To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
The Cucuteni C pottery in the Cucuteni-Trypillia cultural complex (Formulation of the problem and a brief historiography)
Tyragetia, serie nouă, vol. X [XXV], nr. 1, Arheologie. Istorie Antică Chișinău, 2016
Keywords: Cucuteni, Trypillia, Cucuteni C pottery, import, influence.
Abstract: The "Cucuteni C pottery" is a special term for a kind of Cucuteni pottery, injected by Hubert Schmidt. The earliest samples of this pottery are dated by the B1 stage. According to T. Movsha, this kind of pottery appeared at Cucuteni-Trypillia sites under the influence of Serednii Stig Culture. Another question is whether these contacts were important for developing of this kind of pottery, especially for the Trypillia B1 - Cucuteni A stages.
Samples of Serednyi Stig Culture from Cucuteni-Trypillia sites are innumerous. These sites are distributed on large area, but mainly in the western rather than eastern part, close to the Serednii Stig Culture area. For Trypillia B1- B2 - Cucuteni A-B stages the most of finds come from sites of the Soloncheny local group. At the Soloncheny and Myropillia sites this pottery is most similar to Steppe samples in terms of technology, stylistics and, partly, forms of pots. Some of samples may have been really imported of produced by the bearers of Serednii Stig Culture. But the appearing of Cucucteni C pottery at this time did not change the original Trypillia-Cucuteni traditions and the Serednii Stig Culture influence was limited. The use of cord decorations from BII stage may have been connected with the influence of Chernavoda I Culture. On the other hand, the Cucuteni C pottery was the main common feture of pottery assemblages at whole area inhabited by the Cucuteni-Trypillia people. The most realistic point of view is that the spreading of Cucuteni C pottery reflected more tribal than intercultural relations.
List of illustrations: Fig. 1. Pottery from Trypillia B1 sites: 1-4 - Neporotove 22; 5-9 - Berezivska GES (8а, 9а after Даниленко 1974); 10-14 - Vasyliivka (after Збенович, Шумова 1989); 15 - Daribany; 16 - Sabatynivka I. Fig. 2. Pottery of Serednii Stig Culture: 1-16 - Skelya stage; 17-24 - Stog stage. Fig. 3. Cucuteni C pottery from Kolomyitsiv Yar. Fig. 4. Cucuteni C pottery from Trypillia B1-B2 stage sites: 1-2 - Klishchiv (after Заец 1974); 3, 7, 8 - Dnipro region (after V. Khvoika); 5 - Buchach. Fig. 5. Cucuteni C pottery from Soloncheny group sites. Fig. 6. Cucuteni C pottery from Soloncheny 2 site (after Мовша 1998). Fig. 7. Serednii Stig and Trypillia pottery. Fig. 8. Cucuteni C pottery from Trypillia B1-B2 stage sites: 1-7, 13-14 - Dnipro region (after V. Khvoika); 8-12 - Mykolaivka. Fig. 9. Cucuteni C pottery from Trypillia B2 sites: 1, 3 - Nemyrivka; 4 - Nemyriv; 5-7 - Stanislavivka; 8 - BerezovBereg; 9-11, 13-14, 16 - Grebeni; 15 - Studenitsya. Fig. 10. Cucuteni C pottery from Chapaivka. Fig. 11. Cucuteni C pottery from Maidanetske. Fig. 12. Cucuteni C pottery from Trypillia CI stage: 1 - Talne-2; 2-4 - Dnipro region (after V. Khvoika).
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Traces of the ritual practice at a large Trypillian culture settlement near Maydanetske
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Spindle whorls of Trypillia-Cucuteni cultural unity
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Interpretation of the cultural layer of the early Trypillian site of Bernashevka I
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Михаил Видейко, Джон Чапмен, Биссерка Гейдарская, Наталья Бурдо, Эдуард Овчинников, Галина Пашкевич, Наталья Шевченко
Investigations of a mega-structure at the Trypillian culture settlement near Nebelivka in 2012
Tyragetia, serie nouă, vol. VII [XXII], nr. 1, Arheologie. Istorie Antică
Наталья Бурдо
Anthropomorphic figurines from early Bronze Age burial mounds in the Bug-Dnieper interfluves and the Dnieper area
Tyragetia, serie nouă, vol. XII [XXVII], nr. 1, Arheologie. Istorie Antică
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.