German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design. The museum's collection preserves five figurines from one of the oldest porcelain manufactories in the Thuringia region of Germany - the statuary group known as *"The Musicians"*, crafted at the Volkstedt manufactory. These pieces entered the museum's holdings in 1991, acquired from a resident of Chișinău. With undeniable historical and artistic value, they bear the distinct imprint of the Rococo style. The Volkstedt manufactory has a long-standing tradition in producing figurines, including those depicting musicians. In 1760, Georg Heinrich Macheleid - inventor of hard-paste porcelain in Thuringia - founded a production workshop in Zitzendorf, which was relocated to Volkstedt in 1762. Macheleid led the manufactory until 1764. Over time, the factory changed ownership and management multiple times. Under the direction of Christian Nonne, it flourished between 1767 and 1797, a period marked by significant artistic development. Volkstedt began creating figurines that would later gain international recognition. It was during this flourishing period that the museum's porcelain statuettes, titled *"The Musicians"*, were produced. They depict five “putti”: four playing musical instruments (flute, mandolin, horn, and pipe), while the fifth conducts. Each figurine is entirely handcrafted - from modeling to painting - and delicately adorned with pastel tones and gilded details, capturing the playful movement and refined artistry of each musician. The base is made of mass-colored porcelain in a rare grey-green hue. The contrast between green, white, and gold accents lends the ensemble an unusually delicate appearance. These ornamental features are characteristic of the Rococo style, which emerged in France and is closely associated with the reign of King Louis XV. The mark applied to the figurines consists of two crossed forks, clearly rendered in underglaze blue, with slightly blurred paint - a detail that helps date their production. Because the crossed forks often resembled the crossed swords of the Meissen trademark, the Volkstedt manufactory was compelled to change its mark starting in 1787. Initially represented by a single fork, the mark briefly returned to two forks before being replaced in 1800 by the graphic symbol "R", referencing the town of Rudolstadt. Therefore, the brief period during which the two-fork mark was reinstated - and during which the museum's figurines were likely produced - is estimated to be between 1787 and 1800.
The statuettes range in height from 10 to 18 cm and are preserved in relatively good condition.
These late 18th-century German porcelain pieces, now on display, are exceptionally rare. They stand as true works of art by German craftsmen and serve as important historical testimonies to the evolution of porcelain manufacturing in Germany.
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
The idea to involve Jews in Russia in agricultural work appeared for the first time at the late 18th - early 19th centuries, having been originated from both Russian statesmen and representatives of the Jewish intellectual elite. Among the first ones we can mention Chatsky with his project of 1788, Frizel and especially Derzhavin, among the latter – Nota Notkin (1798) and I.B. Levinson (the late 1820s). The government was also interested in this idea, intending to make the Jews “useful citizens for the benefit of the State” and use them, along with the Germans and Bulgarians, for the colonization of the territories of Novorossiya.
The final status of the Jewish farmers was confirmed by a special statute from December 26, 1844, under which they had been provided with a number of privileges: exemption for 10 years from payment of all taxes and financial charges (except personal ones) with respect to the land in use, from payment of all arrears on a previous state, from recruitment for a period of 25 years, etc. Each family received 30 dessiatinas of land.
According to the tax census of 1851, in Bessarabia there were registered 1966 Jewish farmers. By 1857 in Bessarabia there were already 13 Jewish colonies: in the counties of Hotin (1), Soroca (6) Iasi (2), Orhei (2), Chisinau (1), and Bender (1).
Later the number of Jewish colonies has declined. In 1874 they had only 8 ones (including an uninhabited): 1 colony in the Iasi county and 7 colonies (including the uninhabited one) in the Soroca county.
Although the Jewish farmers benefited from certain privileges and some measures were taken for their promotion, household level in the Jewish colonies was quite low, which proved the Jews’ inability of the agricultural labour and their negative attitude towards this branch of economy, since by their nature they tended to trade and crafts.
Valentin Tomuleț, Victoria Bivol
The elites of Bessarabian bourgeoisie: Armenian and Greek wholesale merchants (1812-1868)
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
Historiographical considerations regarding the status of ruptashi in Bessarabia under Tsarist domination (1812-1847)
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Valentin Tomuleț, Victoria Bivol
Representatives of bourgeois elite in Bessarabia: Greek merchant Pantelei Sinadino (1830-1850)
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
Literate mazili and ruptași in Bessarabia in the first half of the 19th century
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Valentin Tomuleț
Jewish component in the ethnical structure of the commercial bourgeoisie in Bessarabia (1812-1868)
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.