The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet." Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.
The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."
The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.
This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.
Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.
The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.
To the Question about the Loss of the Hill-fort Ekimauci
Tyragetia, serie nouă, vol. V [XX], nr. 1, Arheologie. Istorie Antică
This hill-fort is one of the most researched among the medieval monuments of the country between the Prut and Dniester. Contradictions in identification of the date of it destruction (second half of the 10th or the first half of the 11th century) make us to examine chronologic indicators of the monument.
The numismatic collection represented by 17 Arabic silver dirhams gives the most exact information. It allows us to attribute the capture and destruction of the monument to the second half of the 10th century, and most likely to the third quarter of this century.
Earrings with pendant in the form of bunch of grapes can be used as one more category of objects which indicate the time of destruction of the monument. They were found out in closed complexes of the hill-fort together with later samples of dirhams.
Cartography of the finds of Echimauti type testifies about their particular concentration in the basin of the river of Tisza. In contrast to samples which were found outside the Carpathian basin, famous as a rule by materials of hoards, practically all earrings of Echimauti type inside the Carpathian arc are connected with nomadic burials. Pieces of weapon similar to those from the nomadic necropolises were found in Echimauti. Together with other evidences in the field of material culture, it allows us to suppose that nomads took part in destruction of the hill-fort while moving from the Northern Black Sea region into the Carpathian lowlands.
Historic situation and the exact chronology of the Pechenegs’ movement from the Black sea to the Upper Tisza region, during which the hill-fort of Echimauti was ruined, together with chronologic indicators of the monument, allows us to date its destruction not later than the third quarter of the 10th century.
List of illustrations: Fig. 1. The map of location of earrings of the Echimauti type in Europe: 1 - Alcedar; 2 - Besob; 3 - Blandiana; 4 - Borschevka; 5 - Brănești; 6 - Vác-Hétkápolna; 7 - Gîmbaș; 8 - Gnezdovo; 9 - Denis; 10 - Döge; 11 - Echimauti; 12 - Zavada Lanskoronska; 13 - Ibrány; 14 - Kyiv; 15 - Kirovograd; 16 - Kistokaj; 17 - Cluj; 18 - Kopeevka; 19 - Cracovia; 20 - Lisovek; 21 - Nyíregyháza; 22 - Nagykövesd; 23 - Olesnica; 24 - Osnica; 25 – Peremyshl’; 26 - Peresopnica; 27 - Prsha; 28 - Redukeny; 29 - Szabolcs-Vontatópart; 30 - Szentes-Szentlászló; 31 - Szob; 32 - Törökkanizsa; 33 - Tiszabercel; 34 - Tshinica; 35 - Uzhgorod (?); 36 - Csoma; 37 - Csongrád; 38 - Jurkovci. Fig. 2. Earrings of the Echimauti type from the burials of nomads in the basin of Tisza: 1-8 - Csoma; 9 - Döge; 10 - Tiszabercel; 1-12 - Ibrány. 9-12 (after E. Istvanovits). Fig. 3. The map of location of the arabic dirhams in Europe (after Cs. Balint) with indication of the points associated with the movement of Pechenegs from the Northern Black Sea region to the Carpathian basin in the second half of the 10th century: 1 - Beregovo (Búcsu); 2 - Vécs; 3 - Glogovec; 4 - Dobra; 5 - Ibrány; 6 - Karos; 7 - Kenézlő; 8 - Kecskemét; 9 - Kistokaj; 10 - Pap; 11 - Prsha; 12 - Szeged 13 - Szilas; 14 - Szolnok; 15 - Szomod; 16 - Tata; 17 - Tverdoshovce; 18 - Tiszasüly; 19 - Hajdúdorog; 20 - Hust; 21 - Csoma; 22 - Sárospatak; 23 - Eger; 24 - Alcedar; 25 - Echimauti; 26 - Galich; 27 – Peremyshl’.
Игорь Прохненко
Hillforts of the Late Bronze Age and Early Iron Age in the Transcarpathian Region of Ukraine
Tyragetia, serie nouă, vol. XI [XXVI], nr. 1, Arheologie. Istorie Antică
Игорь Прохненко, Мария Жиленко, Виталий Калиниченко
The castles of Transcarpathia of the second half of 13th - first half of 14th centuries
Tyragetia, serie nouă, vol. XV [XXX], nr. 2, Istorie. Muzeologie
Игорь Прохненко, Мария Жиленко
Knight’s tombstone from Korolevo castle of Nyaláb
Tyragetia, serie nouă, vol. XII [XXVII], nr. 1, Arheologie. Istorie Antică
Игорь Прохненко, Мария Жиленко
Korolevo Castle of Nyalab in possession of descendants of Moldavian Voivode Szasz
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
