To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
Some reflections about the advertisement in Bessarabia (end of the 19th - beginning of the 20th centuries)
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
The end of the 19th and the beginning of the 20th century is characterized by a considerable growth of the advertisement’s role in developing the trade and industry in many foreign countries. An increase of this process in Russia takes place during the democratic reforms implemented in the 60ies of the 19th century. The development of the advertisement in Bessarabia registers significant proportions. The public’s interest for certain goods, books, shows, services had been stirred and earned through posters, placards, panels, and, certainly, through the prints. The most spread ways of advertisement were: the street and printed publicity.
I will refer in this article only to some aspects of the organization and functioning of the Bessarabian advertisement system at the border of the centuries. It focuses firstly on the special institutions that were making advertisement – the publicity bureaus. The first bureau of publicity from Bessarabia was founded in 1889 by H. Iuliș and A. Bluștein. It was the only bureau of this profile from southern Russia.
Some painter workshops were making advertisement as well. Still, most of publicity was performed by the publishing houses. They were editing periodicals, which had the main role in promoting products and services on the Bessarabian market.
The editorial stuff of the publications turned into points of collecting ads; they were intermediaries between the producers and the costumers. The rubric „Anunțuri” (Advertisement) was present in most of the publishing programs. The commercial publicity became an important factor for the local periodical press’ financial stability. The advertisement played a part in the development of the press.
The advertisement made its contribution to a dynamic commercial and industrial activity in Bessarabia. It became a strong tool against the big competition predominating in the capitalist world.
Vera Serjant
German porcelain from the collections of the National Museum of History of Moldova: identification, typology, development
Tyragetia, serie nouă, vol. XIX [XXXIV], nr. 2, Istorie. Muzeologie, Chişinău, 2025
Vera Serjant
Petru Ungurean – an outstanding figure in the field of viticulture and winemaking (on the collections of the National Museum of History of Moldova)
Tyragetia, serie nouă, vol. XV [XXX], nr. 2, Istorie. Muzeologie
Vera Serjant
V. Dokuchaev Commemorative Medal in the collection of the National Museum of History of Moldova
Tyragetia, serie nouă, vol. XVI [XXXI], nr. 2, Istorie. Muzeologie
Vera Serjant
Testimonies about the noble family Leviţki (Lewicki) in the collections of the National Museum of History of Moldova
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 2, Istorie. Muzeologie
Vera Serjant
Advertising factories, plants and warehouses in Bessarabian press (end of 19th - beginning of 20th centuries)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.