The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm. The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s. The piece was restored by Mihail Culașco, Restoration Department of NMHM. Brief History of the Camera The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality. The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia. The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.
Considerations regarding the museum policies within the complex Orheiul Vechi and future perspectives
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
The general analysis of public policies aimed at the heritage complex Orheiul Vechi attests the absence of some consequent actions in the promotion of strategies and objectives proposed in various periods. The creation of the Reserve in 1968 and the subsequent cultural-museographic policies promoted by public institution demonstrated promising results until 1983. Nevertheless, in the activity of Orheiul Vechi complex is observed a crisis beginning with 1985, initially at the managerial level and later at the level of cultural-museum policies, situation largely due to some inconsistent actions, even deficient, promoted by the Ministry of Culture. The adoption of the concept of Museum complex „Orhei medieval town” in 1991 didn’t prove to be the best solution. Therefore, following a series of investigations undertaken on occasion of elaborating the Nomination File Orheiul Vechi Cultural Landscape and with the consideration of UNESCO international experts’ recommendations, was realized the need to redefine and create a new vision of Orheiul Vechi. The new vision had to consider both the elements of the natural and cultural heritage, and had to organically reflect the formation and development of this space from prehistory until present – that was the adoption in 2008 of the concept of „Cultural-natural reserve Orheiul Vechi”.
Iulia Postică
Data from the museification of Orheiul Vechi
Tyragetia, serie nouă, vol. III [XVIII], nr. 2, Istorie. Muzeologie
Gheorghe Postică
Die Perlenmosaik mit Miniaturporträts des römischen Kaisers Konstantin der Große, Constantinus II und Constantius II aus Bursuceni, Republik Moldau
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 1, Arheologie. Istorie Antică
Iulia Postică
Legislative aspects regarding the protection of the archaeological heritage in the Republic of Moldova (1945-2007)
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
Gheorghe Postică
Monks’ graves with head support stones, discovered at Căpriana Monastery
Tyragetia, serie nouă, vol. XIX [XXXIV], nr. 1, Arheologie. Istorie Antică, Chişinău, 2025
Iulia Postică
Museum exhibition – a means to valorize the archaeological heritage
Tyragetia, serie nouă, vol. I [XVI], nr. 2, Istorie. Muzeologie Chișinău, 2007
The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.