To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
To the Question about the Loss of the Hill-fort Ekimauci
Tyragetia, serie nouă, vol. V [XX], nr. 1, Arheologie. Istorie Antică
This hill-fort is one of the most researched among the medieval monuments of the country between the Prut and Dniester. Contradictions in identification of the date of it destruction (second half of the 10th or the first half of the 11th century) make us to examine chronologic indicators of the monument.
The numismatic collection represented by 17 Arabic silver dirhams gives the most exact information. It allows us to attribute the capture and destruction of the monument to the second half of the 10th century, and most likely to the third quarter of this century.
Earrings with pendant in the form of bunch of grapes can be used as one more category of objects which indicate the time of destruction of the monument. They were found out in closed complexes of the hill-fort together with later samples of dirhams.
Cartography of the finds of Echimauti type testifies about their particular concentration in the basin of the river of Tisza. In contrast to samples which were found outside the Carpathian basin, famous as a rule by materials of hoards, practically all earrings of Echimauti type inside the Carpathian arc are connected with nomadic burials. Pieces of weapon similar to those from the nomadic necropolises were found in Echimauti. Together with other evidences in the field of material culture, it allows us to suppose that nomads took part in destruction of the hill-fort while moving from the Northern Black Sea region into the Carpathian lowlands.
Historic situation and the exact chronology of the Pechenegs’ movement from the Black sea to the Upper Tisza region, during which the hill-fort of Echimauti was ruined, together with chronologic indicators of the monument, allows us to date its destruction not later than the third quarter of the 10th century.
List of illustrations: Fig. 1. The map of location of earrings of the Echimauti type in Europe: 1 - Alcedar; 2 - Besob; 3 - Blandiana; 4 - Borschevka; 5 - Brănești; 6 - Vác-Hétkápolna; 7 - Gîmbaș; 8 - Gnezdovo; 9 - Denis; 10 - Döge; 11 - Echimauti; 12 - Zavada Lanskoronska; 13 - Ibrány; 14 - Kyiv; 15 - Kirovograd; 16 - Kistokaj; 17 - Cluj; 18 - Kopeevka; 19 - Cracovia; 20 - Lisovek; 21 - Nyíregyháza; 22 - Nagykövesd; 23 - Olesnica; 24 - Osnica; 25 – Peremyshl’; 26 - Peresopnica; 27 - Prsha; 28 - Redukeny; 29 - Szabolcs-Vontatópart; 30 - Szentes-Szentlászló; 31 - Szob; 32 - Törökkanizsa; 33 - Tiszabercel; 34 - Tshinica; 35 - Uzhgorod (?); 36 - Csoma; 37 - Csongrád; 38 - Jurkovci. Fig. 2. Earrings of the Echimauti type from the burials of nomads in the basin of Tisza: 1-8 - Csoma; 9 - Döge; 10 - Tiszabercel; 1-12 - Ibrány. 9-12 (after E. Istvanovits). Fig. 3. The map of location of the arabic dirhams in Europe (after Cs. Balint) with indication of the points associated with the movement of Pechenegs from the Northern Black Sea region to the Carpathian basin in the second half of the 10th century: 1 - Beregovo (Búcsu); 2 - Vécs; 3 - Glogovec; 4 - Dobra; 5 - Ibrány; 6 - Karos; 7 - Kenézlő; 8 - Kecskemét; 9 - Kistokaj; 10 - Pap; 11 - Prsha; 12 - Szeged 13 - Szilas; 14 - Szolnok; 15 - Szomod; 16 - Tata; 17 - Tverdoshovce; 18 - Tiszasüly; 19 - Hajdúdorog; 20 - Hust; 21 - Csoma; 22 - Sárospatak; 23 - Eger; 24 - Alcedar; 25 - Echimauti; 26 - Galich; 27 – Peremyshl’.
Игорь Прохненко, Мария Жиленко
Knight’s tombstone from Korolevo castle of Nyaláb
Tyragetia, serie nouă, vol. XII [XXVII], nr. 1, Arheologie. Istorie Antică
Игорь Прохненко, Мария Жиленко, Виталий Калиниченко
The castles of Transcarpathia of the second half of 13th - first half of 14th centuries
Tyragetia, serie nouă, vol. XV [XXX], nr. 2, Istorie. Muzeologie
Игорь Прохненко, Мария Жиленко
Korolevo Castle of Nyalab in possession of descendants of Moldavian Voivode Szasz
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Игорь Прохненко
Hillforts of the Late Bronze Age and Early Iron Age in the Transcarpathian Region of Ukraine
Tyragetia, serie nouă, vol. XI [XXVI], nr. 1, Arheologie. Istorie Antică
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
