Around thirty icons from the collection of the National Museum of History of Moldova feature Saint Nicholas the Hierarch and Miracle Worker. While most represent the later iconographic tradition, a few early images stand out as rare examples due to their composition. In the icon "Saint Nicholas with Scenes from His Life", the hierarch is depicted bust-length, blessing the Gospel. He is framed by two round medallions showing Christ and the Mother of God, who hand him the Gospel and the omophorion. Saint Nicholas, earlier than other saints, was portrayed with scenes from his hagiographic cycle. The first images of his life date back to the 11th century, represented on a folding icon from the Monastery of Saint Catherine at Sinai.
The museum icon dates from the early 19th century, preserving the traditional chest format typical of classical icons. Twelve panels illustrate episodes from the saint's life, arranged from left to right: four on the upper register, four on the lower, and two on each side, as follows: Birth of Saint Nicholas (1), Baptism of Saint Nicholas (2), Miracle of Healing the Crippled Woman (3), Apprenticeship of Young Nicholas (4), Ordination as Deacon (5), Ordination as Bishop (6) Vision of Constantine (7), Saint Nicholas Saves Three Voivodes from Execution (8), Miracle of Rescue from Drowning (9), Miracle of Saving Basil from the Arabs (10), Dormition of Saint Nicholas (11), Translation of the Relics of Saint Nicholas to Bari (12).
Saint Nicholas the Hierarch is commemorated by the Orthodox Church twice a year: on December 6/19, the day of his birth, and on May 9/22, the day his relics were transferred from Myra to Bari (1087). Among all saints of the Christian world, the image of Saint Nicholas is one of the most popular, easily recognizable even to those unfamiliar with iconography.
He was born in the Roman Empire, at Patara in the province of Lycia, between 260-280, though early sources omit the exact date. Coming from a wealthy family, he rejected fame and luxury. From an early age he devoted himself to prayer and the study of Holy Scripture, while also mastering other disciplines. He avoided noisy gatherings and idle talk, attended church regularly, and pursued a life of chastity. Later he dedicated himself to pastoral ministry, defending the Christian faith with perseverance and firmly opposing heresies. Through his care for people and the benefactions he performed everywhere, he became highly venerated not only in Myra but also in the surrounding regions. The grace of the Holy Spirit dwelling in his heart was revealed through miracles performed both during his life and after his death, earning him the enduring title of "Miracle Worker." Saint Nicholas passed away in the 330s (circa 334-337), and his remains were placed in a sumptuous marble tomb in the episcopal cathedral where he had served for many years. This soon became an important center of pilgrimage. Holy Tradition has preserved with accuracy the features of his portrait, and his appearance in icons is marked by a distinct individuality. Ecclesiastical art has produced numerous iconographic representations, ranging from bust images to full-length depictions. The diversity of these representations suggests that the final iconography of Saint Nicholas was not yet established, taking shape only in the 10th-11th centuries. It is said that an authentic icon from the basilica in Myra, executed during the saint's lifetime and mentioned in written sources as early as the 11th century, played a significant role in his veneration. Icons depicting the hagiographic cycle of Saint Nicholas spread widely in both Byzantine and post-Byzantine art, confirming the importance and popularity of his cult.
The early medieval spirituality in the Prut-Nistru space
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
In the early medieval period in the Prut- Nistru space existed a multicolored spirituality based on Christian and Pagan values. These phenomena are attested in this region at all the development stages of the early medieval period, beginning with the 5th-7th centuries until the 12th-13th centuries.
The Christian values were characteristic first of all to the sedentary people of Romanic origin which practiced this cult starting from the late antiquity. At certain stages of the early medieval period, especially after the years 865 and 988 when the Christian religion become official in the Slavic world, these Christian values were embraced by Slavs groups established in this space as well. Therefore after the 10th century the sedentary people from the Prut-Nistru region can be characterized as exclusively Christian. The Christian religion in the 10th-13th centuries was practiced probably by a part of the nomads turned sedentary in the autochthons settlements.
From canonical standpoint, the Christians from the Prut-Nistru space in the early medieval period were subordinated to the Constantinople Patriarchy. Still the Christianity from this region and other North-Pontic regions is remarked as a popular one, situation caused by the by the isolation of this territory from the Byzantine world and its inclusion within a political space dominated by different pagan migratory peoples. A living expression of the popular Christianity from this space for the period of the 5th-9th centuries can be considered the funerary rite of the sedentary people who during a relatively long period preserved along the practice of inhumation the cult of incineration of the dead. In the 10th-11th centuries the Christian cult in the Prut-Nistru space crystallizes in forms close to the contemporary one.
The pagan values as religious systems in the early medieval period were characteristic for the migratory peoples. The bearers of pagan beliefs in the Prut-Nistru were the old Slavs, the Alans, the Bulgarians, the Hungarians, the Pechinegs, the Oguzs, the Cumans and the Mongols. Some pagan rituals were practiced as remains within the Christian religious system by the sedentary people.
Regarded from the standpoint of the spirituality the early medieval civilization of the Prut-Nistru space was made of two distinct worlds: Christian – represented by the sedentary local people and the pagan – represented by the migratory tribes of the steppe nomads, while at certain stages by groups of sedentary.
Gheorghe Postică
Orhei fortress in the strategy of Ştefan cel Mare
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
Gheorghe Postică, Ion Tentiuc
The metal-weight economy in the Carpathian-Dniester area in the 9th-11th centuries (archaeological contributions)
Tyragetia, serie nouă, vol. XVIII [XXXIII], nr. 1, Arheologie. Istorie Antică
Mariana Gugeanu, Gheorghe Postică
The research, preservation and restoration of textiles discovered during the archaeological excavations undertaken at the Căpriana Monastery
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 1, Arheologie. Istorie Antică
Around thirty icons from the collection of the National Museum of History of Moldova feature Saint Nicholas the Hierarch and Miracle Worker. While most represent the later iconographic tradition, a few early images stand out as rare examples due to their composition...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
