Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany.
Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History.
The typewriter features a standard carriage mounted on ball bearings and rollers, along with a keyboard equipped with 42 keys. These contain two complete sets of Latin and Cyrillic alphabets, punctuation marks, numbers, and mathematical symbols, enabling the typing of 126 characters. Beneath the metal casing, the type bars are arranged in a fan-like pattern, holding embossed characters and ink ribbon rollers. When the keys are pressed, the type bars strike the inked ribbon, imprinting characters onto the paper tensioned in the machine's roller system. The side panels are elegantly decorated with refined cast-iron elements in the Art Nouveau style, displaying the brand name - "Ideal." The Polyglott model, featuring a bilingual keyboard patented in the United Kingdom by Max Klaczko from Riga, Latvia, was produced between 1902 and 1913, marking the first typewriter capable of writing in two languages. The "Ideal Polyglott" typewriter was actively sold in the Russian Empire and gained significant popularity in Poland, Bulgaria, and Serbia. The typewriter - a mechanical device used for printing text directly onto paper - ranks among the most important inventions of the modern era, as it revolutionized communication. From the late 19th century to the early 21st century, it became an indispensable tool, widely used by writers, in offices, for business correspondence, and in private homes. The peak of typewriter sales occurred in the 1950s when the average annual sales in the United States reached 12 million units. In November 2012, the British Brother factory produced what it claimed to be the last typewriter, which was donated to the Science Museum in London. The advent of computers, word processing software, printers, and the decreasing cost of these technologies led to the typewriter's disappearance from the mainstream market, turning it into a museum exhibit. June 23 marks Typewriter Day, commemorating the date when American journalist and inventor Christopher Latham Sholes patented his typewriter. This day celebrates the simple yet revolutionary device that has become history, as well as the remarkable literary achievements it has enabled since 1868.
What was the original structural plan of the Church of the Assumption of Our Lady in the Căpriana Monastery?)
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
The Church of the Assumption of Our Lady in the Căpriana Monastery is the oldest of the existing monuments of religious architecture, built in the gospodars' tradition of the medieval Moldova. Many elements of its architecture have been preserved from the time of Stephen the Great (1457-1504) and Petru Rareș (1527-1538, 1541-1546), in spite of extensive reconstruction, which was carried out in 1819-1820. However, as a result of the reconstruction the current structure of the church does not match the description given in the XIX century. The question of the original structure of the Church of the Assumption of Our Lady in the Căpriana Monastery remains unresolved and requires further investigation.
List of illustrations:
Fig. 1. Church of the Assumption of Our Lady in the Căpriana Monastery (view from the north-east).
Fig. 2. The dome and belfry of the Church of the Assumption of Our Lady in the Căpriana Monastery.
Fig. 3. Longitudinal section of the Assumption Church.
Fig. 4. Detail of the dome of the narthex.
Fig. 5. Church of St. Theodore Tyron and St. Theodore Stratelates, Iasi (1761).
Fig. 6. The western facade of the Church of the Assumption of Our Lady in the Căpriana Monastery.
Fig. 7. Plan of the Assumption Church according to archaeological investigations (after Postică, Constantinescu 1996).
Vlad D. Ghimpu
Canonical rules and the actual orientation of altars in early Christian churches. Ancient and early medieval places of worship in Romanian lands
Tyragetia, serie nouă, vol. XII [XXVII], nr. 1, Arheologie. Istorie Antică
Vlad D. Ghimpu
Les contacts et les relations entre les Roumains et les Russes kiéviens aux IX-ième et X-ième siècles
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
Vlad D. Ghimpu
Romanian mentions in North-Western Russia in the 11th-16th centuries (preliminary research)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Vlad D. Ghimpu
Paleo-Christian churches in the Romanian area in the early Middle Ages
Tyragetia, serie nouă, vol. X [XXV], nr. 1, Arheologie. Istorie Antică
Vlad D. Ghimpu
Basarabi-Murfatlar and Corbii de Piatră – about the Crimean influence on the architecture of the Romanian churches of the early Middle Ages
Tyragetia, serie nouă, vol. XI [XXVI], nr. 1, Arheologie. Istorie Antică
Manufactured in 1902 by AG vorm Siedel & Nauman in Dresden, Germany. Dimensions: Length - 38 cm, Width - 35 cm, Height - 20 cm. Weight - 16 kg. It entered the museum collection in 1984, transferred from the National Museum of Ethnography and Natural History...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.