To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
The idea to involve Jews in Russia in agricultural work appeared for the first time at the late 18th - early 19th centuries, having been originated from both Russian statesmen and representatives of the Jewish intellectual elite. Among the first ones we can mention Chatsky with his project of 1788, Frizel and especially Derzhavin, among the latter – Nota Notkin (1798) and I.B. Levinson (the late 1820s). The government was also interested in this idea, intending to make the Jews “useful citizens for the benefit of the State” and use them, along with the Germans and Bulgarians, for the colonization of the territories of Novorossiya.
The final status of the Jewish farmers was confirmed by a special statute from December 26, 1844, under which they had been provided with a number of privileges: exemption for 10 years from payment of all taxes and financial charges (except personal ones) with respect to the land in use, from payment of all arrears on a previous state, from recruitment for a period of 25 years, etc. Each family received 30 dessiatinas of land.
According to the tax census of 1851, in Bessarabia there were registered 1966 Jewish farmers. By 1857 in Bessarabia there were already 13 Jewish colonies: in the counties of Hotin (1), Soroca (6) Iasi (2), Orhei (2), Chisinau (1), and Bender (1).
Later the number of Jewish colonies has declined. In 1874 they had only 8 ones (including an uninhabited): 1 colony in the Iasi county and 7 colonies (including the uninhabited one) in the Soroca county.
Although the Jewish farmers benefited from certain privileges and some measures were taken for their promotion, household level in the Jewish colonies was quite low, which proved the Jews’ inability of the agricultural labour and their negative attitude towards this branch of economy, since by their nature they tended to trade and crafts.
Valentin Tomuleț
Jewish component in the ethnical structure of the commercial bourgeoisie in Bessarabia (1812-1868)
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
Valentin Tomuleț
The establishment and activity of Lancasterian schools in Bessarabia in the 1820s-1840s
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
The legal status of călărași in Bessarabia: from Moldovan traditions to the Russian imperial administrative system
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț, Victoria Bivol
Representatives of bourgeois elite in Bessarabia: Greek merchant Pantelei Sinadino (1830-1850)
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
Bessarabian bourgeoisie in modern age (Classification, characteristics, evolution)
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.