Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
Starting with 1470 Ştefan cel Mare builds a new strategy in the security politics of the eastern border of Ţara Moldovei. In the context of this strategy a new place was reserved to the city-fortress Orhei which became the central element in the protection of these borders.
During this period Ştefan cel Mare established the administration of Orhei, which was governed in the next three decades by prominent persons of the time, members of Sfatul Domnesc (Prince’s Council): Radu Gangur, Galeș, Vlaicu with his son Duma, Grozea Micotici etc. Due to their high status they contributed to the growing role that the fortress from Răut had to play in the general defense policy of Ţara Moldovei.
Orhei was a natural fortress endowed with supplementary fortifications built at different stages of its evolution, including in the period of Ştefan cel Mare’s rule, when with the help of the governors were built new fortification or repaired the old ones. Three fortifications date from this period: two big earthen and wooden wallums blocking the entrance in the settlement from the west and a stone citadel situated in the central part of Orhei city.
An argument supporting the importance of Orhei fortress in the politics of the sovereign Ştefan cel Mare is the endowment of the fortress with fire artillery, fact which was documented archaeologically by the discovery of two splendid bronze canons.
A new stage begins in the history of the fortress from Răut after the year 1494, when the governors of Orhei ceased to be members of Sfatul Domnesc, fact that lead to its gradual degradation and abandonment by the middle of the 16th century.
The item is the lower part of a leg of a festive table made of white and gray marble. In the upper part, it has a protrusion, similar to a Doric capital, on the horizontal platform of which a square recess is engraved, designed to fix the second part of the leg (upper). The lower part of the leg is made in an anthropomorphic style, and, in our opinion, there are two variants of identifying the depicted character...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The item is the lower part of a leg of a festive table made of white and gray marble. In the upper part, it has a protrusion, similar to a Doric capital, on the horizontal platform of which a square recess is engraved, designed to fix the second part of the leg (upper). The lower part of the leg is made in an anthropomorphic style, and, in our opinion, there are two variants of identifying the depicted character. The first involves the image of the head of the young Heracles (Heracles - Ἡρακλῆς) (beardless), the most favorite hero of antiquity, wearing on his head the skin of the Nemean lion - Λέων της Νεμέας, a vicious monster from Greek mythology who lived in Nemea and was eventually killed by Heracles. The first labor of Heracles, of the twelve set by King Eurystheus (his cousin), was to kill the Nemean lion and bring his skin to the king. It is also known from Greek mythology that the lion of Nemea took the form of a beautiful woman in order to seduce the inhabitants of neighboring villages, who wanted to save the girl from danger. Upon entering the cave, a man saw the woman, who usually pretended to be wounded, and rushed to help her. When he approached her, the woman turned into a lion and killed him. Then the lion devoured the man, giving his bones to Hades - ᾍδης, the god of Hell, who lived in the kingdom of shadows. The second version of the anthropomorphic image interpretation suggests Alexander the Great, king of Macedonia in the second half of the 4th century BC, one of the most famous heroes of the Greek world, who sometimes is depicted as Hercules - wearing a lion's skin. Some researchers consider the custom of wearing the skin of a slain lion a sign of royal power. The word βασιλεύς itself, translated from ancient Greek, means "walking the path of the lion", that is, the king. This title was held by the Greek kings from the Homeric period, and later, starting from the 7th century AD - by the Byzantine emperors.
