The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary. This old icon became renowned through the revelation of the prayer "It Is Truly Meet." Between the years 980-982, on a Saturday evening before an all-night vigil, the elder monk left for the nearby church, instructing his disciple to continue the religious routine in the cell. Being obedient, the disciple followed the instructions. When he reached the 9th Ode of the Canons, "More Honorable Than the Cherubim...," he suddenly heard someone beginning to chant alongside him: "It is truly meet to bless thee, O Theotokos..." It was a mysterious pilgrim monk who had appeared unexpectedly and joined in the prayers. At that moment, the icon began to radiate light, as if it were broad daylight. Astonished by the events, the disciple asked the mysterious monk to write down the verses. The monk wrote them on a tile with his finger as if it were soft wax and said, "From now on, this is how you Orthodox Christians should chant," and, saying this, he vanished. Left alone, the disciple realized he had witnessed a great miracle. Enlightened, he understood that the pilgrim was none other than the Archangel Gabriel, who had come, as he had before, to deliver the word of the Highest to humanity.
The icon was transferred from the cell to the Holy Altar of the Protaton Church, where a similar icon is preserved to this day. The tile with the divine hymn was taken to Constantinople and included in the Orthodox Church's liturgical books. Soon after, Archangel Gabriel's prayer was incorporated into the Divine Liturgy, immediately following the Consecration of the Gifts of Bread and Wine. The valley with the cells has since been called Adin, meaning "to chant," "chanting."
The icon "It Is Truly Meet" is of inestimable value and has become the protector of Mount Athos. The icon is celebrated on June 11/24, commemorating the miraculous appearance of the Archangel, and on July 13/26, in honor of the Synaxis of the Archangel Gabriel.
This icon, of the Eleusa type, portrays gentleness and tenderness in its central figures. The Virgin holds the Child with her right hand, while her left hand, placed beneath His feet, grips the hem of His tunic. The small Jesus wears a short tunic reaching His knees and holds a scroll in His right hand inscribed with the words of the Axion hymn. His left-hand slips under the veil of the Virgin towards her left shoulder. Both figures are crowned with golden halos. Two angels flank the Virgin's halo, while the Almighty in an open heaven blesses with both hands.
Crafted using tempera on wood, the icon is adorned with gold leaf and multicolored enamel, giving the image a unique delicacy. The inscription on the lower frame indicates that the icon was created by the painter Ioasaf in 1905.
The painter monk Ioasaf Berghie (1862-?) of the New Neamț Monastery resided there between 1887 and the 1940s, occupying three rooms to set up his studio, where he worked continuously on icons and church artworks. Born into the family of a church teacher in Jabca village, Ștefan Berghie, Ioan Berghie developed a passion for sacred iconography from an early age. In 1890, Andronic, the abbot of the New Neamț Monastery, blessed him to paint icons. Taking monastic vows in 1895 under the name Ioasaf, he traveled by foot to visit major ecclesiastical centers nearby and further afield, learning the art of iconography. Starting with naive-style interpretations, he eventually mastered professional painting techniques and acquired new decorative skills. His works became highly popular throughout Bessarabia and abroad. Painting a significant number of icons, they were often mistakenly sold as coming from major artisan workshops. To prevent such confusion, he received the abbot's blessing to sign his works, earning recognition and fame for his name.
Agricultural advertising in periodicals of the late 19th - early 20th centuries from the collection of NMHM
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Depending on the stage of development, advertising as a historical phenomenon was expanding its sphere of influence penetrating more and more in various spheres of human activity. Agriculture, which is an important branch of the national economy closely related to the trade, always needs advertising. The absence of serfdom and the agrarian reforms have contributed to the integration of Bessarabian agriculture into the system of market relations. Local farmers needed promotion and marketing of agricultural products. For this they applied to various means of advertising. Agricultural advertisings can be found in the pages of the Bessarabian press from the late 19th - early 20th centuries. Most often, they were printed in publications of agricultural profile. An example is the magazine "Bessarabskoe sel'skoe khozyaistvo" ("Bessarabian Agriculture"), the publication of Agronomic Section of the Bessarabian Naturalists' Society and the Chișinău Department of the Imperial Russian Society for Horticulture. The magazine was published from 1908 to 1917.
In the collection of MNHM there are 28 issues of this magazine (in all there were 240 issues). The years of publication: 1909, 1910, 1912 and 1916. They are the main source of research on the topic.
