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#Exhibit of the Month

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The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody. The cylinder holds seven melodies by W.A. Mozart, which are played through the vibration of steel teeth arranged in a comb, whose tips are adjacent to the cylinder. The lid of the box features floral marquetry on its outer surface. This cultural asset is classified under the "Tezaur" category.

The Story of Musical Boxes

Musical boxes originated in Switzerland at the end of the 18th century. In 1796, watchmaker Antoine Favre-Salomon invented a pocket watch with an incorporated musical mechanism, using the principle of tuned metal lamellae. The invention quickly spread, soon leading to the creation of musical boxes independent of watches.

Initially invented and built for the salon entertainment of the aristocracy, musical boxes quickly evolved, capturing the market and public interest with these entertainment machines. The musical box industry was predominantly centered in Switzerland. Geneva remains the cradle of the musical box, even though the art of crafting these musical wonders spread to other regions of Switzerland - such as Jura, Auberson, and Sainte Croix - and later to other countries, including France, Germany, and Czechoslovakia. Some of the most notable manufacturers of musical boxes include: Mermod Frères, Paillard, Reuge, Thorens, Cuendet, Junod, Nicole Frères, Ducommun-Girod, Brémond, and L'Epee.

The musical box operated on a relatively simple principle: a cylinder with pins (cylindrical pins) would, through rotation, actuate a metal "comb" tuned to specific musical notes, both being concealed from view in one of the box's compartments. By turning the cylinder - with the help of a spring mechanism (similar to that of watches) - the pins would strike the steel "teeth" of the comb, causing them to vibrate and produce different musical notes. A musical box could have a limited number of melodies "programmed" onto the cylinder - from 4 to 12.

Over time, the cylinders were replaced with interchangeable metal discs. Based on this operating principle, large musical boxes emerged in cafés and taverns, which could be activated by inserting a coin, allowing users to select their preferred disc.

Besides the ingenious mechanism, musical boxes also stood out for the artistry of their exterior decorations, featuring materials such as precious woods, mother-of-pearl, ivory, and metal.

The decline of musical boxes began with the invention of the phonograph (1877) and the gramophone (1887). Production continued for a while, but by the early 20th century, most renowned companies had abandoned the business and started manufacturing other mechanical musical instruments.

Virtual Tour


Publications Journal „Tyragetia"   vol. VI [XXI], nr. 2


Newspaper
ISSN 1857-0240
E-ISSN 2537-6330

Newspaper "Novaya Gazeta" and its role in the development of advertising in Bessarabia

Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie

The present article is based on the study of newspapers “Novaya Gazeta” from the collections of NMAIM and the library of the Academy of Sciences of Moldova, the only institutions in the country where you can find this publication. The purpose of this study is to elucidate its specific features and role in the development of newspaper advertising in Bessarabia. In the period of time from 1910 to 1916, the number of newspapers published in Bessarabia, particularly in the capital of the province – the city of Chisinau, significantly increased. We focus our attention on more detailed information regarding the occurrence of a newspaper, which was “more special”, in our opinion. It is the weekly newspaper “Novaya Gazeta” (The New Gazette) published in Chisinau by G. Kalmanson from 1911 to 1913. We call it “more special” because it was intended mainly for the publication of advertisements. Few feuilletons or sections of local and foreign news, which occupied a small place and had ordinary subjects, in fact, just masked the real purpose of this newspaper. Merchant G. Kalmanson managed to publish a newspaper which had a fairly large circulation among the wealthy public, providing space for advertisements. There have been placed advertisements of the most famous trading houses, shops, restaurants, hotels, hairdressers, photographic workshops, banking offices, factories, and so on, both from Chisinau and abroad.  In this newspaper G. Kalmanson himself was advertising his goods: cars, bikes, traditional and roller skates, phonographs, carbide. The newspaper successfully resisted the onslaught of competi- tion and censorship, and was published for two years.

G. Kalmanson fulfilled orders on clichés for firms, stores, and other establishments, that is one way or another had to deal with advertising already. However, publishing by him of this newspaper is the evidence that advertising has become for him a very profitable business, and allows us to consider him one of the few people who have contributed to the development of advertising in Bessarabia in the early 20th century.

