Portrait of Maria (Lupu) Radziwill in the works of the Polish painter Korneli Szlegiel (1851)
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Keywords: Polish painter Korneli Szlegiel, Maria (Lupu) Radziwill, frescoes of the Three Holy Hierarchs Church, historical and cultural heritage.
Abstract: This article is an attempt to critically review the visual documentation regarding the Vasile Lupu time that are of great interest for the Romanian and Polish historiography. We tried to compare some fragments from the life of Maria (Lupu) Radziwill with her preserved visual images. The groundwork of this scientific approach are illustrated sources of the epoch, in particular the frescoes in the Three Holy Hierarchs Church of Iași, which have been renovated during 1880s, and the portrait created by Szlegiel in 1851 that preserved the original images of the church frescoes before their renovation. Our study substantiates the authenticity and singularity of the Korneli Slegiel's portrait depicting the royal family of Vasile Lupu for the reason that it preserves the original appearance of the 17th century frescoes. Unknown drawing made by Korneli Szlegiel was discovered in the Warsaw National Mseum (Muzeum Narodowe w Warszawie) in 2015. The images were exposed to interdisciplinary research, being examined from a purely artistic perspective as well as a cultural and historical point of view. The data of this study might be the basis of a subsequent reliable restoration of frescoes of the Three Holy Hierarchs Church.
List of illustrations: Fig. 1. Three Holy Hierarchs Church of Iași in 1845 (J. Rey). Fig. 2. Iași press chronicle on the activity of the painter Korneli Szlegiel in Iași (1851). Fig. 3. Portrait of Vasile Lupu's family in the Three Holy Hierarchs Church of Iași, by Korneli Szlegiel, 1851 (The National Museum of Warsaw). Fig. 4. Vasile Lupu's family, the votive portrait in the Three Holy Hierarchs Church. Fragments of frescoes recovered in 1888 and preserved in the Museum of the Three Holy Hierarchs Church, the Gothic Room. Fig. 5. The image of Princess Maria Lupu (Radziwill) on a fresco of the Three Holy Hierarchs Church. Fig. 6. Portrait of Tudosca and Maria Lupu (Radziwill) on a fresco of the Three Holy Hierarchs Church recovered in 1888. Fig. 7. Portraits of Tudosca, Maria and Ruxandra from the Three Holy Hierarchs Church, reproduced by Korneli Szlegiel in 1851. Fig. 8. Portrait of Catherine the Circassian in the Golia Church. Fig. 9. Embroidered portrait of Tudosca (17th century) from the Museum of the Three Holy Hierarchs Church. Fig. 10. Votive portrait from the Three Holy Hierarchs Church painted in 1884.
Lilia Zabolotnaia
The strength and weakness of Alexandra Osipovna Smirnova-Rosset (on the history of the origins of one of the women of the Pushkin era)
Tyragetia, serie nouă, vol. XII [XXVII], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia
The bounds of the private in the life of Antiochus Cantemir: Myths, speculations and realness regarding his secret family in Paris
Tyragetia, serie nouă, vol. XIV [XXIX], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia
Testament of Moldavian princess Maria (Lupu) Radziwill from 1659
Tyragetia, serie nouă, vol. XIII [XXVIII], nr. 2, Istorie. Muzeologie
Lilia Zabolotnaia
The conditions of the marriage concluding in the Middle Ages. Comparative study
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
Lilia Zabolotnaia
Some notes about Branković dynasty
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
The history of silverware goes back over 5,000 years, but only in the 3rd millennium BC, in Mesopotamia and Anatolia, the first pieces of processed silver were made. From there, the art of working with silver spread to Persia and to Europe, where already in Roman and Greek antiquity it reached a high level of skill. Many of the techniques used then, such as casting, embossing and engraving, are still used today...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The history of silverware goes back over 5,000 years, but only in the 3rd millennium BC, in Mesopotamia and Anatolia, the first pieces of processed silver were made. From there, the art of working with silver spread to Persia and to Europe, where already in Roman and Greek antiquity it reached a high level of skill. Many of the techniques used then, such as casting, embossing and engraving, are still used today.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
