Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century. The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques. The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.
Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.
On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.
The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.
Preliminary data on a child’s grave discovered in the Paleolithic site of Cosăuți (Republic of Moldova
Tyragetia, serie nouă, vol. VII [XXII], nr. 1, Arheologie. Istorie Antică
This paper presents the preliminary results of a comprehensive study of the burial discovered during the investigations of the Upper Paleolithic site at Cosăuți by the expedition led by Ilie Borziac. Due to various circumstances, the burial remained virtually unexplored until present. The article presents the main results of a preliminary study of skeletal remains that was carried out by an international, Moldavian-Romanian, group of researchers.
List of illustrations:
Fig. 1. Location of the Cosăuți site.
Fig. 2. Child's burial at Cosăuți. Drawing from the excavation report submitted by Ilie Borziac (1987). Fig. 3. Child's burial at Cosăuți. Drawing from the excavation report submitted by Ilie Borziac (1987).
Fig. 4. Child's burial at Cosăuți. Stratigraphic section. Drawing from the excavation report submitted by Ilie Borziac (1987).
Fig. 5. Photo of child's burial at Cosăuți from the excavation report submitted by Ilie Borziac (1987).
Fig. 6. Photo of child's burial at Cosăuți from the excavation report submitted by Ilie Borziac (1987).
Fig. 7. Child's burial at Cosăuți before cleaning (May 2012).
Fig. 8. Child's burial at Cosăuți after cleaning (May 2012).
Fig. 9. Child's burial at Cosăuți after cleaning (May 2012) - detail.
Ion Tentiuc
Sergiu Musteață, Populația spațiului pruto-nistrean în secolele VIII-IX. Editura Pontos, Chișinău 2005, 189 p., rezumat în limba engleză, indice, 10 tabele, 7 diagrame, 4 hărți, 78 planșe cu figuri, 12 foto, ISBN 9975-926-43-6
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
Ion Tentiuc
About horse rider pendants from the early Medieval period in the Prut-Dniester area
Tyragetia, serie nouă, vol. IV [XIX], nr. 1, Arheologie. Istorie Antică
Ion Tentiuc
Profesorul, savantul și omul de cultură Gheorghe Postică la 60 de ani
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
Vitalie Burlacu
Preliminary data from the archaeological survey carried out near Răuțel village (Fălești District)
Tyragetia, serie nouă, vol. VI [XXI], nr. 1, Arheologie. Istorie Antică
Ion Tentiuc
Sergiu Matveev, Procesele etno-culturale din spațiul carpato-nistrean în secolele II-XIV. Istoriografia sovietică. Chișinău: Pontos, 2009, 230 p. text + 5 tabele
Tyragetia, serie nouă, vol. IV [XIX], nr. 1, Arheologie. Istorie Antică
Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century....
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
