The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm. The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s. The piece was restored by Mihail Culașco, Restoration Department of NMHM. Brief History of the Camera The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality. The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia. The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.
Pedagogical literature of Bessarabia: editions, impressions and imposed models (1814-1918)
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
Primers were the most widespread pedagogical books published by the Bessarabian Ecclesiastical Press from 1814 to 1918, though this category of publications was allowed by the authorities only as far as it contributed to a better study of Russian. Most of the primers were published in Russian and Romanian, and the texts were arranged in parallel columns except for the edition of 1861. The Romanian text is translated from Russian, which indicates that the books are based on Russian primers of the 19th c. approved by the synodal censorship. A characteristic feature of the pedagogical literature of the 19th century is its pronounced religious character as it was intended for use in church schools.
The majority of these books enjoyed quite a few impressions. Two main types of the primers are distinguished:
– primers with the same bibliographical description (title-page, table of contents, page numbers); –the first three editions of 1814, 1815 and 1822 – can be considered as impressions of the first primer published by the Diocesan Chișinău Press in 1814. Not a single copy of them has survived in Romanian collections (editions of 1815 and 1822 were analyzed and described by O. Ghibu and S. Giurescu in the 30ies of the 20th c. and are considered lost);
– primers published in 1842, 1844, 1854, 1859 insignificantly differ in table of contents and contain more pages. Editions of 1842 and 1844 are preserved in collections, and editions of 1854 and 1859 are known to us only on the basis of bibliographic descriptions.
Pedagogical literature of the beginning of the 20th century is the result of Russification, conducted by the tsarist authorities in Bessarabia.
Maria Danilov
Reference points in the historiography of the Noul Neamț Monastery. Issues and interpretations
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Maria Danilov
Florin Marinescu, Vlad Mischevca, Cărțile românești din biblioteca mănăstirii athonite Sfântul Pavel, Atena, 2010, 285 p., ISBN: 979-960-85542-3-8
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Maria Danilov
Censorship, library and books (the 19th century)
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
Maria Danilov
Axentie Stadnițchi, Mitropolit G. Bănulescu-Bodoni, Chișinău, 2004, 224 p. (Sau cum nu trebuie editate cărțile noastre vechi...)
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie
Maria Danilov
Dinu Poștarencu, Destinul românilor basarabeni sub dominația țaristă, Chișinău: CEP USM, 2012, 546 p. ISBN 978-9975-71-322-1
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.