Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century. The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques. The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.
Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.
On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.
The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.
To the Question about the Loss of the Hill-fort Ekimauci
Tyragetia, serie nouă, vol. V [XX], nr. 1, Arheologie. Istorie Antică
This hill-fort is one of the most researched among the medieval monuments of the country between the Prut and Dniester. Contradictions in identification of the date of it destruction (second half of the 10th or the first half of the 11th century) make us to examine chronologic indicators of the monument.
The numismatic collection represented by 17 Arabic silver dirhams gives the most exact information. It allows us to attribute the capture and destruction of the monument to the second half of the 10th century, and most likely to the third quarter of this century.
Earrings with pendant in the form of bunch of grapes can be used as one more category of objects which indicate the time of destruction of the monument. They were found out in closed complexes of the hill-fort together with later samples of dirhams.
Cartography of the finds of Echimauti type testifies about their particular concentration in the basin of the river of Tisza. In contrast to samples which were found outside the Carpathian basin, famous as a rule by materials of hoards, practically all earrings of Echimauti type inside the Carpathian arc are connected with nomadic burials. Pieces of weapon similar to those from the nomadic necropolises were found in Echimauti. Together with other evidences in the field of material culture, it allows us to suppose that nomads took part in destruction of the hill-fort while moving from the Northern Black Sea region into the Carpathian lowlands.
Historic situation and the exact chronology of the Pechenegs’ movement from the Black sea to the Upper Tisza region, during which the hill-fort of Echimauti was ruined, together with chronologic indicators of the monument, allows us to date its destruction not later than the third quarter of the 10th century.
List of illustrations: Fig. 1. The map of location of earrings of the Echimauti type in Europe: 1 - Alcedar; 2 - Besob; 3 - Blandiana; 4 - Borschevka; 5 - Brănești; 6 - Vác-Hétkápolna; 7 - Gîmbaș; 8 - Gnezdovo; 9 - Denis; 10 - Döge; 11 - Echimauti; 12 - Zavada Lanskoronska; 13 - Ibrány; 14 - Kyiv; 15 - Kirovograd; 16 - Kistokaj; 17 - Cluj; 18 - Kopeevka; 19 - Cracovia; 20 - Lisovek; 21 - Nyíregyháza; 22 - Nagykövesd; 23 - Olesnica; 24 - Osnica; 25 – Peremyshl’; 26 - Peresopnica; 27 - Prsha; 28 - Redukeny; 29 - Szabolcs-Vontatópart; 30 - Szentes-Szentlászló; 31 - Szob; 32 - Törökkanizsa; 33 - Tiszabercel; 34 - Tshinica; 35 - Uzhgorod (?); 36 - Csoma; 37 - Csongrád; 38 - Jurkovci. Fig. 2. Earrings of the Echimauti type from the burials of nomads in the basin of Tisza: 1-8 - Csoma; 9 - Döge; 10 - Tiszabercel; 1-12 - Ibrány. 9-12 (after E. Istvanovits). Fig. 3. The map of location of the arabic dirhams in Europe (after Cs. Balint) with indication of the points associated with the movement of Pechenegs from the Northern Black Sea region to the Carpathian basin in the second half of the 10th century: 1 - Beregovo (Búcsu); 2 - Vécs; 3 - Glogovec; 4 - Dobra; 5 - Ibrány; 6 - Karos; 7 - Kenézlő; 8 - Kecskemét; 9 - Kistokaj; 10 - Pap; 11 - Prsha; 12 - Szeged 13 - Szilas; 14 - Szolnok; 15 - Szomod; 16 - Tata; 17 - Tverdoshovce; 18 - Tiszasüly; 19 - Hajdúdorog; 20 - Hust; 21 - Csoma; 22 - Sárospatak; 23 - Eger; 24 - Alcedar; 25 - Echimauti; 26 - Galich; 27 – Peremyshl’.
Игорь Прохненко, Мария Жиленко
Knight’s tombstone from Korolevo castle of Nyaláb
Tyragetia, serie nouă, vol. XII [XXVII], nr. 1, Arheologie. Istorie Antică
Игорь Прохненко, Мария Жиленко, Виталий Калиниченко
The castles of Transcarpathia of the second half of 13th - first half of 14th centuries
Tyragetia, serie nouă, vol. XV [XXX], nr. 2, Istorie. Muzeologie
Игорь Прохненко, Мария Жиленко
Korolevo Castle of Nyalab in possession of descendants of Moldavian Voivode Szasz
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Игорь Прохненко
Hillforts of the Late Bronze Age and Early Iron Age in the Transcarpathian Region of Ukraine
Tyragetia, serie nouă, vol. XI [XXVI], nr. 1, Arheologie. Istorie Antică
Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century....
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
