ones (including an uninhabited): 1 colony in the Iasi county and 7 colonies (including the uninhabited one) in the Soroca county.
Although the Jewish farmers benefited from certain privileges and some measures were taken for their promotion, household level in the Jewish colonies was quite low, which proved the Jews’ inability of the agricultural labour and their negative attitude towards this branch of economy, since by their nature they tended to trade and crafts.
Valentin Tomuleț
Bessarabian bourgeoisie in modern age (Classification, characteristics, evolution)
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Valentin Tomuleț, Victoria Bivol
The elites of Bessarabian bourgeoisie: Armenian and Greek wholesale merchants (1812-1868)
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Valentin Tomuleț, Victoria Bivol
Representatives of bourgeois elite in Bessarabia: Greek merchant Pantelei Sinadino (1830-1850)
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
The legal status of călărași in Bessarabia: from Moldovan traditions to the Russian imperial administrative system
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
Taxation of the mazili and ruptași social categories in Bessarabia under the Tsarist domination (1812-1847)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century....
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
