The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet." Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.
The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."
The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.
This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.
Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.
The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.
Bessarabian bourgeoisie in modern age (Classification, characteristics, evolution)
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
In the given article the author defines the bourgeoisie as a social category linked mainly to the urban economy, which has capital and power of decision in capitalist community. The author classifies Bessarabian bourgeoisie of the nineteenth century into four categories:
1. “Economic bourgeoisie” (commercial, usurious, industrial etc.) covers, in fact, those layers that are closely linked to economic activity: the large merchants (the first and second guild), moneylenders, owners of commercial and industrial enterprises etc., which differed from each other not so much in terms of origin and the place they occupy in society, but especially in terms of interests and level of wealth. This social group was formed after the introduction of guild reform in Bessarabia according to the decision of the Governing Senate of 26 September 1830. 2. The second category consisted of state officials. Promoting a national-colonial policy in Bessarabia, tsarism based not only on the small part of local nobility that it could draw to work in various state institutions, but also on foreign element, which consisted mainly of civilian and, especially, military Russian nobility. During the first half of the nineteenth century, when there was an institutional modernization, this layer, ignored by the aristocratic elite, was evolved into the bourgeoisie, and a small part of it was actively involved in economic activities. 3. A special category was formed of people engaged in the intellectual labour, which were representatives of a wide enough range of professions: teachers of different specialties, doctors, lawyers, attorneys, engineers, etc. Characterized by different levels of wages and, respectively, different levels of wealth, this category was also varied and, like the rest, differed only by intellectual training and professional qualification. 4. On the lowest level in the Bessarabian social hierarchy there was “the petty bourgeoisie” (the lower middle class), which brought together representatives of different professions - small traders (the third guild of merchants), artisans of various specialties, owners of grocery stores, inns, coffee shops, and restaurants, chemists, butchers, petty officers, etc. The rapid development of Bessarabia towards capitalism had essentially contributed to social instability of this layer, thus causing their passage up and down the social scale. An example of this is the layer of guild merchants, who were constantly moved from one guild to another and from this social category in the petty bourgeoisie.
Analysing the commercial bourgeoisie and petty bourgeoisie, the author concludes that the peripheral situation of Bessarabia in the economic and political system of the Russian Empire has determined clearly discriminatory attitude of central authorities towards the region, which was reflected in the restriction of the rights and opportunities for local residents, mostly Moldovans, through the attraction of foreign merchants and traders from the Russian provinces, providing them with various benefits. As a result, the lack of state unity and national independence, political domination and economic exploitation by the Russian Empire directly influenced the genesis of bourgeoisie of Bessarabia. As a result, the bourgeoisie of Bessarabia was established as cosmopolitan social structure consisted largely of alien elements, supported and protected by the imperial administration.
Valentin Tomuleț
The numerical dynamic and the social structure of the population of Tabani village, in Hotin county, according to the fiscal censuses in the 1820s-1850s
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
Taxation of the mazili and ruptași social categories in Bessarabia under the Tsarist domination (1812-1847)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
The legal status of călărași in Bessarabia: from Moldovan traditions to the Russian imperial administrative system
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
Peasant unrest in the village of Tabani, Khotyn Uyezd in connection with the agrarian reform of 1868
Tyragetia, serie nouă, vol. XVII [XXXII], nr. 2, Istorie. Muzeologie
Valentin Tomuleț
The protests and the revindications of the Bessarabian people in the first decades after the annexation of the territories between the Prut and Dniester rivers to Russia (years 1812-1828)
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.