The exhibit represents a fragment from a unique amphora discovered in 1988 in a ceramic kiln from the Chirileni III settlement (Sîngerei district), attributed to the Cucuteni-Tripolie archaeological culture stage CII (5th-4th millennia BC).
The ceramic fragment with painted human and geometric representations constitutes about 50% of the upper part of an amphora, made of clay paste without impurities. It is burned in an oxidizing environment, with a reddish color in the section. The inner surface of the vessel is covered with a pink-whitish color layer, and the smoothed and polished exterior is covered with a yellowish-gray engobe start. The body of the amphora is spheroidal with four pyramidal cakes on the shoulder, and the neck is high frustoconical with a short outwardly turned lip. The dimensions of the bowl: lip diameter - 18 cm; maximum body diameter - 43-45 cm; neck height - 13 cm; height of exposed fragment - 43 cm; the estimated total height of the vessel is 55-60 cm. Thickness at the lip - 6-7 mm, at the neck - 9-11 mm, and at the body - 10-13 mm.
The outer surface of the amphora in a proportion of about 4/5, except for the lower part, is bicolorly decorated with black and brown paint, the brush being used as a tool, which can be felt from the specific application of the lines. Two brushes were most likely used. The ornament is divided into three horizontal registers that surround the vessel dividing the interior into metopes. The decoration is composed of lines arranged vertically, horizontally or obliquely forming geometric compositions of the net type.
The special significance of the amphora resides in the representation in the middle register of the painting of the stylized scene of a female ritual dance. The scene painted on the body of the amphora represents the image of a group made up of 9 female characters assisted by two dogs and 3 snakes. The female images are represented schematically, with the emphasis on long legs, mini-trapezoidal skirts, short stretched bodies, folded dancing hands and pointed heads.
Vessels with painted anthropomorphic representations are very rare, being around 140 images of this kind known so far in the entire area of spread of the Cucuteni-Tripoli culture.
Based on the analysis of the shape of the vessel, the specific decoration and the context of the discovery, it can be admitted that the amphora from Chirileni belongs to the cult of the Mother Woman, the Great Goddess worshiped by the Eneolithic populations.
Lawsuits initiated against participants of resistance movement from postwar Moldova
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
In this article the author returns to the red terror and anti-Soviet resistance in postwar Moldova. The numerous judiciary processes set up by soviet authorities against the participants and supporters of anti-Soviet and anticommunist resistance are in focus. The essence of Soviet justice came out to light during the lawsuits, along the cruelty and lack of humanity with regard to the opponents of the regime. Victims of unfair lawsuits turned up to hundreds and thousands of men who dared to go against the political terror and economical exploitation promoted by communist party and Soviet power on occupied territory of Bessarabia. All leaders and active members of the anti-Soviet organizations operating in the first postwar years were convicted under the accusation of “treason” to either death or 25 years of prison. The drastic measures applied to the participants of anti-Soviet and anticommunist resistance were aimed, besides physical and moral destruction, at disseminating fear amongst local population and making them more loyal to the Soviet regime also.
Elena Postică
Victor Andreev: “And when the Motherland will regain freedom ...”
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Elena Postică
Oak from Caracui. Exhibition dedicated to the 100th anniversary of Academician Nicolae Corlăteanu
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Elena Postică
Documentary photography exhibition “War after the War”
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 2, Istorie. Muzeologie
Elena Postică
From the archives of the former KGB to the possession of the museum. History of one collection
Tyragetia, serie nouă, vol. XII [XXVII], nr. 2, Istorie. Muzeologie
Elena Postică
Anniversary exhibition “Centenary of Great Romania”
Tyragetia, serie nouă, vol. XII [XXVII], nr. 2, Istorie. Muzeologie
The exhibit represents a fragment from a unique amphora discovered in 1988 in a ceramic kiln from the Chirileni III settlement (Sîngerei district), attributed to the Cucuteni-Tripolie archaeological culture stage CII (5th-4th millennia BC)...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.