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German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design.
The museum's collection preserves five figurines from one of the oldest porcelain manufactories in the Thuringia region of Germany - the statuary group known as *"The Musicians"*, crafted at the Volkstedt manufactory. These pieces entered the museum's holdings in 1991, acquired from a resident of Chișinău. With undeniable historical and artistic value, they bear the distinct imprint of the Rococo style.
The Volkstedt manufactory has a long-standing tradition in producing figurines, including those depicting musicians. In 1760, Georg Heinrich Macheleid - inventor of hard-paste porcelain in Thuringia - founded a production workshop in Zitzendorf, which was relocated to Volkstedt in 1762. Macheleid led the manufactory until 1764. Over time, the factory changed ownership and management multiple times. Under the direction of Christian Nonne, it flourished between 1767 and 1797, a period marked by significant artistic development. Volkstedt began creating figurines that would later gain international recognition.
It was during this flourishing period that the museum's porcelain statuettes, titled *"The Musicians"*, were produced. They depict five “putti”: four playing musical instruments (flute, mandolin, horn, and pipe), while the fifth conducts. Each figurine is entirely handcrafted - from modeling to painting - and delicately adorned with pastel tones and gilded details, capturing the playful movement and refined artistry of each musician. The base is made of mass-colored porcelain in a rare grey-green hue. The contrast between green, white, and gold accents lends the ensemble an unusually delicate appearance. These ornamental features are characteristic of the Rococo style, which emerged in France and is closely associated with the reign of King Louis XV.
The mark applied to the figurines consists of two crossed forks, clearly rendered in underglaze blue, with slightly blurred paint - a detail that helps date their production. Because the crossed forks often resembled the crossed swords of the Meissen trademark, the Volkstedt manufactory was compelled to change its mark starting in 1787. Initially represented by a single fork, the mark briefly returned to two forks before being replaced in 1800 by the graphic symbol "R", referencing the town of Rudolstadt. Therefore, the brief period during which the two-fork mark was reinstated - and during which the museum's figurines were likely produced - is estimated to be between 1787 and 1800.

The statuettes range in height from 10 to 18 cm and are preserved in relatively good condition.

These late 18th-century German porcelain pieces, now on display, are exceptionally rare. They stand as true works of art by German craftsmen and serve as important historical testimonies to the evolution of porcelain manufacturing in Germany.

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Publications Journal „Tyragetia"   vol. VI [XXI], nr. 1


Centuriations romaines dans la plaine de Venise
ISSN 1857-0240
E-ISSN 2537-6330

Centuriations romaines dans la plaine de Venise

Tyragetia, serie nouă, vol. VI [XXI], nr. 1, Arheologie. Istorie Antică

Cette contribution porte sur la dynamique des centuriations d’origine romaine de la plaine centrale de Venise, limitée par la lagune et les Alpes d’une part, les fleuves Brenta et Piave de l’autre. Il s’agit d’évaluer la nature des interactions entre les morphologies agraires héritées de l’arpentage antique et les sociétés historiques, médiévales et modernes, qui intègrent, en le transformant, l’héritage antique.

Liste des figures:

Fig. 1. Organisation théorique d’une centuriation de 20 actus de module (710 m) et disposition des coordonnées de deux centuries. Deux modes de division interne sont proposés.
Fig. 2. a - Miniatures des manuscrits Arcerianus (en haut) et Palatinus (en bas). Elles représentent la ville de co- lonia Iulia édifiée dans une plaine délimitée par la mer et une chaîne montagneuse. Le territoire est divisé par une centuriation dont les deux axes majeurs se croisent au centre de la ville; b - Cippe gromatique de Grantorto (Cittadella). Il s’agit d’un parallélépipède de plus de 1,60 m de haut portant un decussis sur la tranche et le texte iuss(u) ter(minus) n(ovatus) / U(ltra) K(ardinem) VII; sur le flanc S(inistra) D(ecumanum) VIII. Il est daté du Ier s. ap. J.-C. et indique l’intersection du decumanus VIII à gauche du decumanus maximus et du kardo VII au-delà du kardo maximus.
Fig. 3. Vue aérienne verticale du Graticolato romano à l’ouest de Mirano.
Fig. 4. Carte géomorphologique et hydrographique de la plaine centrale de Venise. Légende: 1 - plaine alluviale ancienne du Brenta (tardiglaciaire); 2 - alluvions récentes (holocène); 3 - bourrelets alluviaux anciens et récents; 4 - dépressions d’inter-cône du Musone; 5 - plaine alluviale du Piave; 6 - limite septentrionale de la résurgence des eaux; 7 - courbe de niveau (eq. 5 m); 8 - hydrographie moderne et contemporaine; 9 - bourgs fortifiés (XIIe-XIIIe s.).
Fig. 5. Centuriations et circulation des eaux, de Bassano à Mirano.
Fig. 6. Morphologie de la centuriation entre Cittadella et Castelfranco Veneto. Les flèches externes indiquent le carroyage théorique de la centuriation.
Fig. 7. Morphologie de deux centuries de la centuriation au nord-est de Padoue. Les trois limites intercisivi sont représentés en pointillés.

Marius Alexianu, Olivier Weller, Robin Brigand, Roxana-Gabriela Curcă
Recherches ethnoarchéologiques sur les sources salées de la Moldavie précarpatique
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
Robin Brigand, Andrei Asăndulesei, Ionuț Nicu Cristi
Autour de la station éponyme de Cucuteni: paysage et peuplement (Valea Oii, Iași, Roumanie)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică



 

 

Independent Moldova
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Bessarabia and MASSR between the Two World Wars
Bessarabia and Moldavian Autonomous Soviet Socialist Republic in the Period between the Two World Wars
Revival of National Movement
Time of Reforms and their Consequences
Abolition of Autonomy. Bessarabia – a New Tsarist Colony
Period of Relative Autonomy of Bessarabia within the Russian Empire
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Golden Age of the Romanian Culture
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Formation of Independent Medieval State of Moldova
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#Exhibit of the Month

German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design...

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

 



The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC

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The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
©2006-2025 National Museum of History of Moldova
Visit museum 31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
Phones:
Secretariat: +373 (22) 24-43-25
Department of Public Relations and Museum Education: +373 (22) 24-04-26
Fax: +373 (22) 24-43-69
E-mail: office@nationalmuseum.md
Technical Support: info@nationalmuseum.md
Web site administration and maintenance: Andrei EMILCIUC