The exhibit represents a fragment from a unique amphora discovered in 1988 in a ceramic kiln from the Chirileni III settlement (Sîngerei district), attributed to the Cucuteni-Tripolie archaeological culture stage CII (5th-4th millennia BC).
The ceramic fragment with painted human and geometric representations constitutes about 50% of the upper part of an amphora, made of clay paste without impurities. It is burned in an oxidizing environment, with a reddish color in the section. The inner surface of the vessel is covered with a pink-whitish color layer, and the smoothed and polished exterior is covered with a yellowish-gray engobe start. The body of the amphora is spheroidal with four pyramidal cakes on the shoulder, and the neck is high frustoconical with a short outwardly turned lip. The dimensions of the bowl: lip diameter - 18 cm; maximum body diameter - 43-45 cm; neck height - 13 cm; height of exposed fragment - 43 cm; the estimated total height of the vessel is 55-60 cm. Thickness at the lip - 6-7 mm, at the neck - 9-11 mm, and at the body - 10-13 mm.
The outer surface of the amphora in a proportion of about 4/5, except for the lower part, is bicolorly decorated with black and brown paint, the brush being used as a tool, which can be felt from the specific application of the lines. Two brushes were most likely used. The ornament is divided into three horizontal registers that surround the vessel dividing the interior into metopes. The decoration is composed of lines arranged vertically, horizontally or obliquely forming geometric compositions of the net type.
The special significance of the amphora resides in the representation in the middle register of the painting of the stylized scene of a female ritual dance. The scene painted on the body of the amphora represents the image of a group made up of 9 female characters assisted by two dogs and 3 snakes. The female images are represented schematically, with the emphasis on long legs, mini-trapezoidal skirts, short stretched bodies, folded dancing hands and pointed heads.
Vessels with painted anthropomorphic representations are very rare, being around 140 images of this kind known so far in the entire area of spread of the Cucuteni-Tripoli culture.
Based on the analysis of the shape of the vessel, the specific decoration and the context of the discovery, it can be admitted that the amphora from Chirileni belongs to the cult of the Mother Woman, the Great Goddess worshiped by the Eneolithic populations.
Ion Ungureanu, a destiny enlightened by the Morning Star
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Keywords: Ion Ungureanu, director, minister, drama, Morning Star.
Abstract: On September 8th, 2015, the National Museum of History of Moldova hosted an exceptional cultural event dedicated to the celebration of the 80th anniversary of prominent cultural figure - Ion Ungureanu, actor and director, ex-Minister of Culture of the Republic of Moldova, Artist of the People, Laureate of the National Award, holder of the Order of the Republic.
The event began with the opening of the exhibition "Ion Ungureanu, a destiny lightened by the Morning Star" bringing together more than 230 photos, documents, books, theater programs and posters, prizes, awards and other relics that reflect important aspects of the life and work of one of the most prominent figures of the national culture.
The artistic activity of actor and director Ion Ungureanu includes 13 roles in theatre plays, 21 roles in radio shows and 27 roles in "Moldova-film" and "Mosfilm" productions. He staged 26 plays in theatre and 8 plays in television.
Theseus, Malvolio, Dr. Dorn, von Walter; "Birds of our Youth", "Holy of Holies" and "White Church" by I. Druță, "Minodora" by A. Strâmbeanu, "Nameless Star" by M. Sebastian, "Radu Stefan, the First and the Last" by A. Bu- suioc - these are just some of the roles and performances that glorified this wonderful actor and director.
In 1970s famous Russian actor Mikhail Ulyanov considered Ion Ungureanu in line with such the greatest directors of the Soviet theater as Georgy Tovstonogov, Iury Liubimov, Anatoly Efros and Oleg Efremov.
The exhibition is a first attempt to valorise through exhibition the cultural and political work of the actor, director and public person Ion Ungureanu. The phenomenon of Ungureanu is yet to be studied, and the lesson of dignity and verticality given by this outstanding personality is yet to be assumed by contemporaries and generations to come.
List of illustrations: 1. The exhibition poster. 2. Debut on the stage of Kremlin Theatre and Vahtangov Theatre. Ion Ungureanu as Alexandru Damian in the play "Wild Flowers" by C. Condrea, 1960. 3. Ion Ungureanu (poet Boris Grădinaru) and Vladimir Zaychuk (driver Toader) in the film "When a person is not in his place", "Moldova-film", 1958. 4. Ion Ungureanu playing inspector Lodze in the film "Favorite", "Moldova-film", 1976. 5. Minister of Culture and Cults Ion Ungureanu at the event of re-opening of the monument to Stefan the Great after its restoration and relocation, August 31, 1990. 6. Sequence from the opening of the exhibition "Ion Ungureanu, a destiny enlightened by the Morning Star". 7. Fragment of the festive event dedicated to the anniversary of the actor and director Ion Ungureanu, National Museum of History of Moldova, September 8, 2015.
Elena Postică
Anniversary exhibition “Centenary of Great Romania”
Tyragetia, serie nouă, vol. XII [XXVII], nr. 2, Istorie. Muzeologie
Elena Postică
From the archives of the former KGB to the possession of the museum. History of one collection
Tyragetia, serie nouă, vol. XII [XXVII], nr. 2, Istorie. Muzeologie
Elena Postică
Oak from Caracui. Exhibition dedicated to the 100th anniversary of Academician Nicolae Corlăteanu
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Elena Postică
Independent Moldova seen through a museum exhibition
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
Elena Postică
Lawsuits initiated against participants of resistance movement from postwar Moldova
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
The exhibit represents a fragment from a unique amphora discovered in 1988 in a ceramic kiln from the Chirileni III settlement (Sîngerei district), attributed to the Cucuteni-Tripolie archaeological culture stage CII (5th-4th millennia BC)...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