The aim of this work is to determine the themes of agricultural advertisements and their contribution to the im- provement of agricultural management in Tsarist Bessarabia.
All issues of the journal had the ads section. Regular customers of the journal were both local and foreign manufac- turers. Among the local: Fruit an Grape Nurseries "EKO" (Soroca); Bucovăț Fruit and Grape Nurseries; Baron A. Stuart's Fruit Nursery (Chișinău); Cocorozeni Agricultural School; E.P. Melega-Kuzminskaia's estate of Temeleuți and F.F. Köppen's estate of Voinovo-Ikel; Horticulture, Viticulture and Winemaking Bureau and Storage of Agricultural Machinery of N.G. Kavsan (Chișinău), etc. The ads offered planting material tested in local climate: fruit trees, local and foreign varieties of grape vine grafted onto American rootstocks, seed crops, as well as purebred cattle. Among the proposals there were met agricultural tools and machines made by known foreign firms.
II. Ad unit of the Bucovăț Fruit and Grape Nurseries (БСХ, almost in all the issues).
III. Advertising of the Fruit an Grape Nurseries «EKO» (БСХ, №18, 1910).
IV. Advertisement of Baron A. Stuart's Fruit Nursery (БСХ, №13, 1909).
V. Advertising of E.P. Melega-Kuzminskaia's seed farms (БСХ, №5, 1910).
VI. Ad unit of F.F. Köppen's estate of Voinova-Ichel (БСХ, №1, 1909).
VII. Advertising of the Cocorozeni Agricultural School (БСХ, №3, 1909).
VIII. Advertisement of the Ialoveni Agricultural Society (БСХ, №5, 1909).
IX. Advertising of wines of V.V. Yanovsky (Бессарабский юбилейный сельскохозяйственный календарь, 1912).
X. Advertising of the "nests" from "The Yanovka Farm" (БСХ, №17, 1910).
XI. Ad unit of the Horticulture, Viticulture and Winemaking Bureau and Storage of Agricultural Machinery of N.G. Kavsan (Chișinău) (БСХ, №11, 1910).
XII. Ad unit of the Dayber Brothers' Nursery Garden, Odessa (БСХ, №24, 1910).
XIII. Advertisement of S.R. Rothe's Nursery Garden, Odessa (БСХ, №18, 1910).
XIV. Advertising of L.P. Simirenko's Fruit Nursery, Horodysche, the Kiev Governorate (БСХ, №17, 1910).
XV. Advertising of the French grape nursery "Paul Gros Royan", the General Representative in Russia - Trading house "Jacob Haslavsky", Odessa (БСХ, №23, 1910).
XVI. Ad unit of the winnowing and grain cleaning machines marketed by Alfred Grodzky, Warsaw (БСХ, №17, 1910)
XVII. Advertising of scythes and sickles by "J. Mintzer and Kº", Austria (БСХ, №23, 1910).
XVIII. Advertising of Alfred Grodzky's sowing machines "Superior", Warsaw (БСХ, №17, 1910).
XIX. Ad unit of Wloclawek Wire Works, the Warsaw Governorate (БСХ, №6, 1910).
Vera Serjant
Some reflections about the advertisement in Bessarabia (end of the 19th - beginning of the 20th centuries)
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Vera Serjant
Collection of Academician Anton Ablov from the holdings of the National Museum of History of Moldova
Tyragetia, serie nouă, vol. XVIII [XXXIII], nr. 2, Istorie. Muzeologie
Vera Serjant
The legacy of Vasile Stroescu
Tyragetia, serie nouă, vol. XIV [XXIX], nr. 2, Istorie. Muzeologie
Vera Serjant
Materials related to the elite of the nobility of Bessarabia – the families of Cantacuzin and Krupensky in the collections of the National Museum of the History of Moldova
Tyragetia, serie nouă, vol. XI [XXVI], nr. 2, Istorie. Muzeologie
Vera Serjant
First “advertisements” in the Bessarabian press (1854-1899)
Tyragetia, serie nouă, vol. II [XVII], nr. 2, Istorie. Muzeologie
The history of this icon traces back to the 10th century at the Protaton Monastery on Mount Athos. In one of the cells named "The Dormition of the Mother of God," an elderly hieromonk lived with his disciple. They preserved a superb depiction of the Virgin Mary...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
