In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
Pages from the history of hotels in Bessarabia. Deltiologic research (2nd half of 19th - early 20th centuries)
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
The present article is the result of a research of the museum collection of illustrated postcards representing the images of old Chișinău hotels in the second half of the 19th - early 20th centuries. It aims to reflect some aspects of hotel life of those times, and also a particular architectural appearance, which, unfortunately, we can admire now only in photographs.
Hotels have been and remain the face of the city. They also reflect the material achievements of urban civilization in Chișinău of the second half of the 19th - early 20th centuries, especially after the installation of telegraph (1860) and construction of the railway line (1870s). This has contributed to the development of trade relations between Bessarabia and Russia, Bessarabia and Europe. Chișinău began to develop as the capital: there have been paved the streets, build public and administrative buildings, opened new factories and plants from abroad. So it is no accident that the owner of the first modern hotel was a Swiss Charles Thomas Selouidenis who in 1874 had rented the building at the intersection of Aleksandrovskaya and Seminarskaya streets (today – the corner of Stephen the Great Blvd and G. Banulescu-Bodoni St.). There was opened the Swiss Hotel, which existed for a long time, even after a change of ownership.
At the beginning of the 20th century the number of hotels in Chisinau has increased substantially, enriching the “geography” of names: Paris, London, Bristol, Grand Hotel, National Hotel, Petersburg, France, etc. Most of them were located in the upper part of the city, near the banking, administrative, legal institutions. Advertisements in the press at the time allow us to see the development of hotel services and a high level of comfort: bright and spacious rooms with beautiful interiors, windows and balconies onto the street, telegraph and electricity, restaurants and cafes with gourmet meals and drinks for guests, stables and coach-houses, etc.
On May 1, 1914 in Chisinau there was opened the most luxurious hotel of the city – the Palace Hotel, owned by a millionaire N. Barbalat. It had 120 rooms and was located in a four-storey building with a restaurant, cafe, elevator, telephone and telegraph. The hotel provided new services in the hotel industry – table setting in the rooms and booking of theater and train tickets.
Time, full of destructive events, and human indifference wiped out these architectural jewels, with the exception of the Swiss and Palace Hotels, which are partially preserved, having lost some features of the exterior.
List of illustrations: 1. Advertisement of the Alexandr Wolkenberg’s shop of stationery. 2. Exterior view of the Swiss Hotel, early 20th century. 3. Exterior view of the London Hotel, early 20th century. 4. Exterior view of the Palace Hotel, early 20th century. 5. Advertisement of the Palace Hotel. 6. Exterior view of the Bristol Hotel (Shumsky’s House), early 20th century.
Ana Grițco
The First World War (1914-1918) in deltiology
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Ana Grițco
Requisition as a way of sovietisation of Bessarabian peasants
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
Ana Grițco
Constantin F. Cazimir’s activity within the Bessarabian zemstva
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Ana Grițco
Building of the Hârbovăț Community of Nurses in Chișinău (late 19th - early 20th centuries): the image and history
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Ana Grițco
Royal visit to Chișinău (1920) - images and history
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.