The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm. The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s. The piece was restored by Mihail Culașco, Restoration Department of NMHM. Brief History of the Camera The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality. The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia. The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.
Tyragetia, serie nouă, vol. IX [XXIV], nr. 2, Istorie. Muzeologie Chișinău, 2015
Abstract
This article is the result of research of the museum's collection of postcards on the theme of the First World War, which was carried out in connection with the centenary since the war began.
At the present stage of the evolution of historical science a special role belongs to the documentary sources that had previously been "less required", including illustrated postcards. At the beginning of the 20th century postcards know peak of their evolution. Being very popular, mobile and accessible, during the war they fulfilled several functions. In addition to performing the functions of postal items, they become an accessible form of propaganda and a source of supplementing military budget.
The collection of picture postcards relating to the First World War comprises three categories of documents. The first one includes black-and-white postcards with representations of weapons and ammunition, scenes of the battlefield, soldiers' lives in their leisure hours, the work of the military medical service, life behind the front.
The second category includes illustrated postcards calling on the public to support the army. These are color postcards of high quality, with a lot of printed text on the back side, containing, in addition to the publisher's data, the call to the public to support the army in the fight against the enemy.
The third category contains postcards with caricatures, which occupied a special place during the First World War, as they were used as an effective weapon against the enemy, the propaganda support both on the battlefield and in the rear.
Chronologically, these postcards were printed and circulated between 1914 and 1916. There are cards with blackand-white and color images that were printed in Russia by printing houses and private publishers, Red Cross soci eties, as well as the Moscow satirical magazine "Novoe Krivoe Zerkalo" ("New Distorting Mirror").
The article contributes to the study of the history of World War II in terms of the illustrative material, as well as provides information about the authors and publishers of postcards.
List of illustrations: Fig. 1. Postcard Prayer before the battle. Released by the St. Nicholas Community of the Russian Red Cross Society (NMHM, FB-21336-10).
Fig. 2. Postcard (reverse side). Every 2-3 sold cards provide an opportunity to make a respirator to protect against poison gases. Released by the St. Nicholas Community of the Russian Red Cross Society (NMHM, FB21336-10). Fig. 3. Postcard. 116. Cannon on a position. Released by G.V. Gruzintsev, the town of Luga, 1915; Phototype Scherer, Nabholz & Co., Moscow (NMHM, FB-21336-8). Fig. 4. Postcard. 54. Battery on a position. Released by G.V. Gruzintsev, the town of Luga, 1915; Phototype Scherer, Nabholz & Co., Moscow (NMHM, FB-21336-7). Fig. 5. Postcard. 127. Hair cutting near the dugout. Released by G.V. Gruzintsev, the town of Luga, 1915; Phototype Scherer, Nabholz & Co., Moscow (NMHM, FB-21336-9). Fig. 6. Postcard. 24. In the war. Sending wounded men from the regimental dressing station to the hospital. Released by O. Adamovich, Minsk; Phototype Scherer, Nabholz & Co. (NMHM, FB-20579). Fig. 7. Postcard. In Galicia. In the safe shelter during the shelling. Released by O. Adamovich, priest of the 64 Kazan Infantry Regiment; Phototype Scherer, Nabholz & Co. (NMHM, FB-20578). Fig. 8. Postcard. Bandaging of the wounded during the battle. Russia, 1915 (NMHM, FB-20577). Fig. 9. Postcard. Shells for the army the glory and prosperity of Russia. Released by the Skobelev Committee of the Assistance to the Wounded Soldiers. Petrograd, 1915 (NMHM, FB-7788-30). Fig. 