To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
About horse rider pendants from the early Medieval period in the Prut-Dniester area
Tyragetia, serie nouă, vol. IV [XIX], nr. 1, Arheologie. Istorie Antică
A special interest among the pieces from the early medieval period with particular significance is presented by the so-called bronze pendants depicting horses and horse riders executed more or less schematically, found during archaeological excavations and surveys or found accidentally. Their area of circulation includes regions stretching from the Volga and Northern Caucasus to the east and the Balkan Peninsula and Central Europe to the west. Most of them were discovered in Russia, Ukraine, Romania, Bulgaria, Macedonia, Serbia and Hungary.
In the space between Prut and Dniester several such objects are known, belonging to different typological models. These were discovered at Hansca (Ialoveni), Pohorniceni-Petruha (Orhei), Briceni, Cantemir, Bolgrad (reg. Odesa) and in two unknown localities from the Republic of Moldova.
The amulets hold a particular place among the pendants classified by us as type I or Hansca type. In the area which is being investigated four objects representing horses and horse riders are known without close analogies. They show generally a rider in profile heading towards the left. The saddled horse is small, with a long neck, graciously arched. The riders flexed legs makes us assume that he is supporting them on stirrups. The rider wears long boots, bent upward. The riders’ boots are connected with the front and rear legs of the equid. The distinctive element of this object category is that the individual holds the horse crest (holds the reins?) with his right arm, while the left arm adheres flexed to the chest.
The discovery of certain closed archaeological complexes (Hansca) allows dating the Hansca type amulets to the 10th-11th centuries. As hypothesis, we can assume that these objects penetrated to the Prut-Dniester space together with the groups of Iranian Allans from the Northern Caucasus. The presence of Allans to the north of Danube mouth is confirmed by written documentary sources also.
The second type is represented by amulets in which the rider is heading towards the left and holds a long curved sword with both hands. These pieces seem to be earlier and can be dated to the 9th – first half of the 10th century
List of illustrations:
Fig. 1. Medieval bronze pendants representing horses and horse riders from Prut-Dniester space: 1 - Pohorniceni- Petruha; 2 - Briceni; 3 - Cantemir; 4 - Hansca; 5-6 - unknown localities from Moldova.
Octavian Munteanu, Ion Tentiuc
A house of the 15th century explored in the fortified settlement of Horodca Mică
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
Ion Tentiuc, Valeriu Bubulici, Mariana Vasilache, Livia Sîrbu
The results of archaeological research in the Mazarache Church of Chișinău in 2010
Tyragetia, serie nouă, vol. VI [XXI], nr. 1, Arheologie. Istorie Antică
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
