The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody. The cylinder holds seven melodies by W.A. Mozart, which are played through the vibration of steel teeth arranged in a comb, whose tips are adjacent to the cylinder. The lid of the box features floral marquetry on its outer surface. This cultural asset is classified under the "Tezaur" category.
The Story of Musical Boxes
Musical boxes originated in Switzerland at the end of the 18th century. In 1796, watchmaker Antoine Favre-Salomon invented a pocket watch with an incorporated musical mechanism, using the principle of tuned metal lamellae. The invention quickly spread, soon leading to the creation of musical boxes independent of watches.
Initially invented and built for the salon entertainment of the aristocracy, musical boxes quickly evolved, capturing the market and public interest with these entertainment machines. The musical box industry was predominantly centered in Switzerland. Geneva remains the cradle of the musical box, even though the art of crafting these musical wonders spread to other regions of Switzerland - such as Jura, Auberson, and Sainte Croix - and later to other countries, including France, Germany, and Czechoslovakia. Some of the most notable manufacturers of musical boxes include: Mermod Frères, Paillard, Reuge, Thorens, Cuendet, Junod, Nicole Frères, Ducommun-Girod, Brémond, and L'Epee.
The musical box operated on a relatively simple principle: a cylinder with pins (cylindrical pins) would, through rotation, actuate a metal "comb" tuned to specific musical notes, both being concealed from view in one of the box's compartments. By turning the cylinder - with the help of a spring mechanism (similar to that of watches) - the pins would strike the steel "teeth" of the comb, causing them to vibrate and produce different musical notes. A musical box could have a limited number of melodies "programmed" onto the cylinder - from 4 to 12.
Over time, the cylinders were replaced with interchangeable metal discs. Based on this operating principle, large musical boxes emerged in cafés and taverns, which could be activated by inserting a coin, allowing users to select their preferred disc.
Besides the ingenious mechanism, musical boxes also stood out for the artistry of their exterior decorations, featuring materials such as precious woods, mother-of-pearl, ivory, and metal.
The decline of musical boxes began with the invention of the phonograph (1877) and the gramophone (1887). Production continued for a while, but by the early 20th century, most renowned companies had abandoned the business and started manufacturing other mechanical musical instruments.
Aspects of interrelation of Christian folk beliefs and funeral ritual of in the Early Middle Ages in central and south-eastern Europe
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
The article examines aspects of interaction and confrontation between Christianity on the one hand and folk beliefs and common traditions on the other. Examples of clashes between Christian doctrine with folk beliefs (customs and superstitions), and the attacks of the former on the latter are offered. Attempts to extirpate these beliefs by verbal exposure, by church decrees, epistles and decretals, other state legislations in the West and East could not solve the problem. Pre-Christian beliefs and ceremonies were still in use at the periphery of the Christian world during the early and late Middle Ages.
Modern ethnographic research confirms the survival of pre-Christian traditions in different spheres of the material and spiritual life of the population of the south-eastern Europe. Conflicting opinions of various scholars (archaeologists, historians, ethnographers, anthropologists and others) concerning the reasons of such a stable and long preservation of pagan beliefs are summarized.
The most vivid signs of the so called “orthodox paganism” are revealed in the funeral rituals and customs of the population in Central and South-Eastern Europe. Funeral rituals by cremation were still in use at the end of the I - beginning of the II millennium in Central and South-Eastern Europe including territories inhabited by Romanized population to the East of the Carpathian Mountains. Opinions explaining such phenomenon by poly-ethnic population to the East of the Carpathian Mountains. Opinions explaining such phenomenon by poly-ethnic structure of the population of the Carpathian region during the early Middle Ages are refuted. A comprehensive analysis reveals a presence of insignificant share of heterogeneous elements in the material culture and also certain stabilization in the funeral rites by the beginning of the II millennium which is connected with a nearly complete Christianization of populations of the Central and South-Eastern Europe and creation of centralized states and churches.
Ion Tentiuc
Les carreaux des poêles avec l’images heraldiques de Căușeni
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
Ion Tentiuc
Aspects of funeral rite and ritual in the Prut-Dniester region in the early Middle Ages (The Molești-Ialoveni necropolis)
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică Chișinău, 2007
Ion Tentiuc
Sergiu Matveev, Procesele etno-culturale din spațiul carpato-nistrean în secolele II-XIV. Istoriografia sovietică. Chișinău: Pontos, 2009, 230 p. text + 5 tabele
Tyragetia, serie nouă, vol. IV [XIX], nr. 1, Arheologie. Istorie Antică
Ion Tentiuc
Profesorul, savantul și omul de cultură Gheorghe Postică la 60 de ani
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
Ion Tentiuc
About horse rider pendants from the early Medieval period in the Prut-Dniester area
Tyragetia, serie nouă, vol. IV [XIX], nr. 1, Arheologie. Istorie Antică
The music is recorded on a cylinder with pins. The interior is divided into three compartments: the first contains the crank and the mechanism that operates the cylinder with pins, the second - the cylinder with pins and vibrating lamellae, and the third - two levers for starting and stopping the melody...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