List of illustrations:
1. Newspaper “Novaya Gazeta”, no. 30, June 1912 (overview of pages 1 and 4).
2. Front page of the newspaper “Novaya Gazeta”, no. 12, February 1912.
3. Ad units of the bakery of S. Tumanov, the store of church utensils of D. Spynulov, and the icon workshop of E. Prokhorenko. “Novaya Gazeta”, no. 12, February 1912, page 1.
4. Ad units of the haberdashery shop of K. Yurkovskaya, the sewing workshop of I. Lyubelsky-Menshchik, the bakery of A.I. Filatov, and Zingher photographic studio.  “Novaya Gazeta”, no. 48, October 29, 1912, page 3.
5. Ad units of the workshop of mechanics and electroforming of Sh. Mereminsky, the hairdressing salon of Ostrovsky, the artesian wells drilling of B.O. Verner, and the shop of musical instruments of F.F. Kapras.  “Novaya Gazeta”, no. 14, March 1912, page 4.
6. Ad units of watchmaker Sh.L. Lyubchansky, the fish shop of E. Volkov, and the shoe store of I. Pavlyak. “Novaya Gazeta”, no. 15, March 1912, page 4.
7. Advertisement of the hairdressing salon of S. Pelenovich (in all issues of the paper).
8. Ad units of works with lime, the hairdressing salon of L.K. Voskanov, tailor’s cutter N.G. Nikolaev, the repair shop of R. L. Zomen. “Novaya Gazeta”, no. 30, June 1912, page 4.
9. Advertisement of G. Kalmanson’s goods. “Novaya Gazeta”, no. 2 (second year of publication), November 26, 1912, page 1.
10. Ad units of the restaurant at the Noble Assembly, the restaurant of M.N. Vilchinsky, and the restaurants “Na- tional” and “Sever” (“North”). “Novaya Gazeta”, no. 48, October 29, 1912, page 1.
11. Ad units of the restaurant  of the hotel „Swiss”, the owner D.I. Spasov, the hotel „Savoya” and wine from the store of G. Ţurcan. “Novaya Gazeta”, no. 48, October 29, 1912, page 2.
12. Ad units to sell a car, of making cliche by G. Kalmanson, of the company „Vacuum Oil and Cº”, the factory of coaches of I. Olkhovsky, and the hat shop of B. Roitstein. “Novaya Gazeta”, no. 30, June 1912, page 4.
13. Ad units of the workshop on manufacturind products of marble, labradorite, granit, and stone of I. Tsulek, roller skates sold by G. Kalmanson, and the fish shop of  E.K. Volkov. “Novaya Gazeta”, no. 48, October 29, 1912, page 3.
14. Ad units of the haberdashery shop of K. Yurkovskaya, the draper’s of M. Baran, bicycles of G. Schmalz at Bender, the icon workshop of G.V. Lavrov, the store and workshop of products of marble, labradorite, granit, and stone „De-Veki”, Z. Tebanov’s store, and the sale of carbide by G. Kalmanson. “Novaya Gazeta”, no. 30, June 1912, page 3.
15. Ad units of tailors L. Frank and S. Sheinkerman; advertisments. “Novaya Gazeta”, no. 16, March 1912, page 4.
16. Ad units of the laundry of M. Strashun, the men’s clothing store of Schwartzman și Cristul, and the pawnshop of I.R. Kaushansky. “Novaya Gazeta”, no. 12, February 1912, page 3.
17. Ad units of teacher of calligraphy I.M. Slepak and the grocery store of Popov in the town of Bender. “Novaya Gazeta”, no. 16, March 1912, page 1.
18. G. Kalmanson’s ad units to sell gramophones and repair bicycles (in many issues of the paper).
19. Ad units of the trading house of Khaslavsky in Odessa and dance teacher A.A. Baller. “Novaya Gazeta”, no. 48, October 29, 1912, page 1.
20. G. Kalmanson’s ad units to sell the bicycles „Swift” și „Pioneer” and Malamud and Nemirovsky’s ad units to sell the pens „Kaweco”. “Novaya Gazeta”, no. 22, April 1912, page 3.

Vera Serjant
Agricultural advertising in periodicals of the late 19th - early 20th centuries from the collection of NMHM
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Vera Serjant
The exhibition "Advertisements in Bessarabia"
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Vera Serjant
Materials related to the elite of the nobility of Bessarabia – the families of Cantacuzin and Krupensky in the collections of the National Museum of the History of Moldova
Tyragetia, serie nouă, vol. XI [XXVI], nr. 2, Istorie. Muzeologie
Vera Serjant
Advertising factories, plants and warehouses in Bessarabian press (end of 19th - beginning of 20th centuries)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Vera Serjant
First “advertisements” in the Bessarabian press (1854-1899)
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie



 

 

Independent Moldova
Moldavian Soviet Socialist Republic
Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
Phanariot Regime
Golden Age of the Romanian Culture
Struggle for Maintaining of Independence of Moldova
Formation of Independent Medieval State of Moldova
Era of the
Great Nomad Migrations
Early Middle Ages
Iron Age and Antiquity
Bronze Age
Aeneolithic Age
Neolithic Age
Palaeolithic Age
  
  

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#Exhibit of the Month

The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

menu
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2024 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC