German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design. The museum's collection preserves five figurines from one of the oldest porcelain manufactories in the Thuringia region of Germany - the statuary group known as *"The Musicians"*, crafted at the Volkstedt manufactory. These pieces entered the museum's holdings in 1991, acquired from a resident of Chișinău. With undeniable historical and artistic value, they bear the distinct imprint of the Rococo style. The Volkstedt manufactory has a long-standing tradition in producing figurines, including those depicting musicians. In 1760, Georg Heinrich Macheleid - inventor of hard-paste porcelain in Thuringia - founded a production workshop in Zitzendorf, which was relocated to Volkstedt in 1762. Macheleid led the manufactory until 1764. Over time, the factory changed ownership and management multiple times. Under the direction of Christian Nonne, it flourished between 1767 and 1797, a period marked by significant artistic development. Volkstedt began creating figurines that would later gain international recognition. It was during this flourishing period that the museum's porcelain statuettes, titled *"The Musicians"*, were produced. They depict five “putti”: four playing musical instruments (flute, mandolin, horn, and pipe), while the fifth conducts. Each figurine is entirely handcrafted - from modeling to painting - and delicately adorned with pastel tones and gilded details, capturing the playful movement and refined artistry of each musician. The base is made of mass-colored porcelain in a rare grey-green hue. The contrast between green, white, and gold accents lends the ensemble an unusually delicate appearance. These ornamental features are characteristic of the Rococo style, which emerged in France and is closely associated with the reign of King Louis XV. The mark applied to the figurines consists of two crossed forks, clearly rendered in underglaze blue, with slightly blurred paint - a detail that helps date their production. Because the crossed forks often resembled the crossed swords of the Meissen trademark, the Volkstedt manufactory was compelled to change its mark starting in 1787. Initially represented by a single fork, the mark briefly returned to two forks before being replaced in 1800 by the graphic symbol "R", referencing the town of Rudolstadt. Therefore, the brief period during which the two-fork mark was reinstated - and during which the museum's figurines were likely produced - is estimated to be between 1787 and 1800.
The statuettes range in height from 10 to 18 cm and are preserved in relatively good condition.
These late 18th-century German porcelain pieces, now on display, are exceptionally rare. They stand as true works of art by German craftsmen and serve as important historical testimonies to the evolution of porcelain manufacturing in Germany.
Considerations regarding the Getian necropolis from Danceni
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
In specialized and historical literature an opinion took root that the Getian tribes of the eastern Carpathian region particularly those who inhabited the wooded region of Modlova in the 6th -4th centuries B.C. practiced biritualism (inhumation and cremation) in their burial rite.
A strong argument in favor of these opinions is the Danceni multi-layer burial ground. According to them, the Danceni horizon dates back to the 1st millennium B.C. It contains those Scythian-Thracian complexes where biritualism was practiced. Some researches use these complexes in order to argue the Thraco-Getian continuity in the region; others use them to show symbiosis of traditions in the formation of a new archaeological culture in the region, i.e. the Getian culture.
The detailed comparison information on the burial ground and its materials available from publications and re- ports on excavations allowed to single out among “the early Getian” finds of the Danceni burial ground, two hori- zons occurring at different times and ethno-different: Scythian with inhumation of the middle Scythian culture, and typically Getian with cremation which dates back to the end of 5th – beginning of 4th centuries B.C.
Alexandru Levinschi, Eugen Sava
The military camp of Charles XII at Varnița near the Bender Fortress
Tyragetia, serie nouă, vol. VII [XXII], nr. 1, Arheologie. Istorie Antică
Alexandru Levinschi
Preliminary data about initial period of getian settlement in fortified Saharna Mare
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică Chișinău, 2007
Ion Tentiuc, Alexandru Levinschi
Archaeological researches from Buzduganii de Jos in the Ţuțora Valley conducted in 2008. Preliminary research results
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
Alexandru Levinschi, Ivan Vlasenco
The Getae burial with cremation at the medieval settlement of Poiana I
Tyragetia, serie nouă, vol. VII [XXII], nr. 1, Arheologie. Istorie Antică
German porcelain is highly prized among antique collectors for its exceptional material quality, originality, and the meticulous craftsmanship of its decorative design...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.