The exhibited necklace of beads originates from Funerary Complex No. 6 of Kurgan No. 4, excavated in 1982 by Dr. Habil. Eugen SAVA near the town of Taraclia. The beads were found in the chest area of the deceased, indicating that they had been worn as a necklace and had remained in their original position within the funerary assemblage. The necklace consists of 11 elements made entirely of Egyptian faience. Eight of the beads are spherical and decorated with vertical incisions forming between 14 and 21 raised ribs. Their diameters range from 13 to 20 mm. Two additional elements are scarab representations measuring 23.5 × 19.5 mm, while the final component is a flattened cylindrical pendant bead featuring a central vertical groove and measuring 22 × 9 mm. The objects range in color from light blue to dark blue and violet hues, reflecting the natural deterioration and glaze variations characteristic of Egyptian faience. Egyptian faience is an artificial quartz-based material coated with an alkaline glaze, typically blue or blue-green in color. It was widely used in Ancient Egypt and later spread throughout the Mediterranean and Pontic regions through trade networks. During the first centuries AD, such objects served as important indicators of cultural and economic contacts between the Mediterranean world and the communities of the North Pontic region. Owing to its typological, technological, and symbolic characteristics, the Taraclia necklace is an exceptionally valuable artifact for the study of intercultural relations, the circulation of prestige goods, and the funerary practices of the Sarmatian communities during the first centuries AD (1st-2nd centuries AD).
Tyragetia, serie nouă, vol. XI [XXVI], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia, Sorin Iftimi
Portrait of Maria (Lupu) Radziwill in the works of the Polish painter Korneli Szlegiel (1851)
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia
Ştefan Lemny, Dimitrie Cantemir, un principe român în zorile Luminilor europene. A Romanian prince at the dawn of the European enlightenment. Un prince roumain à l’aube des Lumières européennes. Bucureşti: Editura Institutului Cultural Român, 2019, 186 p. + 59 ilustraţii. ISBN 978-973-577-737-1
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia
Helena Krasowska, The Polish Minority in South-Eastern Ukraine. Warsaw: Institute of Slavic Studies, Polish Academy of Sciences, 2017, 389 p. ISBN: 978-83-64031-65-6
Tyragetia, serie nouă, vol. XII [XXVII], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia
The unknown history of a known family: Secrets of the private life of an illegitimate granddaughter of Dimitrie Cantemir
Tyragetia, serie nouă, vol. XVI [XXXI], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia
New documentary explorations in Cantemirology: The will of Matei Cantemir
Tyragetia, serie nouă, vol. XVIII [XXXIII], nr. 2, Istorie. Muzeologie
The exhibited necklace of beads originates from Funerary Complex No. 6 of Kurgan No. 4, excavated in 1982 by Dr. Habil. Eugen SAVA near the town of Taraclia. The beads were found in the chest area of the deceased, indicating that they had been worn as a necklace and had remained in their original position within the funerary assemblage...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.