In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor. The name Fabergé, emblematic of originality and synonymous with the creations of a legendary house, has left an indelible mark on the history of jewelry and decorative arts. Renowned for uniting jewelry, artistic design, and utility into objets de luxe and objets de fantaisie, Fabergé's creations have always captivated with their exquisite craftsmanship. Fashioned from gold, silver, enamel, and precious stones, the pieces produced in Fabergé's workshops testify to exceptional virtuosity, marked by meticulous attention to detail and perfect material harmony. Even works inspired by earlier stylistic vocabularies bear the unmistakable mark of originality.
The National Museum of History of Moldova treasures a spectacular ladle, crafted in Fabergé's workshops in the late 19th century. The Fabergé ladle is a curious blend of the "Russian style" and the "modern style." Made of solid silver, it features a circular, gold-plated bowl. Its raised, stylized handle (hook-shaped) is adorned with vegetal motifs, triple rings, and silver pearls. The rim is embellished with a wide band composed of rectangular medallions, decorated with spiral loops and stylized scales arranged alternately. The bowl is supported by four hemispherical feet. At the center, engraved inscriptions read: Eugenie von Platonow/St. Petersburg and ТОРГОВЫЙ ДОМЪ „АЛЕКСАНДРЪ"/1863/15/10/1913. Research suggests that this ladle was commissioned by Alexander Trauberg, a first-guild merchant and owner of the "АЛЕКСАНДРЪ" Trading House located at Nevsky Boulevard 11, St. Petersburg. It was likely created to mark the 50th anniversary of his business in 1913. The hallmark stamped on the base-Fabergé's K. ФАБЕРЖЕ logo surmounted by the Russian Empire's coat of arms, alongside the female profile in a kokoshnik within an oval frame, accompanied by the Greek letter Δ (delta) and the silver purity standard "88"-confirms that the piece was produced by Fabergé's Moscow branch. The hypnotic charm of Fabergé's creations defined the aesthetic ideals of an era, embodying exuberance and refinement, crafted by a jeweler to kings and a king among jewelers.
Two new hoards and several solitary finds of metal items of the Bronze Age - Early Hallstatt periods in the territory of Republic of Moldova
Tyragetia, serie nouă, vol. VII [XXII], nr. 1, Arheologie. Istorie Antică
The article publishes two new hoards and several solitary finds of bronze items from the Prut-Dniester interfluve. These finds can be dated the late Bronze Age and Early Hallstatt periods and relate to the Sabatinovka and Noua cultures, as well as to different early Hallstatt groups. Of special interest is the hoard from Brănești containing some types of items which until now were not known on the territories to the west from the Dniester. Also, remarkable is the structure of these two hoards, which may indicate a votive character of their deposition.
Fig. 6. Distribution of analogies for some items from the Brănești hoard in the Northern Pontic area: a-c - socketed axes (a. hoards, b. casting moulds, c. solitary finds); d-f - spears of Keliberda type (d. hoards, e. casting moulds, f. solitary finds). 1 - Brănești; 2 - Kremenchug; 3 - Kapulovka; 4 - Crimea; 5 - Zlatopol'; 6 - Laski; 7 - Volgograd museum; 8 - Dnepropetrovsk region; 9 - Loboikovka; 10 - Kabakovo; 11 - Soldatovo; 12 - Keliberda; 13 - Leopol'; 14 - Ivan'kovichi; 15 - Gogolev; 16 - Rep'evka; 17 - Karmanovo (after: Дергачев 2011; Клочко 2006; Ушурелу 2010; Шарафутдинова 1982; Bočkarev, Leskov 1980; Leskov 1981).
Денис Топал
Akinakai on the western frontiers of Scythia. Scythian swords and daggers from the territory of the Republic of Moldova
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
Stanislav Țerna
Late Tripolian settlement near the village of Volovița (Soroca District, Republic of Moldova)
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
Denis Topal
Use of bronze in the producing of Early Scythian akinakai
Tyragetia, serie nouă, vol. IX [XXIV], nr. 1, Arheologie. Istorie Antică Chișinău, 2015
Денис Топал
Scythian bronze cauldrons from the National Museum of History of Moldova
Tyragetia, serie nouă, vol. XIV [XXIX], nr. 1, Arheologie. Istorie Antică, Chişinău, 2020
Денис Топал
Е. Сава, С. Агульников, И. Манзура, Исследования курганов в Буджакской степи (1980- 1985 гг.). Кишинев: Bons Offices, 2019, 368 с., ISBN: 978-9975-87-560-8
Tyragetia, serie nouă, vol. XIV [XXIX], nr. 1, Arheologie. Istorie Antică, Chişinău, 2020
In the dazzling world of precious stones and noble metals, certain jewelers stand out, mastering the art of harmonizing understated elegance with absolute refinement, genius with design, and sophistication with eternal, unforgettable splendor...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
