German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design. The museum's collection preserves five figurines from one of the oldest porcelain manufactories in the Thuringia region of Germany - the statuary group known as *"The Musicians"*, crafted at the Volkstedt manufactory. These pieces entered the museum's holdings in 1991, acquired from a resident of Chișinău. With undeniable historical and artistic value, they bear the distinct imprint of the Rococo style. The Volkstedt manufactory has a long-standing tradition in producing figurines, including those depicting musicians. In 1760, Georg Heinrich Macheleid - inventor of hard-paste porcelain in Thuringia - founded a production workshop in Zitzendorf, which was relocated to Volkstedt in 1762. Macheleid led the manufactory until 1764. Over time, the factory changed ownership and management multiple times. Under the direction of Christian Nonne, it flourished between 1767 and 1797, a period marked by significant artistic development. Volkstedt began creating figurines that would later gain international recognition. It was during this flourishing period that the museum's porcelain statuettes, titled *"The Musicians"*, were produced. They depict five cherubic figures: four playing musical instruments (flute, mandolin, horn, and pipe), while the fifth conducts. Each figurine is entirely handcrafted - from modeling to painting - and delicately adorned with pastel tones and gilded details, capturing the playful movement and refined artistry of each musician. The base is made of mass-colored porcelain in a rare grey-green hue. The contrast between green, white, and gold accents lends the ensemble an unusually delicate appearance. These ornamental features are characteristic of the Rococo style, which emerged in France and is closely associated with the reign of King Louis XV. The mark applied to the figurines consists of two crossed forks, clearly rendered in underglaze blue, with slightly blurred paint - a detail that helps date their production. Because the crossed forks often resembled the crossed swords of the Meissen trademark, the Volkstedt manufactory was compelled to change its mark starting in 1787. Initially represented by a single fork, the mark briefly returned to two forks before being replaced in 1800 by the graphic symbol "R", referencing the town of Rudolstadt. Therefore, the brief period during which the two-fork mark was reinstated - and during which the museum's figurines were likely produced - is estimated to be between 1787 and 1800.
The statuettes range in height from 10 to 18 cm and are preserved in relatively good condition.
These late 18th-century German porcelain pieces, now on display, are exceptionally rare. They stand as true works of art by German craftsmen and serve as important historical testimonies to the evolution of porcelain manufacturing in Germany.
The early medieval spirituality in the Prut-Nistru space
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
In the early medieval period in the Prut- Nistru space existed a multicolored spirituality based on Christian and Pagan values. These phenomena are attested in this region at all the development stages of the early medieval period, beginning with the 5th-7th centuries until the 12th-13th centuries.
The Christian values were characteristic first of all to the sedentary people of Romanic origin which practiced this cult starting from the late antiquity. At certain stages of the early medieval period, especially after the years 865 and 988 when the Christian religion become official in the Slavic world, these Christian values were embraced by Slavs groups established in this space as well. Therefore after the 10th century the sedentary people from the Prut-Nistru region can be characterized as exclusively Christian. The Christian religion in the 10th-13th centuries was practiced probably by a part of the nomads turned sedentary in the autochthons settlements.
From canonical standpoint, the Christians from the Prut-Nistru space in the early medieval period were subordinated to the Constantinople Patriarchy. Still the Christianity from this region and other North-Pontic regions is remarked as a popular one, situation caused by the by the isolation of this territory from the Byzantine world and its inclusion within a political space dominated by different pagan migratory peoples. A living expression of the popular Christianity from this space for the period of the 5th-9th centuries can be considered the funerary rite of the sedentary people who during a relatively long period preserved along the practice of inhumation the cult of incineration of the dead. In the 10th-11th centuries the Christian cult in the Prut-Nistru space crystallizes in forms close to the contemporary one.
The pagan values as religious systems in the early medieval period were characteristic for the migratory peoples. The bearers of pagan beliefs in the Prut-Nistru were the old Slavs, the Alans, the Bulgarians, the Hungarians, the Pechinegs, the Oguzs, the Cumans and the Mongols. Some pagan rituals were practiced as remains within the Christian religious system by the sedentary people.
Regarded from the standpoint of the spirituality the early medieval civilization of the Prut-Nistru space was made of two distinct worlds: Christian – represented by the sedentary local people and the pagan – represented by the migratory tribes of the steppe nomads, while at certain stages by groups of sedentary.
Gheorghe Postică
Die Perlenmosaik mit Miniaturporträts des römischen Kaisers Konstantin der Große, Constantinus II und Constantius II aus Bursuceni, Republik Moldau
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
Gheorghe Postică, Ion Tentiuc
The metal-weight economy in the Carpathian-Dniester area in the 9th-11th centuries (archaeological contributions)
Tyragetia, serie nouă, vol. XVIII [XXXIII], nr. 1, Arheologie. Istorie Antică
Gheorghe Postică
Elena Ploșnița, Concepte muzeografice cu profil de istorie: retrospectivă și perspectivă. Biblioteca "Tyragetia", Chișinău, 2008, 248p.
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Mariana Gugeanu, Gheorghe Postică
The research, preservation and restoration of textiles discovered during the archaeological excavations undertaken at the Căpriana Monastery
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 1, Arheologie. Istorie Antică
German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.