We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.
These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.
The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.
The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."
The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.
Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.
On a museum exhibition “The Universe of Calendars”
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
In the end of 2010 the National Museum of Archaeology and History of Moldova opened the exhibition “The Universe of Calendars”. It was a retrospective review of about 50 calendars published in Russia and Romania from the second half of 19th century to 1940s. Most of the items have never been exhibited.
Organizers of the exhibition did not intend to display the museum collection of calendars in the whole. For the exhibition there were selected the best examples, and the most valuable of them are the Novorossiysky Calendar for 1852, Calendru anticu for 1863, the Calendar for All for 1870, the Illustrated Address Calendar of the Bessarabian Province for 1913 and some others.
The exhibition presented to the visitors a calendar as a kind of publication, focusing on the calendars in book form. At the same time, it was an attempt of a scientific approach to the study of calendars that allowed seeing in them not only a historical material, but also a cultural phenomenon.
Elena Ploșnița
National Museum of Archaeology and History – from utopia to reality
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
Elena Ploșnița
Some considerations regarding the designing of a permanent exposition of the history museum
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
Elena Ploșnița
On the strategy of development of museums in the Republic of Moldova
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Elena Ploșnița
Dictionnaire encyclopedique de museologie, sour la direction d'Andre Desvallees et de Francois Mairesse, Paris: Armand Colin, 2011, 723 p. ISBN: 978-2-200-27037-7
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Elena Ploșnița, Tatiana Buianina
The cost of a visit to the museum: Analysis of a survey
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.