The exhibit represents a fragment from a unique amphora discovered in 1988 in a ceramic kiln from the Chirileni III settlement (Sîngerei district), attributed to the Cucuteni-Tripolie archaeological culture stage CII (5th-4th millennia BC).
The ceramic fragment with painted human and geometric representations constitutes about 50% of the upper part of an amphora, made of clay paste without impurities. It is burned in an oxidizing environment, with a reddish color in the section. The inner surface of the vessel is covered with a pink-whitish color layer, and the smoothed and polished exterior is covered with a yellowish-gray engobe start. The body of the amphora is spheroidal with four pyramidal cakes on the shoulder, and the neck is high frustoconical with a short outwardly turned lip. The dimensions of the bowl: lip diameter - 18 cm; maximum body diameter - 43-45 cm; neck height - 13 cm; height of exposed fragment - 43 cm; the estimated total height of the vessel is 55-60 cm. Thickness at the lip - 6-7 mm, at the neck - 9-11 mm, and at the body - 10-13 mm.
The outer surface of the amphora in a proportion of about 4/5, except for the lower part, is bicolorly decorated with black and brown paint, the brush being used as a tool, which can be felt from the specific application of the lines. Two brushes were most likely used. The ornament is divided into three horizontal registers that surround the vessel dividing the interior into metopes. The decoration is composed of lines arranged vertically, horizontally or obliquely forming geometric compositions of the net type.
The special significance of the amphora resides in the representation in the middle register of the painting of the stylized scene of a female ritual dance. The scene painted on the body of the amphora represents the image of a group made up of 9 female characters assisted by two dogs and 3 snakes. The female images are represented schematically, with the emphasis on long legs, mini-trapezoidal skirts, short stretched bodies, folded dancing hands and pointed heads.
Vessels with painted anthropomorphic representations are very rare, being around 140 images of this kind known so far in the entire area of spread of the Cucuteni-Tripoli culture.
Based on the analysis of the shape of the vessel, the specific decoration and the context of the discovery, it can be admitted that the amphora from Chirileni belongs to the cult of the Mother Woman, the Great Goddess worshiped by the Eneolithic populations.
Aspects of the Moldavian Soviet writers' activity in 1942-1944
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
After June 22, 1941 the Soviet Writers’ Union of Moldavia was inactive for almost a year. In June 1942 the Group of Moldavian Writers under the rule of I. Ciobanu consisted of I. Canna, V. Galiț, L. Deleanu, V. Polyakov (composer), M. Kakhana, and L. Barsky. After the conference of Moldavian writers held in Moscow in September 1942 there were written many letters to the CC of the C(b)P of Moldavia and to the leadership of the Moldavian Writers’ Union. Kakhana wrote about the lack of organization, Canna – about mistakes made by the Writers’ Union in 1940-1941, when such writers as N. Costenco, M. Curicheru, Barcari, and Țurcan were ignored. In January 1944 Bucov criticized Canna and Istru for “Moldovenism”. In his report of March 3, 1944 Canna summarized the work done by 11 members and five young writers of the Union during the war. He also mentioned the necessity of a literary journal and the need to write theater plays about the “historical people’s heroes” – the hospodars Stephen the Great, Vasile Lupu, Alexander the Good, Dimitrie Cantemir and the Bolsheviks Grigory Kotovsky, Sergey Lazo, and others. The first meeting of the writers after their return (with the Red Army) took place on May 26, 1944 at Soroca. The main discussed issues were the work on the hymn of the Moldavian SSR, preparing for the celebrations on June 28, publication of brochures with literary works of members of the Union, etc. This study is based on the documents from the Archives of the Socio-Political Organizations of the Republic of Moldavia (Fund 51, Inventory 1, Folder 107), which contains documents on the activities of the Soviet Writers’ Union of Moldavia from 1942 to August 1944.
List of attachments:
Attachment 1. Meetings held at the Soviet Writers’ Union of Moldavia (January-May 1941) – the date, the author discussed, the referent and participants.
Attachment 2. Timesheet of writers’ presence at the discussions in February-May 1941.
Attachment 3. Work plan of the Group of Moldavian Writers attached to the CC of the C(b)P of Moldavia for the period of from June 1 to October !, 1942.
Attachment 4. Part of the letter of Moses Kakhana-Ardeleanu to the Secretary of the CC of the C(b)P of Moldavia N. Salogor and the Chairman of the Council of People’s Commissars M. Konstantinov (15 January 1943).
Attachment 5. The letter of I. Canna to the Secretary of the CC of the C(b)P of Moldavia Zelenchuk concerning the works sent to the State Publishing House of Moldavia (16 September 1943).
Attachment 6. Fragment of Emilian Bukov’s letter in which he criticizes Bogdan Istru and Ion Canna for “Moldovenism” (10 January 1944).
Attachment 7. Report of the Moldavian writer’s organization sent to CC of the C(b)P of Moldavia by I. Canna (3 March 1944).
Marius Tărîță
The Khrushchev Thaw in the literature: the Republican Conference of Young Writers (Chisinau, November 22-24, 1957)
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
The exhibit represents a fragment from a unique amphora discovered in 1988 in a ceramic kiln from the Chirileni III settlement (Sîngerei district), attributed to the Cucuteni-Tripolie archaeological culture stage CII (5th-4th millennia BC)...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
