We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.
These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.
The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.
The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."
The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.
Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.
Михаил Видейко, Джон Чапмен, Биссерка Гейдарская, Наталья Бурдо, Эдуард Овчинников, Галина Пашкевич, Наталья Шевченко
Investigations of a mega-structure at the Trypillian culture settlement near Nebelivka in 2012
Tyragetia, serie nouă, vol. VII [XXII], nr. 1, Arheologie. Istorie Antică
In 2012 the British-Ukrainian expedition continued investigations at the Trypillian culture settlement near Nebelivka. The main aim of the field season was exploration of the largest object in the area (about 20×60 m), which was detected in 2012 by magnetic prospection. The investigations were funded by AHRC (Grant No. AH/I025867: 2012-2016) and the National Geographic Society (Grant No. 2012/211). Results of the excavations have confirmed the size of the site and have provided important information on this structure.
List of illustrations:
Fig. 1. Nebelivka. Plan of the site according to the magnetic survey: 1 - general plan; 2 - plot with the mega-structure (object B5).
Fig. 2. Nebelivka. General view on the place of the Trypillian culture settlement: 1 - photo taken by means of a kite (north-west direction); 2 - on the south side, from the opposite slope of the river valley.
Fig. 3. Nebelivka. Mega-structure, as seen from a kite: 1 - after clearing daubing strata; 2 - after the removal of the upper daubing stratum.
Fig. 4. Nebelivka. Exploration of the mega-structure: 1-3 - general view of the excavation process; 4 - after ending of the clearing burnt daubing layer.
Fig. 5. Nebelivka. Mega-structure, the western part, burnt daubing: 1 - near elevation No.1; 2 - near elevation No.7; 3 - near elevation No.2, view from S.
Fig. 6. Nebelivka. Mega-structure, the western part, location of the main constructions: a - milling stone; b - clay bin with milling stone; c - elevation No.2; d - elevation No.4; de - threshold; e - podium; f - elevation No.1; g - elevation No.3; h - place with broken pots and bowls over the pit near elevation №5; i - elevation №5; j - elevation No.6; k - remains of clay arc; l, r - strips of burnt daubing at eastern part; m - threshold; n, o, p - thresholds; q - elevation No.7.
Fig. 7. Nebelivka. Mega-structure, the western part, round elevation: 1-2 - elevation and broken pots; 3 - elevation after removing of pottery.
Fig. 8. Nebelivka. Mega-structure, the western part, podium: 1, 2 - general view; 3, 4 - cross-sections; 5 - part near the wall.
Fig. 9. Nebelivka. Mega-structure, the western part, remains of a pithos near the podium: 1, 2 - fragments with decoration; 3 - remains of pithos and other pottery.
Fig. 10. Nebelivka. Mega-structure, the western part, pithoi: 1 - pieces of pithos after clearing; 2 - wreckage of the pithos in the course of picking; 3 - fragment of a pithos with decoration; 4 - broken small pithos.
Fig. 11. Nebelivka. Mega-structure, the western part, elevations on the ground surface: 1 - elevation №4; 2-3 - elevation No.2, general view and a fragment of the blade with rims; 4 - cross-section of elevation No.4; 5 - cross-section of elevation No.2.
Fig. 12. Nebelivka. Mega-structure, the western part of excavation, elevation No.2: 1 - general view, to the right - clay bin with milling stone; 2 - fragment of an edge of elevation No.2 with in-depth ornament; 3 - part of elevation No.2; 4 - explorations of elevation No.2.
Fig. 13. Nebelivka. Mega-structure, the western part of excavation: elevation №7: 1 - general view after clearing; 2 - after preparations to take as a monolith; 3 - fragment with decorations.
Fig. 14. Nebelivka. Mega-structure, the western part, clay bin: 1 - at the beginning of explorations; 2 - after the cleaning.
Fig. 15. Nebelivka. Mega-structure, the western part of excavation, clay bin with milling stone: 1 - corner and a broken pot inside; 2 - coating of the bottom and the remains of a construction in the center; 3 - fragment of a rim; 4 - corner.
Fig. 16. Nebelivka, Mega-structure, the western part of excavation, milling stone and remains of the second (?) rectangular structure.
Fig. 17. Nebelivka. Mega-structure, the western part of excavation, remains of thresholds: 1 - the main entrance on the east side; 2 - entrance to the left room.
Fig. 18. Nebelivka. Mega-structure, the western part of excavation, remains of the threshold from the western side.
Fig. 19. Nebelivka. Mega-structure, eastern part of excavation, strips of daubing: 1, 2, 4 - general views of the southern strip; 3 - cross-section of the northern strip.
Fig. 20. Nebelivka. Mega-structure, the western part of excavation: pottery among strata of burnt daubing.
Fig. 21. Nebelivka. Mega-structure, the western part of excavation: broken pottery and bowls over the pit near elevation No.5.
Fig. 22. Nebelivka. Mega-structure, the western part of excavation, finds: 1 - part of a necklace made of yellow metal; 2 - pendant made of the tooth of a predatory animal.
Наталья Бурдо
The Cucuteni C pottery in the Cucuteni-Trypillia cultural complex (Formulation of the problem and a brief historiography)
Tyragetia, serie nouă, vol. X [XXV], nr. 1, Arheologie. Istorie Antică Chișinău, 2016
Михаил Видейко
Crises and early urbanization processes in Europe
Tyragetia, serie nouă, vol. XII [XXVII], nr. 1, Arheologie. Istorie Antică
Mykhailo Videiko
C14 dates and absolute chronology of Cucuteni-Trypillia: what and how do we actually date?
Tyragetia, serie nouă, vol. XVIII [XXXIII], nr. 1, Arheologie. Istorie Antică
Наталья Бурдо
Traces of the ritual practice at a large Trypillian culture settlement near Maydanetske
Tyragetia, serie nouă, vol. VII [XXII], nr. 1, Arheologie. Istorie Antică
Михаил Видейко
Investigations of Trypillia site
Tyragetia, serie nouă, vol. X [XXV], nr. 1, Arheologie. Istorie Antică
We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.