The exposed object, an "askos" type ceramic vessel, comes from the tumulus necropolis near the village of Ciumai, Taraclia district. The vessel was discovered in 2015 in a cenotaph tomb attributed to the Jamnaja culture, dated to the early Bronze Age (ca. 3300-2600 BC).
The vessel, with an obviously asymmetrical configuration, is hand-moulded from quality clay paste, having a smooth brown surface with gray spots. The body of the vessel is provided with a pronounced protrusion and a truncated neck with a wider opening towards the mouth. The vessel has a stem and is ornamented with three pairs of symmetrically placed relief appliqués. The height of the bowl is 15.5 cm, the diameter of the mouth is 11.4 cm, the diameter of the body is 15 cm and the diameter of the base is 7.5 cm. Such vessels in the archaeological literature are known as "askos" vessels, the respective term being of ancient Greek origin, denoting one of the primitive containers of the period - the bellows made of animal skin.
In prehistoric times, among some peoples, the bellows was transposed into ceramics, in these cases the basic features of the archaic leather vessel were preserved, acquiring a prominent convex shape with a stem and a flat bottom. From the original appearance of the bellows, the asymmetric mouth corresponding to the animal's neck has been preserved, and sometimes three or four legs, corresponding to the appendages of the flayed skin from the animal's legs. These vessels have lost their original zoomorphic character, entering as a new form in the inventory of Neo-Eneolithic ceramics. The first vessels of this type are attested in Greece, in the early Neolithic (ca. 5000-4500 BC) having the shape of cups or cups. In the Neo-Eneolithic Carpatho-Balkan cultures, the type of Aegean askos of short or tall form, with or without legs and with a handle, is found. Less often, they are provided with two mouths (one for filling and one for emptying) or they are off-center and provided with strangely shaped mouths. In the space between the Carpathians and the Dnieper, only tall forms of simple askos, without zoomorphic elements, are known. Askos-type vessels are present in various prehistoric cultures, especially in Southeast Europe and Anatolia.
Being often discovered in association with cult inventory, askos vessels could be an important indicator of use in religious ritual practices. Along with the zoomorphic, anthropomorphic and rhyton-type vessels (roughly conical container from which, in some ceremonies, liquids were drunk or poured), the askos were included in the category of vessels intended for worship, being related to libations (ritual act that consisted of tasting and then pouring a cup of wine, milk, etc. as homage to the deity).
The “Luceafărul” Republican Theatre for Children and Youth: Pages of History
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
The activity of the “Luceafărul” Theatre since the day of its foundation can be divided into three periods. The golden era of its history was in 1960-1970s when the performances of this theatre were marked by a special talent, inspiration, and civic courage. At this time there were put on еру stage such plays as “Radu Stefan – the first and last” by A. Busuioc, “Minodora” by A. Strambeanu, “Passion Week” by I. Podoleanu, etc. New productions were expected with great impatience and there were long queues at the box-office.
Then there followed a long period of creative crisis that lasted until the early 1990s.
A renovation of the theatre started in the late 1990s, with the coming of a new director Boris Focsa. He put on the stage a series of performances which had been highly appreciated by the public both in country and abroad.
Today in the repertoire of the “Luceafărul” Republican Theatre there are 25 performances, including plays for children. Actors from the first generation (N. Doni, P. Zavtoni, R. Ene, T. Băsescu, Gh. Pârlea, and others) still continue to play here along with the two generations of actors from B. Focșa’s class. In general, it should be noted the creative recovery of this theatre with an excellent troupe which includes such actors as A. Tabarcea, S. Mierla, D. Acriș, Iu. Ursu, V. Isac, R. Mereuță, V. Mereuță, Iu. Bordeianu, and others. List of illustrations: Photo 1. Troupe of the “Luceafărul” Republican Theatre, 1960. Photo 2. Collective of the theatre, 2008.
Vera Stăvilă
Female images on Soviet posters from the collections of the National Museum of History of Moldova
Tyragetia, serie nouă, vol. XV [XXX], nr. 2, Istorie. Muzeologie
Vera Stăvilă
Concert posters from the National Museum of History of Moldova
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Vera Stăvilă
A forgotten painter – Nicolae A. Coleadici (1906-1937)
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Vera Stăvilă
Contribution to the study of the activity of the Chișinău orphanage “Children’s home”
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
Vera Stăvilă
The National Theater „Vasile Alecsandri” from Bălți: historical retrospective
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
The exposed object, an "askos" type ceramic vessel, comes from the tumulus necropolis near the village of Ciumai, Taraclia district. The vessel was discovered in 2015 in a cenotaph tomb attributed to the Jamnaja culture, dated to the early Bronze Age (ca. 3300-2600 BC)...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.