The exhibit represents a fragment from a unique amphora discovered in 1988 in a ceramic kiln from the Chirileni III settlement (Sîngerei district), attributed to the Cucuteni-Tripolie archaeological culture stage CII (5th-4th millennia BC).
The ceramic fragment with painted human and geometric representations constitutes about 50% of the upper part of an amphora, made of clay paste without impurities. It is burned in an oxidizing environment, with a reddish color in the section. The inner surface of the vessel is covered with a pink-whitish color layer, and the smoothed and polished exterior is covered with a yellowish-gray engobe start. The body of the amphora is spheroidal with four pyramidal cakes on the shoulder, and the neck is high frustoconical with a short outwardly turned lip. The dimensions of the bowl: lip diameter - 18 cm; maximum body diameter - 43-45 cm; neck height - 13 cm; height of exposed fragment - 43 cm; the estimated total height of the vessel is 55-60 cm. Thickness at the lip - 6-7 mm, at the neck - 9-11 mm, and at the body - 10-13 mm.
The outer surface of the amphora in a proportion of about 4/5, except for the lower part, is bicolorly decorated with black and brown paint, the brush being used as a tool, which can be felt from the specific application of the lines. Two brushes were most likely used. The ornament is divided into three horizontal registers that surround the vessel dividing the interior into metopes. The decoration is composed of lines arranged vertically, horizontally or obliquely forming geometric compositions of the net type.
The special significance of the amphora resides in the representation in the middle register of the painting of the stylized scene of a female ritual dance. The scene painted on the body of the amphora represents the image of a group made up of 9 female characters assisted by two dogs and 3 snakes. The female images are represented schematically, with the emphasis on long legs, mini-trapezoidal skirts, short stretched bodies, folded dancing hands and pointed heads.
Vessels with painted anthropomorphic representations are very rare, being around 140 images of this kind known so far in the entire area of spread of the Cucuteni-Tripoli culture.
Based on the analysis of the shape of the vessel, the specific decoration and the context of the discovery, it can be admitted that the amphora from Chirileni belongs to the cult of the Mother Woman, the Great Goddess worshiped by the Eneolithic populations.
The legal status of călărași in Bessarabia: from Moldovan traditions to the Russian imperial administrative system
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
In this study, based on archival and published sources, the author analyzes the status of călărași based on the comparative approach: from the Moldovan traditions to Russian imperial administrative system. The author ascertains that călărași as the guards' category were mentioned in the documentary information from the 16th century, as being recruited among free peasants and obliged to go to war on their own account at the request of the rulers, for tax exemption or the right to use royal estates.
Over the centuries this social category has undergone significant changes, not only numerically but also in terms of social and legal status. In the 18th century, with the decline of military importance of the călărași, their secondary tasks were maintained and extended. The privileges enjoyed by this social category were confirmed by rulers, similar to the privileged classes of society.
Upon annexation of Bessarabia to Russia călărași kept only auxiliary functions, being considered serving for local governments, persons responsible for local security; during wartime they participated in the finding of carts for the transportation of supplies, etc.
Călărași formed indigenous militia and were at the command of ispravnic for the execution of different tasks in the counties. They were employed in the service from the free villages exempted of any drudgery and tax, but a military billeting; they immediately obeyed ispravnic's orders, receiving annual payment in money.
Over time, the tsarist government, as with other social groups, tried to regulate this category of servants, limiting their activities, reducing substantially its number and fitting it into some legal rules. For this purpose there even was made up a regulation statute for călărași. Despite privileges enjoyed by this social category, the situation of călărași was not easy, as evidenced by the many complaints from them at various district and regional administrative offices.
Valentin Tomuleț
The establishment of special administration of city Ismail and its role in the evolution of commercial bourgeoisie (1830-1853)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Valentin Tomuleț, Cristina Gherasim
Some considerations on factors that generated mentality shifts of the landlords in Bessarabia under tsarist domination (1812-1817)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
Literate mazili and ruptași in Bessarabia in the first half of the 19th century
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Valentin Tomuleț, Angela Baxan
On the question of competence of the Supreme Council of Bessarabian Oblast (August 28, 1816 - February 29, 1828)
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Валентин Томулец, Анастасия Гуцу
Bessarabia in the system of trade relations of Russia with the Austrian Empire (1812-1830)
Tyragetia, serie nouă, vol. XVII [XXXII], nr. 2, Istorie. Muzeologie
The exhibit represents a fragment from a unique amphora discovered in 1988 in a ceramic kiln from the Chirileni III settlement (Sîngerei district), attributed to the Cucuteni-Tripolie archaeological culture stage CII (5th-4th millennia BC)...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.