#Exhibit of the Month

Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable.
With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects.
The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home.
In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present.
These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.

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Publications

Library „Tyragetia"

Elena Ploșnița

Museographic Concepts of Historical Profile: Retrospect and Prospect

Series “Biblioteca “Tyragetia” XVII, Chisinau, 2008, 248 p. ISBN 978-9975-80-197-3.

The monograph “Museographic Concepts of Historical Profile: Retrospect and Prospect” is a work on an actual and unstudied subject, the synthesis study of museographic concepts on history which dominated in the history of Moldova from the 19th century to the present.

The structure of the work is determined by the specificity of the subject under research. It consists of Preface; arguments; three chapters (“Archaeology and History in Bessarabian Museographic Concepts”, “Creation and Development of Museography of Historical Profile in Moldavian SSR”, “Role of Cultural Policy and Civil Society in Adoption of New Museographic Concepts in Late 20th – Early 21st Centuries”), which are divided into 10 sections; Conclusion; Bibliography; Index of Museographic Concepts; Index of Museums; Index of Proper Names; abstracts in Romanian, English, and Russian; and List of Abbreviations.

The concepts under consideration were identified and systematized on the basis of materials found in the National Archives of the Republic of Moldova, the Archives of the Historical Monuments Department from Bucharest (Romania), the State Archives of the Russian Federation, in the collections and archives of the National Museum of Archaeology and History of Moldova, and the archives of the National Museum of Ethnography and Natural History (Chisinau). The materials, for the most part, have not previously been investigated.

The studies revealed that each historical period of development of the Moldavian society since the late 19th century gave rise to (and was marked by) certain museographic concepts and, at the same time, these concepts have been a reflection of social and intellectual concerns, the interest in history of the past, the attitude of a collective mentality, an of course, cultural policy in general and museum policy in particular, promoted by government bodies.