In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
The church – a hypostasis of the charity gesture from Bessarabia in the modern period
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
The social-economical conditions had always stratified the society intro rich and poor booth in village and town. The stimulation of the social thought was a direct consequence of the outline of misery and poverty and was manifested through Christian value gestures and attitudes for maintaining the social body solidarity.
Philanthropy, or the love for alike, was truly considered one of the fundamental characteristics of the Christian belief. The Orthodox Church had always practiced philanthropy; the intensity of this activity directly depended on the development and manifestation possibilities of the church itself. The annexation of Bessarabia by the Russian Empire had consequences for the Bessarabian church which had to confront itself with new problems, among which – to rebuilt and develop its philanthropic structures. The need to reevaluate and update the charity acts’ arguments and practices arises, keeping therewith aspects from the local Orthodox Church tradition.
The materials found in archives and the press of that time informs the aimed reader, and not only, about the philanthropic activity of the Bessarabian church in the modern period. The results of the research conclude that the Bessarabian church had a philanthropic system characterized by its presence not only in province, but in other regions of the empire as well; getting involved in different charity acts at the “suggestion” of the “Synod”. There were created funds, associations, societies for the support and help of sick, old and abandoned children. A substantial contribution had the church in the process of educating the young generation by an increase of the number of schools and by supplying the pupils with all necessary.
A special role in the philanthropic work had the convents. Although considered a “form of prayer”, they represented authentic centers where the charity acts were performed.
Ana Grițco
Pages from the history of hotels in Bessarabia. Deltiologic research (2nd half of 19th - early 20th centuries)
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Ana Grițco
Advertising postcards in the collections of the National Museum of the History of Moldova (late 19th c. - the 1st half of the 20th c.)
Tyragetia, serie nouă, vol. XI [XXVI], nr. 2, Istorie. Muzeologie
Ana Grițco
Scientific activity in Bessarabia as reflected in works of some figures (1812-1918). From the collections of the National Museum of History of Moldova
Tyragetia, serie nouă, vol. XVII [XXXII], nr. 2, Istorie. Muzeologie
Ana Grițco
The First World War (1914-1918) in deltiology
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Ana Grițco
Building of the Hârbovăț Community of Nurses in Chișinău (late 19th - early 20th centuries): the image and history
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