10. Postcard. When the motherland needed guns, the factories are working day and night. Released by the Skobelev Committee of the Assistance to the Wounded Soldiers. Petrograd, 1915 (NMHM, FB-7788-31). Fig. 11. Postcard. French long-range gun. Released by the Skobelev Committee of the Assistance to the Wounded Soldiers. Petrograd, 1915 (NMHM, FB-7788-32). Fig. 12. Postcard. Romanian troops in the First World War. Balloon, 1916 (NMHM, FB-7788-33). Fig. 13. Postcard. On the strengthening of funds of the Northern Railway Committee to assist soldiers. Russia, 1914 (NMHM, FB-7788-5). Fig. 14. Postcard (reverse side). Take part in the accumulation of funds, buy war bonds. Russia, 1916 (NMHM, FB-7788-23). Fig. 15. Postcard. Help the Army in its great work and sign up for the military 5½ loan. Released by the Office for Small Loans. Petrograd, 1916 (NMHM, FB-7788-19). Fig. 16. Postcard. Anyone who signs up for military 5½ loan will help our heroes to destroy the enemies. Released by the Office for Small Loans. Petrograd, 1916 (NMHM, FB-7788-22). Fig. 17. Postcard. Sign up for the military 5½ loan. Released by the Office for Small Loans. Petrograd, 1916 (NMHM, FB-7788-21). Fig. 18. Postcard. Military 5½ loan. The more money, the more weapons and ammunition, the closer to victory. Released by the Office for Small Loans. Petrograd (NMHM, FB-7788-23). Fig. 19. Postcard. Military loan. Forward for the Motherland! Released by the Office for Small Loans. Petrograd, 1916 (NMHM, FB-7788-20). Fig. 20. The reverse side of the postcards released by the Office for Small Loans. Petrograd, 1916 (NMHM, FB7788-20). Fig. 21. The reverse side of the postcards released by the Skobelev Committee of the Assistance to the Wounded Soldiers. Petrograd, 1916 (NMHM, FB-7788-30). Fig. 22. Postcard. Caricature (color). Russian hen, Slavic chickens and German thieves. Released by "Novoe Krivoe Zerkalo". Moscow, 1914 (NMHM, FB-5935-11). Fig. 23. Postcard. Caricature (color). The prudent son. By L. Zolotarev. Petrograd, 1914 (NMHM, FB-59353). Fig. 24. Postcard. Caricature. The spirit of hatred and evil. By A. Tzenter. Petrograd, 1914 (NMHM, FB-59356). Fig. 25. Postcard. Caricature (color). Homeward. Russia, 1914 . (NMHM, FB-5935 12). Fig. 26. Postcard. Caricature (color). Finally, I am in Russia. Released by P. Khmelevsky. Russia, 1914 (NMHM, FB-5935-2). Fig. 27. Postcard. Caricature. "The Italian fig sign". Released by "Novoe Krivoe Zerkalo". Moscow, 1916 (NMHM, FB-5935-4). Fig. 28. Postcard. Caricature (color). On the way to Paris by 11 August. Russia, 1916 (NMHM, FB 59358). Fig. 29. Postcard. Caricature. What a pity that the world consists of only two hemispheres. Released by "Novoe Krivoe Zerkalo". Moscow, 1916 (NMHM, FB-5935-7). Fig. 30. Postcard. Caricature (color). Wolf in the kennel. Released by "Nov'", Kiev, 1914. (NMHM, FB-5935-10). Fig. 31. Postcard. Caricature. After the defeat of museums... "nah Fatherland". By A. Tzenter. Petrograd, 1914 (NMHM, FB-5935-8).
Fig. 32. Postcard. Caricature (color). Delusion of grandeur. Wilhelm II. Released by A.F. Postnov's Factory. Moscow, 1914 (NMHM, FB-59355). Fig. 33. Postcard. Caricature. Wilhelm the Bloody (see from a distance). Russia, 1914 (NMHM, FB-5935-1). Fig. 34. The reverse side of the postcard sent from Sevastopol (October 2, 1914) to the village of Răduleni (Guberniya of Bessarabia). Addressee: P.F. Sutulova (NMHM, FB-5935-5).
Ana Grițco
Constantin F. Cazimir’s activity within the Bessarabian zemstva
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Requisition as a way of sovietisation of Bessarabian peasants
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An exhibition full of lights
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A drugstore of old times Chișinău (end of 19th – beginning of 20th centuries)
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Scientific activity in Bessarabia as reflected in works of some figures (1812-1918). From the collections of the National Museum of History of Moldova
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The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
