Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century. The word pafta is of Turkic origin-possibly entering the language via Iranian influence-derived from the Persian word bafta, meaning "woven," which evolved in Turkish to signify "plate." Today, the term is used in nearly identical forms in Romanian (pafta), Bulgarian (пафта), Serbian (пафте), and some Aromanian dialects (pafta), designating functional and ornamental clothing accessories used to fasten belts, girdles, or sashes, crafted from various materials and decorated using different techniques. The three buckles decorated in the polychrome enamel technique, preserved in the collection of the National Museum of History of Moldova, belong to the South-Danubian tradition and are dated to the late 19th - early 20th century.
Each buckle consists of two identical trapezoidal parts, their surfaces divided into three roughly equal registers, adorned with stylized vegetal motifs forming a metal lattice into which enamel is poured. The two parts extend into sharp angles at the ends, forming a triangle with the edge of the last decorative register, similarly ornamented. The enamel used to fill the floral motifs is black, turquoise, white, orange, green, yellow, and burgundy. The entire decorative field is framed by a beaded border.
On the reverse, both components retain a copper band riveted along the edge, used to fasten the ends of the belt. The fastening system, made by interlocking the hinges of the two parts and secured with a movable pin attached by a chain to a clasp fixed on one of the buckle pieces, is concealed by a rectangular plate (riveted with three pins to the body of the piece), with narrow edges ending in sharp angles, decorated in the same style and technique. Additionally, it features three circular settings with notched edges bent inward to hold centrally placed red and green glass paste. These settings are framed by a radiant, notched band.
The symbolism of the color palette encodes meanings and symbols, chosen for their believed magical powers. Red has always represented love, affection, and protection against curses and the evil eye; white symbolizes purity and spiritual and physical cleanliness; blue is symbolically associated with infinity, morning, new beginnings, and transformation; green represents destiny, hope, prosperity, balance, and rebirth, being linked to nature's revival each spring and to life itself.
Agricultural advertising in periodicals of the late 19th - early 20th centuries from the collection of NMHM
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Depending on the stage of development, advertising as a historical phenomenon was expanding its sphere of influence penetrating more and more in various spheres of human activity. Agriculture, which is an important branch of the national economy closely related to the trade, always needs advertising. The absence of serfdom and the agrarian reforms have contributed to the integration of Bessarabian agriculture into the system of market relations. Local farmers needed promotion and marketing of agricultural products. For this they applied to various means of advertising. Agricultural advertisings can be found in the pages of the Bessarabian press from the late 19th - early 20th centuries. Most often, they were printed in publications of agricultural profile. An example is the magazine "Bessarabskoe sel'skoe khozyaistvo" ("Bessarabian Agriculture"), the publication of Agronomic Section of the Bessarabian Naturalists' Society and the Chișinău Department of the Imperial Russian Society for Horticulture. The magazine was published from 1908 to 1917.
In the collection of MNHM there are 28 issues of this magazine (in all there were 240 issues). The years of publication: 1909, 1910, 1912 and 1916. They are the main source of research on the topic.
The aim of this work is to determine the themes of agricultural advertisements and their contribution to the im- provement of agricultural management in Tsarist Bessarabia.
All issues of the journal had the ads section. Regular customers of the journal were both local and foreign manufac- turers. Among the local: Fruit an Grape Nurseries "EKO" (Soroca); Bucovăț Fruit and Grape Nurseries; Baron A. Stuart's Fruit Nursery (Chișinău); Cocorozeni Agricultural School; E.P. Melega-Kuzminskaia's estate of Temeleuți and F.F. Köppen's estate of Voinovo-Ikel; Horticulture, Viticulture and Winemaking Bureau and Storage of Agricultural Machinery of N.G. Kavsan (Chișinău), etc. The ads offered planting material tested in local climate: fruit trees, local and foreign varieties of grape vine grafted onto American rootstocks, seed crops, as well as purebred cattle. Among the proposals there were met agricultural tools and machines made by known foreign firms.
II. Ad unit of the Bucovăț Fruit and Grape Nurseries (БСХ, almost in all the issues).
III. Advertising of the Fruit an Grape Nurseries «EKO» (БСХ, №18, 1910).
IV. Advertisement of Baron A. Stuart's Fruit Nursery (БСХ, №13, 1909).
V. Advertising of E.P. Melega-Kuzminskaia's seed farms (БСХ, №5, 1910).
VI. Ad unit of F.F. Köppen's estate of Voinova-Ichel (БСХ, №1, 1909).
VII. Advertising of the Cocorozeni Agricultural School (БСХ, №3, 1909).
VIII. Advertisement of the Ialoveni Agricultural Society (БСХ, №5, 1909).
IX. Advertising of wines of V.V. Yanovsky (Бессарабский юбилейный сельскохозяйственный календарь, 1912).
X. Advertising of the "nests" from "The Yanovka Farm" (БСХ, №17, 1910).
XI. Ad unit of the Horticulture, Viticulture and Winemaking Bureau and Storage of Agricultural Machinery of N.G. Kavsan (Chișinău) (БСХ, №11, 1910).
XII. Ad unit of the Dayber Brothers' Nursery Garden, Odessa (БСХ, №24, 1910).
XIII. Advertisement of S.R. Rothe's Nursery Garden, Odessa (БСХ, №18, 1910).
XIV. Advertising of L.P. Simirenko's Fruit Nursery, Horodysche, the Kiev Governorate (БСХ, №17, 1910).
XV. Advertising of the French grape nursery "Paul Gros Royan", the General Representative in Russia - Trading house "Jacob Haslavsky", Odessa (БСХ, №23, 1910).
XVI. Ad unit of the winnowing and grain cleaning machines marketed by Alfred Grodzky, Warsaw (БСХ, №17, 1910)
XVII. Advertising of scythes and sickles by "J. Mintzer and Kº", Austria (БСХ, №23, 1910).
XVIII. Advertising of Alfred Grodzky's sowing machines "Superior", Warsaw (БСХ, №17, 1910).
XIX. Ad unit of Wloclawek Wire Works, the Warsaw Governorate (БСХ, №6, 1910).
Vera Serjant
Advertisements of trading houses and shops in the Bessarabian press (the late 19th - early 20th centuries)
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Vera Serjant
Advertising factories, plants and warehouses in Bessarabian press (end of 19th - beginning of 20th centuries)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Vera Serjant
The role of Bessarabian Zemstva in opening the school of viticulture and winemaking from Saharna
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Vera Serjant
The collection of Professor Gheorghe Rașcu from the holdings of the National Museum of History of Moldova as an important source on the history of education in interwar Bessarabia
Tyragetia, serie nouă, vol. XVII [XXXII], nr. 2, Istorie. Muzeologie
Vera Serjant
Petru Ungurean – an outstanding figure in the field of viticulture and winemaking (on the collections of the National Museum of History of Moldova)
Tyragetia, serie nouă, vol. XV [XXX], nr. 2, Istorie. Muzeologie
Buckles (paftale) are an almost indispensable element of traditional women's dress in the Southeastern European area, particularly in the Balkans, and have been in use over a long period, from the 14th to the 20th century....
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
