Porcelain is a material that has sparked great interest throughout history, and its production has been a true challenge. Also known as "white gold," porcelain is a white, translucent ceramic material obtained by firing a paste of kaolin, quartz, and feldspar, along with other additives, at high temperatures. It was first discovered and used in China. The first Chinese porcelain objects arrived in Europe in the 13th century, but a broader spread of Chinese porcelain on the European continent is recorded in the 17th century. The technology for producing porcelain was kept a secret by the Chinese for a very long time.
The first hard-paste porcelain manufactory in Europe, located in the city of Meissen, was established in 1710 due to discoveries in porcelain production made by Saxon mathematician and physicist Ehrenfried Walter von Tschirnhaus (1661-1708), which were put into practice by the royal court alchemist Johann Friedrich Böttger (1682-1718). He invented the glaze and achieved the complete fusion of the shard and the glaze. The Meissen factory, still operational today, has created and continues to create a vast range of porcelain products. Crafted by the finest artists, sculptors, and engravers, who use unique hand-painted colors and exclusive designs, Meissen products are of exceptional quality and elegance, enjoying worldwide fame.
The tea set, partially consisting of seven pieces (teapot, milk jug, sugar bowl, and two cups with saucers), displayed in this showcase, is a product of the famous Meissen factory in the Kingdom of Saxony, Germany. It was crafted in the first half of the 19th century from high-quality porcelain. The exhibit became part of the collection of the National Museum of History of Moldova through a transfer from the "G. Cotovschi" Memorial House in Hâncești, which was closed in 1989-1990.
The decoration of these pieces is remarkable, featuring hand-painted "German flowers," one of the well-known styles of floral and plant decoration practiced by Meissen craftsmen since the 18th century. They were influenced by Chinese porcelain, which was often adorned with images of flowers and fruits. A distinctive feature of this decorative style was the "scattered flowers" arrangement, where floral elements were placed as individual blossoms or bouquets across the surface of porcelain objects.
The marking on the underside of the pieces consists of two crossed swords, elements borrowed from the coat of arms of the Kingdom of Saxony, applied by hand with cobalt paint under the glaze. With slight variations in the representation of the swords, this mark has been used since 1722 and continues to the present day. The mark on this tea set is characterized by prominent dots on the crossed swords, a feature used at the Meissen factory between 1815 and 1860.
The polychrome floral painting, gilding, and the application of a rosebud on the lids of the teapot and sugar bowl lend a sublime delicacy to these pieces, making them rare and exquisite.
Fortifications of the Early Iron Age settlement Saharna Mare
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică
Today over 82 Iron Age monuments are known in the area of the Middle Dniester, Central Moldavian Hills. The most impressive monuments are situated on high promontories and heights close to Saharna village, Republic of Moldova. These sites of ancient settlements and villages are known since the end of the 40s of the 20th c., when G.D. Smirnov carried out the first reconnaissance excavations. Saharna Mare settlement stands out among these monuments. Since 2001 systematic archeological research has been carried out on the site. Saharna Mare is situated on a high stony triangular promontory surrounded from all sides by deep inaccessible ravines. The promontory is accessible only from the South. Archeological research proves that the site was populated as early as the Early Iron Age when a Hallstatt settlement of Saharna-Solonceni type was founded there. Consequently the promontory was fortified in the south by a complex system of defense. It contained a wall which went from south-east to northwest, with a ditch and three semicircular ramparts in the centre and flanks.
A comprehensive study of Saharna Mare fortifications offers certain corrections to our understanding of the construction methods at ancient settlements in the 1st millennium BC. Remains of earth mounds almost always are wrecks of a once erected “wall”. The analysis of the main line of defensive system and two ramparts (the third is demolished) has shown that the fortification was constructed out of a timber wooden drainage placed on the leveled surface. In order to save the wooden fl oaring from moisture the gap was filled by sand. The timber drainage which was the footing of the fortification was pierced by poles located evenly and strengthened by longitudinal and transversal beams on different levels. This wooden carcass was filled by earth, stones, sand and clay. To ensure the preservation of the fortification the framework was filled by building material layer by layer. The outer sides of walls of the majority of settlements which were constructed following these methods have a 2-2,7 m wide berm. It was used as a base for a construction of clay and crushed stones aimed at protecting the wooden wall from fires, and it was thicker at its bottom and narrowing on its way to the top.
Ca. 2 meters away from its southern outer side a ditch was dug, with its width at the mouth varying between 16,5-18,0 m. Excavations have shown that in antiquity the width of the ditch on the surface was ca. 15,6 m, at the bottom – 6,1 m, the depth was 3,2 m, and its 2,1 m was dug out of the stony base of the promontory.
Horseshoe-shaped ramparts which were bordering the ditch were built using the same methodology. The precise time of erection and demolition of the defenses is so far difficult to establish with any precision. Following the analysis of the discovered material it is obvious that all of them were intact and functioning in the 4th –3d c. BC.
Porcelain is a material that has sparked great interest throughout history, and its production has been a true challenge. Also known as "white gold," porcelain is a white, translucent ceramic material obtained by firing a paste of kaolin, quartz, and feldspar, along with other additives, at high temperatures...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The decoration of these pieces is remarkable, featuring hand-painted "German flowers," one of the well-known styles of floral and plant decoration practiced by Meissen craftsmen since the 18th century. They were influenced by Chinese porcelain, which was often adorned with images of flowers and fruits. A distinctive feature of this decorative style was the "scattered flowers" arrangement, where floral elements were placed as individual blossoms or bouquets across the surface of porcelain objects.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
