To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts. There he also worked in the studio of Auguste Rodin (1840-1917), the founder of modern sculpture, and met Amadeo Modigliani (1884-1920), the Italian sculptor settled in France. Inspired by the work of these artists, he perfected his artistic training in Paris. His works are held in museums both at home and abroad, in the Netherlands, the Scandinavian countries, France, and the United States of America. For his outstanding merits he was awarded the Order of the Star of Romania in 1923; in 1931 Nicolae Iorga proposed him for the Order of Cultural Merit; and only in 1990 was he posthumously elected a member of the Romanian Academy. One of the artist's most famous creations is the sculpture Mademoiselle Pogany, considered a national symbol of modern Romanian art. Its protagonist was Margaret Pogany (1879-1964), a young Hungarian painter who came to Paris in 1909 to study painting techniques. Visiting her studio, she asked the sculptor to make her portrait, even leaving him a photograph and a self-portrait. In 1911 Brâncuși sculpted her likeness from memory in marble and in bronze, focusing on the deep, large, almond-shaped eyes, the subdued eyebrows, the narrow nose, the small mouth, the austere hairstyle and the modest gesture of the hands, rested against the face. Between 1912 and 1933 he produced nineteen versions of Mademoiselle Pogany. The commemorative medal "Constantin Brâncuși (1876-1976). Expoziție Filatelică Omagială - București 1976" was struck in Romania at the State Mint by the engraver Ștefan Grudinschi. Executed in bronze with a diameter of 60 mm and a weight of 113.73 g, the medal is remarkable for its memorial and artistic value. Obverse: the sculptor's bust facing left, with the semicircular legend "CONSTANTIN BRÂNCUȘI - 1876-1976." Reverse: a fragment of the triptych The Gate of the Kiss. Semicircular legend: "EXPOZIȚIA FILATELICĂ OMAGIALĂ - BUCUREȘTI 1976." The medal "Constantin Brâncuși. Mademoiselle Pogany. Craiova Art Museum. 1987" was also executed in bronze at the State Mint (Bucharest); it has a nominal diameter of 60 mm (because of the circular cutting the actual dimensions are D: 45 mm; weight: 53.55 g). The obverse shows, in the central field, an image of the Craiova Art Museum framed by the semicircular legend "MUZEUL DE ARTĂ - CRAIOVA / 1987." The reverse depicts a replica of the sculpture Mademoiselle Pogany made by Brâncuși's pupil O. Moșescu, accompanied by the inscription "CONSTANTIN BRÂNCUȘI - M-elle POGANY / 1913."
Considerations regarding the museum policies within the complex Orheiul Vechi and future perspectives
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
The general analysis of public policies aimed at the heritage complex Orheiul Vechi attests the absence of some consequent actions in the promotion of strategies and objectives proposed in various periods. The creation of the Reserve in 1968 and the subsequent cultural-museographic policies promoted by public institution demonstrated promising results until 1983. Nevertheless, in the activity of Orheiul Vechi complex is observed a crisis beginning with 1985, initially at the managerial level and later at the level of cultural-museum policies, situation largely due to some inconsistent actions, even deficient, promoted by the Ministry of Culture. The adoption of the concept of Museum complex „Orhei medieval town” in 1991 didn’t prove to be the best solution. Therefore, following a series of investigations undertaken on occasion of elaborating the Nomination File Orheiul Vechi Cultural Landscape and with the consideration of UNESCO international experts’ recommendations, was realized the need to redefine and create a new vision of Orheiul Vechi. The new vision had to consider both the elements of the natural and cultural heritage, and had to organically reflect the formation and development of this space from prehistory until present – that was the adoption in 2008 of the concept of „Cultural-natural reserve Orheiul Vechi”.
Gheorghe Postică
Dr. Mugur Andronic at 70 years
Tyragetia, serie nouă, vol. XIX [XXXIV], nr. 1, Arheologie. Istorie Antică, Chişinău, 2025
Gheorghe Postică
The early medieval spirituality in the Prut-Nistru space
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
Gheorghe Postică
Die Perlenmosaik mit Miniaturporträts des römischen Kaisers Konstantin der Große, Constantinus II und Constantius II aus Bursuceni, Republik Moldau
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
Iulia Postică
Public archaeology of museum complex Orheiul Vechi
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică Chișinău, 2007
Iulia Postică
Legislative aspects regarding the protection of the archaeological heritage in the Republic of Moldova (1945-2007)
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
To mark the 150th anniversary of the birth of the great Romanian sculptor Constantin Brâncuși, 2026 was declared by the President of Romania the Year of Constantin Brâncuși. Constantin Brâncuși, one of the greatest sculptors of the twentieth century, was born in 1876 in Hobița, Gorj County, and passed away in 1957 in Paris; he was buried in the Père-Lachaise cemetery. In 1904 he arrived in Paris, where he attended courses at the Royal Academy of Fine Arts...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.