Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany.
Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History.
The typewriter features a standard carriage mounted on ball bearings and rollers, along with a keyboard equipped with 42 keys. These contain two complete sets of Latin and Cyrillic alphabets, punctuation marks, numbers, and mathematical symbols, enabling the typing of 126 characters. Beneath the metal casing, the type bars are arranged in a fan-like pattern, holding embossed characters and ink ribbon rollers. When the keys are pressed, the type bars strike the inked ribbon, imprinting characters onto the paper tensioned in the machine's roller system. The side panels are elegantly decorated with refined cast-iron elements in the Art Nouveau style, displaying the brand name - "Ideal." The Polyglott model, featuring a bilingual keyboard patented in the United Kingdom by Max Klaczko from Riga, Latvia, was produced between 1902 and 1913, marking the first typewriter capable of writing in two languages. The "Ideal Polyglott" typewriter was actively sold in the Russian Empire and gained significant popularity in Poland, Bulgaria, and Serbia. The typewriter - a mechanical device used for printing text directly onto paper - ranks among the most important inventions of the modern era, as it revolutionized communication. From the late 19th century to the early 21st century, it became an indispensable tool, widely used by writers, in offices, for business correspondence, and in private homes. The peak of typewriter sales occurred in the 1950s when the average annual sales in the United States reached 12 million units. In November 2012, the British Brother factory produced what it claimed to be the last typewriter, which was donated to the Science Museum in London. The advent of computers, word processing software, printers, and the decreasing cost of these technologies led to the typewriter's disappearance from the mainstream market, turning it into a museum exhibit. June 23 marks Typewriter Day, commemorating the date when American journalist and inventor Christopher Latham Sholes patented his typewriter. This day celebrates the simple yet revolutionary device that has become history, as well as the remarkable literary achievements it has enabled since 1868.
Some reflections about the advertisement in Bessarabia (end of the 19th - beginning of the 20th centuries)
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
The end of the 19th and the beginning of the 20th century is characterized by a considerable growth of the advertisement’s role in developing the trade and industry in many foreign countries. An increase of this process in Russia takes place during the democratic reforms implemented in the 60ies of the 19th century. The development of the advertisement in Bessarabia registers significant proportions. The public’s interest for certain goods, books, shows, services had been stirred and earned through posters, placards, panels, and, certainly, through the prints. The most spread ways of advertisement were: the street and printed publicity.
I will refer in this article only to some aspects of the organization and functioning of the Bessarabian advertisement system at the border of the centuries. It focuses firstly on the special institutions that were making advertisement – the publicity bureaus. The first bureau of publicity from Bessarabia was founded in 1889 by H. Iuliș and A. Bluștein. It was the only bureau of this profile from southern Russia.
Some painter workshops were making advertisement as well. Still, most of publicity was performed by the publishing houses. They were editing periodicals, which had the main role in promoting products and services on the Bessarabian market.
The editorial stuff of the publications turned into points of collecting ads; they were intermediaries between the producers and the costumers. The rubric „Anunțuri” (Advertisement) was present in most of the publishing programs. The commercial publicity became an important factor for the local periodical press’ financial stability. The advertisement played a part in the development of the press.
The advertisement made its contribution to a dynamic commercial and industrial activity in Bessarabia. It became a strong tool against the big competition predominating in the capitalist world.
Vera Serjant
Advertisements of trading houses and shops in the Bessarabian press (the late 19th - early 20th centuries)
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Vera Serjant
Collection of Academician Anton Ablov from the holdings of the National Museum of History of Moldova
Tyragetia, serie nouă, vol. XVIII [XXXIII], nr. 2, Istorie. Muzeologie
Vera Serjant
Advertising factories, plants and warehouses in Bessarabian press (end of 19th - beginning of 20th centuries)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Vera Serjant
The magazine „Kishinyovskie Eparkhial′nye Vedomosti" („Chisinau Diocesan Journal") as a means of advertising (1867-1917)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Vera Serjant
Soil scientist Nikolai Dimo collection in the National Museum of History of Moldova
Tyragetia, serie nouă, vol. XVI [XXXI], nr. 2, Istorie. Muzeologie
Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany. Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.