The exhibit represents a fragment from a unique amphora discovered in 1988 in a ceramic kiln from the Chirileni III settlement (Sîngerei district), attributed to the Cucuteni-Tripolie archaeological culture stage CII (5th-4th millennia BC).
The ceramic fragment with painted human and geometric representations constitutes about 50% of the upper part of an amphora, made of clay paste without impurities. It is burned in an oxidizing environment, with a reddish color in the section. The inner surface of the vessel is covered with a pink-whitish color layer, and the smoothed and polished exterior is covered with a yellowish-gray engobe start. The body of the amphora is spheroidal with four pyramidal cakes on the shoulder, and the neck is high frustoconical with a short outwardly turned lip. The dimensions of the bowl: lip diameter - 18 cm; maximum body diameter - 43-45 cm; neck height - 13 cm; height of exposed fragment - 43 cm; the estimated total height of the vessel is 55-60 cm. Thickness at the lip - 6-7 mm, at the neck - 9-11 mm, and at the body - 10-13 mm.
The outer surface of the amphora in a proportion of about 4/5, except for the lower part, is bicolorly decorated with black and brown paint, the brush being used as a tool, which can be felt from the specific application of the lines. Two brushes were most likely used. The ornament is divided into three horizontal registers that surround the vessel dividing the interior into metopes. The decoration is composed of lines arranged vertically, horizontally or obliquely forming geometric compositions of the net type.
The special significance of the amphora resides in the representation in the middle register of the painting of the stylized scene of a female ritual dance. The scene painted on the body of the amphora represents the image of a group made up of 9 female characters assisted by two dogs and 3 snakes. The female images are represented schematically, with the emphasis on long legs, mini-trapezoidal skirts, short stretched bodies, folded dancing hands and pointed heads.
Vessels with painted anthropomorphic representations are very rare, being around 140 images of this kind known so far in the entire area of spread of the Cucuteni-Tripoli culture.
Based on the analysis of the shape of the vessel, the specific decoration and the context of the discovery, it can be admitted that the amphora from Chirileni belongs to the cult of the Mother Woman, the Great Goddess worshiped by the Eneolithic populations.
The hoard of the late Bronze Age from the village of Antonești (the Cantemir District, Republic of Moldova
Tyragetia, serie nouă, vol. VII [XXII], nr. 1, Arheologie. Istorie Antică
In the summer of 2011 S.P. Bakhov, a resident of the Antonești village (Cantemir District), proposed to the specialists of the archaeological sector of the National Museum of Archaeology and History of Moldova several objects of bronze for the acquisition by the museum. According to information provided by S.P. Bakhov, the objects were found on the edge of a ravine situated near the village cemetery. By the discoverer, the objects emerged as a result of collapse of the soil. When checking the place of discovery, experts observed traces of the gradual collapses of the ravine banks. The hoard consists of 36 bronze objects: tools (2 whole and 11 fragmentary), arms (2 whole and 5 fragmentary) and ornaments (10 whole and 6 fragmentary).
By its composition the hoard found at the village of Antonești in Cantemir District corresponds to other findings of bronze objects in the Carpathian-Dniester space dated between Br.D - early Ha A1. Sickles of Heleșteni type, calotiform plaques, shapes of daggers' handles and needles attribute the Antonești hoard to the Noua culture.
The hoard represents a complex material collected during a long period of time, accumulated during BrD and buried, possibly, in the early Ha A1. The importance of the Antonești hoard's composite spectrum is in the presence of unique items that have no analogues for the moment.
The exhibit represents a fragment from a unique amphora discovered in 1988 in a ceramic kiln from the Chirileni III settlement (Sîngerei district), attributed to the Cucuteni-Tripolie archaeological culture stage CII (5th-4th millennia BC)...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
