The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing. On the front panel is the Agfa anastigmat lens, mounted in a Compur-type shutter produced by F. Deckel in Munich. It features a foldable "brilliant" viewfinder for both portrait and landscape orientation. It uses glass photographic plates coated with a photographic emulsion, mounted in walnut wood holders, with a frame size of 9x12 cm. The walnut wood model, considered the flagship "Agfa Isolar Luxus," was designed by the A.H. Rietzschel factory in Munich, acquired by AGFA in 1925, which continued producing this type of camera under its own name until the late 1920s. The piece was restored by Mihail Culașco, Restoration Department of NMHM. Brief History of the Camera The history of the camera spans 200 years, evolving from the camera obscura to today's digital devices. Key milestones include: the first permanent photograph in 1826 by French physicist Joseph Nicéphore Niépce, using a wooden box and a plate coated with bitumen of Judea; the invention of the first photographic process - daguerreotype - in 1839 by Frenchman Louis Daguerre, marking the official birth of photography; the invention of calotype, based on the negative/positive principle, by British physicist and chemist Fox Talbot; the invention of wet collodion plates by Englishman Frederick Scott Archer and dry glass plates by Richard Leach Maddox and John Huds Bennet; the introduction of flexible roll film and the launch of the first Kodak camera by American inventor George Eastman; the release of the first 35 mm film camera by German company "Leica"; the launch of the first instant camera "Polaroid," invented by American Edwin Land. Finally, starting in 1975, this path led to the digital photography revolution. Each successive step made cameras smaller and faster, significantly improving image quality. The first photographic studio in Chișinău was opened in 1854 by Eduard Glewski, and before World War I, there were already about 100 photography studios in Bessarabia. The collection of the National Museum of History of Moldova includes over 30 cameras, made in Austria, Germany, France, USSR, Japan, and China, dating from the late 19th century to the 2000s. Among them are folding bellows cameras, BOX-type cameras, single-lens reflex (SLR) and twin-lens reflex (TLR) cameras, as well as digital (DSLR) cameras.
Some data about the descendants of Manuc Bey (19th century - beginning of 20th century)
Tyragetia, serie nouă, vol. IV [XIX], nr. 2, Istorie. Muzeologie
Manuc Bey, dragoman of the Porte, State Counselor of the Russian Empire was a well known person in the end of XVIII - early nineteenth century. About his business and political activities have been written monographs, studies and articles. The research time in the archival materials and published works, present several pieces of the lives of children, his grandchildren and great-grandchildren.
In 1822 October 31 the Civil Court of Basarabia was received the application of curates Manuc Bey property, state councilor Neboda and clucerul Burda to file the deceased ately. They presented the Manuc Bey’s testament drawn up in 1815 July 19 in Kronstadt, personally sign by the test. Testament was written in Armenian language, with translation into Russian, being certified by Gregory, Archbishop of the Armenians in Basarabia. This lately caused several years of dispute among heirs. At the same time, is an important source for the study of mentality and every- day life of the age, and pedigree of Manuc Bey study.
Manuc Bey was born in 1769 in Rusciuc in Mardiros Mirzoian and Mamilei’s family, the daughter of Hamum Oglu. First Manuc Bey in 1786 married the daughter of a wealthy Armenian, Avetz in Rusciuc. The second time he married in 1794 with Mariam (in the acts also called Hanuma), daughter of Haji Harutiun. From this marriage were born six children: two boys and four girls. From wills and other archival documents and studies, we identified their names: Murad (Murat in documents, Ivan, Ioan) and Feriat (Grigori in documents, Feriad), Mariam (Maria in documents), Pemba (Kaniane, Keiani, Gaiane, Gayrana in documents), Gadara (in documents Gadir, Gatere, Ecaterina), and Tebera (Gebera in documents).
Manuc Bey followers married with offspring from families known not only in the Russian Empire, but in Europe. The activity of some of them was mentioned at the state level.
List of illustrations: Photo 1. Grand Dragoman Manuc Bey. Photo 2. Armenian Church, burial place of Manuc Bey and his daughters. Photo 3. Tombstone’s Manuc Bey. Photo 4. Tombstone of Mary, the daughter’s Manuc Bey. Photo 5. Tombstone of Pemba (Gaiane), daughter’s Manuc Bey. Photo 6. Murat’s Palace at Hâncești (1927; 2010). Photo 7. “Hunter Palace”, built by Architects Bernardazzi.
List of annex: 1. The testament of Manuc Bey.
Alina Felea
From family history in the Romanian space: Alcoholism and family relations in the 18th century in Moldavia and in the first decades of the 19th century in Bessarabia
Tyragetia, serie nouă, vol. VIII [XXIII], nr. 2, Istorie. Muzeologie
Alina Felea
Some categories of epitaphs in Moldova and neighboring countries in the 17th - early 19th centuries
Tyragetia, serie nouă, vol. VII [XXII], nr. 2, Istorie. Muzeologie
Alina Felea
Divorces in Bessarabia in the first half of the 19th century
Tyragetia, serie nouă, vol. VI [XXI], nr. 2, Istorie. Muzeologie
Alina Felea
From the history of a family in Bessarabia of the early 19th century: the husband's inability to perform the conjugal duty
Tyragetia, serie nouă, vol. X [XXV], nr. 2, Istorie. Muzeologie
Alina Felea
Cantemir’ s wills. Case Study (XVIII - beginning XIX centuries)
Tyragetia, serie nouă, vol. V [XX], nr. 2, Istorie. Muzeologie
The main parts of the camera include the body, bellows, lens, and viewfinder system. The body consists of two lacquered walnut wood frames, joined by a folding black textile bellows that allows the necessary extension for focusing...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.