Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year. These beliefs have been preserved in winter customs such as caroling, the Plugușor, and masked dances, where bells and jingles were indispensable. With the spread of Christianity, the sound of the bell also acquired a profound religious meaning, becoming an announcer of major feasts and a symbol of the Nativity. Small bells, however, were not originally used as decorations but primarily as functional or ritual objects. The first decorated Christmas tree in the Romanian lands was the one at the palace of Prince Carol I of Hohenzollern, following his arrival in the Romanian Principalities in 1866. From that moment the tradition took root, and on Christmas Eve princes and princesses invited to the palace would take part in decorating the tree. Among the ornaments used were small metal bells, symbolizing joy, the good news, and divine protection for the home. In the twentieth century, Christmas bells spread across all Romanian provinces and became a visual emblem of the holiday, appearing in both decorations and carols. Even during periods when religious expression was curtailed, bells remained in people's homes as signs of joy and the continuity of tradition. Today they retain this dual meaning: the echo of ancient beliefs and, at the same time, the announcement of the Birth of Christ - a symbol of hope, light, and the link between past and present. These tinkling pieces are part of a generous heritage collection at the National Museum of History of Moldova (NMHM), which includes more than 200 cultural items. A substantial contribution to the museum's collection of decorative bells was made by Dorina Raischi, a teacher at School No. 94 in Chișinău, who donated 174 bells, of which around 30 are winter-themed. Made of ceramic, porcelain, glass, and metal, they were brought from different parts of the world and together offer a succinct picture of the global culture of bells. They add a festive note to the home and even to a gift, and it is hard to imagine Christmas without their cheerful tinkling.
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
The present article offers a history of construction of St. George’s church in Chișinău in 1814-1819 on the basis of archive sources and historiography. From the very beginning this church was connected with many Chișinău figures. The church was erected in the advanced style of the Moldovan medieval churches with the help of Stavrache Costin, a former archpriest of Orhei and the architect Ion Zaiciuc from Bucovina. The architectural constituents of the monument are analyzed on the basis of the planimetric reproduction and visual observations. According to the author, St. George’s church is one of the most important architectural achievements of the 19th century in Chisinau, which developed architectural tradition of the Moldovan principality after the annexation of Bessarabia by the tsarist Russia.
Vlad D. Ghimpu
Canonical rules and the actual orientation of altars in early Christian churches. Ancient and early medieval places of worship in Romanian lands
Tyragetia, serie nouă, vol. XII [XXVII], nr. 1, Arheologie. Istorie Antică
Vlad D. Ghimpu
What was the original structural plan of the Church of the Assumption of Our Lady in the Căpriana Monastery?)
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Vlad D. Ghimpu
Romanian mentions in North-Western Russia in the 11th-16th centuries (preliminary research)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Vlad D. Ghimpu
Paleo-Christian churches in the Romanian area in the early Middle Ages
Tyragetia, serie nouă, vol. X [XXV], nr. 1, Arheologie. Istorie Antică
Vlad D. Ghimpu
Basarabi-Murfatlar and Corbii de Piatră – about the Crimean influence on the architecture of the Romanian churches of the early Middle Ages
Tyragetia, serie nouă, vol. XI [XXVI], nr. 1, Arheologie. Istorie Antică
Christmas bells entered the Romanian cultural space through a long process in which archaic traditions blended with Christian belief and European influences. Long before the holiday of Christmas developed as we know it, metallic sounds played an important ritual role in old communities: they were used to drive away evil spirits, to purify spaces, and to protect people during transitional moments at the turn of the year...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.