The exhibited necklace of beads originates from Funerary Complex No. 6 of Kurgan No. 4, excavated in 1982 by Dr. Habil. Eugen SAVA near the town of Taraclia. The beads were found in the chest area of the deceased, indicating that they had been worn as a necklace and had remained in their original position within the funerary assemblage. The necklace consists of 11 elements made entirely of Egyptian faience. Eight of the beads are spherical and decorated with vertical incisions forming between 14 and 21 raised ribs. Their diameters range from 13 to 20 mm. Two additional elements are scarab representations measuring 23.5 × 19.5 mm, while the final component is a flattened cylindrical pendant bead featuring a central vertical groove and measuring 22 × 9 mm. The objects range in color from light blue to dark blue and violet hues, reflecting the natural deterioration and glaze variations characteristic of Egyptian faience. Egyptian faience is an artificial quartz-based material coated with an alkaline glaze, typically blue or blue-green in color. It was widely used in Ancient Egypt and later spread throughout the Mediterranean and Pontic regions through trade networks. During the first centuries AD, such objects served as important indicators of cultural and economic contacts between the Mediterranean world and the communities of the North Pontic region. Owing to its typological, technological, and symbolic characteristics, the Taraclia necklace is an exceptionally valuable artifact for the study of intercultural relations, the circulation of prestige goods, and the funerary practices of the Sarmatian communities during the first centuries AD (1st-2nd centuries AD).
Die griechische Amphoren in der Poienești-Lucașeuca-Kultur
Tyragetia, serie nouă, vol. VI [XXI], nr. 1, Arheologie. Istorie Antică
In dem Gebiet der Poienești-Lucașeuca-Kultur sind hellenistiche Amphoren die wichtigsten lmportfunde. In diesem Raum wurden hellenistiche Importfunde in 35 Siedlungen gefunden. In den Siedlungen, welche durch systematische Ausgrabungen studiert wurden, sind griechische Amphoren mit circa 5% bei der Keramik vertreten. Die hellenistiche Produktion tritt in diesem Gebiet ab dem ersten Viertel des 2. Jhr.v. Chr.auf. Die meisten Amphoren datieren aber in das zweiten Viertel dieses Jahrhunderts.
Vasile Iarmulschi
Michał Grygiel, Chronologia przemian kultorowych w dobie przełomu starzego i młodzego okresu przedrzymskiego na Niżu Polskim. Łódź: Fundacja Badań Archeologicznych Imienia Profesora Konrada Jażdżewskiego, 2018, 822 p., ISBN: 978-83-948140-2-1
Tyragetia, serie nouă, vol. XV [XXX], nr. 1, Arheologie. Istorie Antică, Chişinău, 2021
Vasile Iarmulschi
„Geten“, „Daker“, „Bastarnen“ und „Skordisken“: einige Bemerkungen zur Siedlung der jüngeren vorrömischen Eisenzeit von Roşiori-Dulceşti
Tyragetia, serie nouă, vol. XVIII [XXXIII], nr. 1, Arheologie. Istorie Antică
Vasile Iarmulschi
J. Brandt, B. Rauchfuß (Herausgeber), Das Jastorf-Konzept und die vorrömische Eisenzeit im nördlichen Mitteleuropa. Beiträge der Internationalen Tagung zum einhundertjährigen der Veröffetlichung der „Ältesten Urnenfriedhöfe bei Uelzen und Lüneburg" d
Tyragetia, serie nouă, vol. IX [XXIV], nr. 1, Arheologie. Istorie Antică
Octavian Munteanu, Vasile Iarmulschi, Veronica Perju, Livia Ermurachi
The first building-phase of the fortification at Horodca Mică
Tyragetia, serie nouă, vol. IV [XIX], nr. 1, Arheologie. Istorie Antică
Vasile Iarmulschi
Migration von West nach Ost: Archäologie der Mobilität in der jüngeren vorrömischen Eisenzeit: Beispiel die Zarubintsy-Kultur
Tyragetia, serie nouă, vol. XV [XXX], nr. 1, Arheologie. Istorie Antică, Chişinău, 2021
The exhibited necklace of beads originates from Funerary Complex No. 6 of Kurgan No. 4, excavated in 1982 by Dr. Habil. Eugen SAVA near the town of Taraclia. The beads were found in the chest area of the deceased, indicating that they had been worn as a necklace and had remained in their original position within the funerary assemblage...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.