This remarkable portrait of Mihai Eminescu, created by artist Alexandru Gușanov, is based on one of the four known photographs of the poet. The photograph that inspired this portrait was taken in 1869 in Wenceslas Square, Prague, when Eminescu was only 19 years old. The oval composition and harmonious color palette highlight the prominent personality and charisma of the young poet, capturing an expression that conveys both melancholy and intellectual depth. Alexandru Gușanov (1929-2005), a Moldovan painter of Ukrainian origin, distinguished himself through his extensive work, comprising approximately 5,000 pieces - portraits, landscapes, and still life paintings. Settled in Moldova since 1945, Gușanov graduated from the Republican Art School "I.E. Repin" in Chișinău in 1952. His works were showcased in numerous national and international exhibitions and were highly appreciated in countries such as France, Hungary, Russia, and Yugoslavia. The artist dedicated a significant part of his career to creating portraits of historical and cultural figures, including Dimitrie Cantemir, Mihail Kogălniceanu, and Alexei Mateevici, which are part of the National Museum of History of Moldova's collection.
The subject of the portrait, Mihai Eminescu (1850-1889), is the most significant poet in Romanian literature, whose works reflect profound thought, sensitivity toward nature, and national identity. At the age of 19, when the photograph that inspired this portrait was taken, Eminescu was in the midst of his intellectual formation, preparing to become the iconic voice of Romanian culture. Among his most famous works is the poem Luceafărul (The Morning Star), a masterpiece of universal literature.
Copper Age burials with “extended” skeletons in the Carpathian-Dniester region
Tyragetia, serie nouă, vol. IV [XIX], nr. 1, Arheologie. Istorie Antică
In the article the problem of cultural and chronological attribution of Copper Age graves with skeletons in extended position is discussed. Due to the almost complete absence of grave inventory in the burials the most reliable attribute for analysis is the shape of the grave chambers in combination with other elements (stratigraphic position, orientation of the dead, few items of grave goods, etc.). Three basic forms of chambers are distinguished: large oval pits, long narrow pits, and large rectangular pits. Graves with large oval pits posses the most archaic traits and probably can be recognized as the most ancient Copper Age contexts under barrows. The earliest graves can be dated to the second half of the 5th Millennium BC although all graves under barrows are, so far, dated from the 4th Millennium BC. The graves from this group in barrows always precede burials of the Pit-grave culture and some- times burials of the late Copper Age Usatovo culture. In some barrows they can follow other Copper Age graves. The graves in long narrow pits seem to be later and, according to kurgan stratigraphy, always precede graves of the Pit- grave culture, but sometimes follow late Copper Age graves or burials of the Usatovo culture. The extended graves in large rectangular chambers can be considered as a variant within the funeral tradition of the Pit-grave culture. Distinctions between the groups under consideration can be conditioned by their different origins. Whereas the graves from the first group can represent the development of a local tradition related to the Balkan-Carpathian cultural milieu, the graves from the second group can reflect connection with eastern European cultures. At the same time the graves from the third group are related to the Pit-grave culture.
Николай Руссев, Михаил Фокеев, Игорь Манзура
Barrow of the Copper and Bronze Ages near the Village of Suvorovo, Odessa County
Tyragetia, serie nouă, vol. VII [XXII], nr. 1, Arheologie. Istorie Antică
Igor Manzura
Rare finds of the paleometal age from the Dniester-Prut interfluve
Tyragetia, serie nouă, vol. XVIII [XXXIII], nr. 1, Arheologie. Istorie Antică
Игорь Манзура, Владислав Петренко
The Usatovo kurgan cemetery II (excavation 1984)
Tyragetia, serie nouă, vol. XVI [XXXI], nr. 1, Arheologie. Istorie Antică, Chişinău, 2022
Игорь Манзура
Дергачев В.А. О скипетрах. Этюды в защиту миграционной концепции М. Гимбутас. Revista arheologică. vol. I. Nr. 2. Chișinău, 2005, 166 стр. ISSN 1857-016X.
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică
This remarkable portrait of Mihai Eminescu, created by artist Alexandru Gușanov, is based on one of the four known photographs of the poet. The photograph that inspired this portrait was taken in 1869 in Wenceslas Square, Prague, when Eminescu was only 19 years old...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.