We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life. The spirit of the Resurrection is beautifully complemented by ten Easter-themed postcards from the heritage of the National Museum of History of Moldova, printed a century ago. These pieces were added to the museum's postcard collection over a decade ago following a successful acquisition; as the fund for Easter-themed illustrations is modest, we are in a constant search for new additions.
These postcards are "extraordinary" in terms of their postal, typographical, and chromatic effects-the primary reason for revisiting this genre of greetings. Unlike "classic" postcards, these are smaller in size (6.5 cm x 11 cm), made of cardboard (with the exception of one piece made of photographic paper in black and white), and feature "vivid" colors. Printed in Romania and Germany, they bear the marks of having been sent and circulated through the post.
The name of the holiday originates from the verb persach, meaning "to pass," a term adopted by the Jews from the Egyptians. It entered the Romanian language through the Byzantine-Latin form Paschae, signifying the "passage through death to life, the victory of life, and liberation from the bondage of sin." Easter is a holiday of tolerance and forgiveness, representing a bridge between the present and the past. The significance of this celebration is conveyed through its symbols, which are also featured on these postcards: Hand-painted eggs, the Easter Bunny and the Lamb, traditional sweet breads (cozonac and pască), biblical scenes related to the crucifixion and resurrection of Jesus Christ.
The Easter table also features pască-a ritual food reminiscent of ancient, bloodless "reconciliation" sacrifices. Its preparation is the exclusive task of women, the givers of life, as the leavened dough is considered "alive."
The most significant component of the Easter holiday, however, is the Light. The Ceremony of the Holy Light is associated with the miracle of the light appearing on Easter Sunday at Christ's Tomb in Jerusalem. The candle, often depicted in these images, carries a powerful message; it is with the Resurrection candle that we return home after the midnight religious service. Furthermore, the Easter Bunny represents the rebirth of nature, so eagerly awaited after a harsh winter.
Unlike Christmas, when the announcement and ritual integration of the community into sacred time was the duty of caroling groups, at Easter, "one does not go from house to house." Instead, the ritual meal is organized within each family, symbolizing a direct communion with God.
Surface structures from the settlements near by Saharna village
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
Several Iron Age monuments are known in the village of Saharna, Rezina region. For a few years planned archeological research had been conducted in three of them: Saharna Mică, Saharna Mare and Saharna “La Şanț”. In the course of research, it was established that Saharna Mare stony cape was first settled in the end of the 12th century B.C. In the 11th century B.C. an unfortified settlement existed here. By the end of this century or at the end of the next century, it was abandoned and the population moved to another area. As evidenced by the archaeological materials Saharna Mică cape was resettled by the 7th century B.C. The most intensive economic development the settlement reached in the 6th-5th centuries B.C., and military development by the 4th-3d centuries B.C. when it was fortified by a complicated system of fortified structures.
On the ground of research conducted on the territory of the Saharna Mare settlement it was established that in the 6th-5th centuries B.C. it occupied a considerable part of the cape and reached its peak of development in the 4th-3d centuries B.C.
According to the archeological materials, the fortified settlement of Saharna “La Şanț” was established in the 7th-6th centuries B.C., and later in the 5th-4th centuries B.C. it was already fortified by a wooden-earthen structure. Follow-up studies will allow us to more accurately determine the time when the settlements were settled and then abandoned.
Aurel Zanoci, Tudor Arnăut
Profesorul Ion Niculiță la 70 de ani
Tyragetia, serie nouă, vol. III [XVIII], nr. 1, Arheologie. Istorie Antică
Aurel Zanoci
Zur Typologie und Entwicklung der Befestigungsanlagen östlich der Karpatengebirge im 12./11.-3. Jh. v. Chr.
Tyragetia, serie nouă, vol. V [XX], nr. 1, Arheologie. Istorie Antică
Aurel Zanoci
Typology and evolution of gates and access into early hallstattian fortresses in Tisa-Dniester space
Tyragetia, serie nouă, vol. IX [XXIV], nr. 1, Arheologie. Istorie Antică Chișinău, 2015
Tudor Arnăut
In memoriam professoris Constantini Predae
Tyragetia, serie nouă, vol. II [XVII], nr. 1, Arheologie. Istorie Antică
Ion Niculiță, Aurel Zanoci, Tudor Arnăut
Fortifications of the Early Iron Age settlement Saharna Mare
Tyragetia, serie nouă, vol. I [XVI], nr. 1, Arheologie. Istorie Antică
We find ourselves in the month of April, as we prepare to celebrate Easter-a moveable religious holiday rich in festive rituals and ceremonial activities that place this event at the very heart of Christian spiritual life...
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
The National Museum of History of Moldova takes place among the most significant museum institutions of the Republic of Moldova, in terms of both its collection and scientific reputation.
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31 August 1989 St., 121 A, MD 2012, Chisinau, Republic of Moldova
